Archives par étiquette : Ecco

WHAT DOESN’T KILL YOU MAKES YOU BLACKER by Damon Young

From the cofounder of VerySmartBrothas.com, and one of the most read writers on race and culture at work today, a provocative and humorous memoir-in-essays that explores the ever-shifting definitions of what it means to be Black (and male) in America.

WHAT DOESN’T KILL YOU MAKES YOU BLACKER:
A Memoir in Essays
by Damon Young
Ecco/HarperCollins, March 2019

For Damon Young, existing while Black is an extreme sport. The act of possessing black skin while searching for space to breathe in America is enough to induce a ceaseless state of angst where questions such as “How should I react here, as a professional black person?” and “Will this white person’s potato salad kill me?” are forever relevant. WHAT DOESN’T KILL YOU MAKES YOU BLACKER chronicles Young’s efforts to survive while battling and making sense of the various neuroses his country has given him. It’s a condition that’s sometimes stretched to absurd limits, provoking the angst that made him question if he was any good at the “being straight” thing, as if his sexual orientation was something he could practice and get better at, like a crossover dribble move or knitting; creating the farce where, as a teen, he wished for a white person to call him a racial slur just so he could fight him and have a great story about it; and generating the surreality of watching gentrification transform his Pittsburgh neighborhood from predominantly Black to “Portlandia . . . but with Pierogies.” And, at its most devastating, it provides him reason to believe that his mother would be alive today if she were white. From one of our most respected cultural observers, WHAT DOESN’T KILL YOU MAKES YOU BLACKER is a hilarious and honest debut that is both a celebration of the idiosyncrasies and distinctions of Blackness and a critique of white supremacy and how we define masculinity.

• A Finalist for the NAACP Image Award
• Longlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay
• An NPR Best Book of the Year
• A Washington Independent Review of Books Favorite of the Year

Damon Young is a co-founder and editor in chief of VerySmartBrothas—coined « the blackest thing that ever happened to the internet » by The Washington Post and recently acquired by Univision and Gizmodo Media Group to be a vertical of The Root—and a columnist for GQ. His work has been featured in The New York Times, The Washington Post, LitHub, Time Magazine, Slate, LongReads, Salon, The Guardian, New York Magazine, EBONY, Jezebel, and the Pittsburgh Post Gazette. Based in Pittsburgh, he’s also a member of ACLU Pennsylvania’s State Board.

HEAT AND LIGHT de Jennifer Haigh

Mise à jour du 9 mai 2016 : droits cédés aux éditions Gallmeister

The next great American novel from Jennifer Haigh, set in the small Northeastern town of her previous bestselling works, now a world of greedy drillers, oil tycoons, and farmers looking to preserve their way of life–a story of unchecked desire for power

HEAT AND LIGHT
by Jennifer Haigh
Ecco, May 2016

Paragraph by paragraph, the prose is full of marvelous texture and material sensation.  Heat and Light is an intricate and ambitious novel, firmly grounded in history and our time. The narrator’s encyclopedic knowledge and keen insights about the physical world and social life make the novel a thrilling page turner.” – Ha Jin, National Book Award-winning author of Waiting

Heat and Light is a stunning book, a grand book, a book of old-fashioned power and scale. Within its pitiless and wide-open sights it takes aim at power and greed, plunder and the profit motive, the rapacity inherent in the American Dream and the complicity of its victims. It works on a wide canvas and contains, before the final curtain closes, all the pleasures of the 19th-century social novel, but with a conspicuous lack of easy moralizing. Just as all politics is local, so Haigh knows that all good fiction is personal, with the texture of the specific, and she writes prose with the spine in mind. This is an unsparing book, and one that sings.” – Joshua Ferris, author of Then We Came to the End

Forty years ago, Bakerton coal fueled the country. Then the mines closed, and the town wore away like a bar of soap. Now Bakerton has been granted a surprise third act: it sits squarely atop the Marcellus Shale, a massive deposit of natural gas.
To drill or not to drill? Prison guard Rich Devlin leases his mineral rights to finance his dream of farming. He doesn’t count on the truck traffic and nonstop noise, his brother’s skepticism or the paranoia of his wife, Shelby, who insists the water smells strange and is poisoning their frail daughter. Meanwhile his neighbors, organic dairy farmers Mack and Rena, hold out against the drilling—until a passionate environmental activist disrupts their lives.
Told through a cast of characters whose lives are increasingly bound by the opposing interests that underpin the national debate, Heat and Light depicts a community blessed and cursed by its natural resources. Soaring and ambitious, it zooms from drill rig to shareholders’ meeting to the Three Mile Island nuclear reactor to the ruined landscape of the “strippins,” haunting reminders of Pennsylvania’s past energy booms. This is a dispatch from a forgotten America—a work of searing moral clarity from one of the finest writers of her generation, a courageous and necessary book.

Jennifer Haigh is the author of four critically acclaimed novels: FAITH, THE CONDITION, BAKER TOWERS, winner of the L.L. Winship/PEN New England Award for Fiction, and MRS. KIMBLE, for which she won the PEN/HEMINGWAY award. She grew up in a small town in Pennsylvania and later graduated from Dickinson College and the Iowa Writers’ Workshop. Her short stories have been published in Good Housekeeping, Alaska Quarterly Review, the Idaho Review, Global City Review and elsewhere.

L’écriture selon Bukowski : des lettres inédites à paraître en 2015 !

La nouvelle ravira les milliers de fans de l’auteur : l’éditeur ECCO publiera en juillet 2015 le premier de trois volumes inédits de Charles Bukowski. ON WRITING précédera CATS (octobre 2015) et LOVE (Février 2016).

ON WRITING est un recueil autour d’un sujet qui a toujours obsédé le plus irrévérencieux des écrivains américains : l’écriture.

Piercing, unsentimental, and often hilarious, ON WRITING is made up of never-before-published letters about the subject that obsessed Bukowski the most: writing

ON WRITING
by Charles Bukowski
Ecco, July 2015

Charles Bukowski was one of our most iconoclastic, raw, and riveting writers, one whose stories, poems, and novels have left an enduring mark on our culture. ON WRITING collects Bukowski’s reflections and ruminations on the craft that he dedicated his life to. Piercing, unsentimental, and often hilarious, ON WRITING is filled not only with memorable lines but also with the author’s trademark toughness, leavened with moments of grace, pathos, and intimacy. In the correspondence collected here–letters to publishers, editors, friends, and fellow writers–Bukowski is brutally frank about the drudgery of work and canny and uncompromising when it comes to the absurdities of life-and of art. Still, he is always “effortlessly, magnetically readable” (Booklist), a true American legend and counterculture icon whose hard-edged, complex humanity is fully on display here. The “laureate of American lowlife,” a writer associated with the downtrodden and depraved, Bukowski was still always–and indelibly–in tune with the life of the mind.

THE GIRL IN THE GARDEN de Parnaz Foroutan

If your child is your legacy, who are you without one? What story will you leave behind?
A wrenching and heartfelt debut novel

THE GIRL IN THE GARDEN
by Parnaz Foroutan
Ecco, Fall 2015

Set in the Iranian town of Kermanshah at the turn of the twentieth century, THE GIRL IN THE GARDEN is the intimate, poetic, and brutal story of a young woman beholden to the schemes and strictures of a male world. In a cloistered household of wealthy Jewish merchants, at a time when a woman’s worth is measured only by the number of male heirs she can produce, Rakhel, a barren young bride, must do the impossible: produce a son and satisfy her husband Asher’s wild desire for preeminence. Their struggle slowly rends their family asunder, dividing Asher from his family and breaking the delicate bonds between the women of the house, which have grown like flowers in a garden as they battle impossible odds to save Rakhel and her place in the household.

THE GIRL IN THE GARDEN’s lyrical prose and heartbreaking evocation of female struggle in a forgotten time and place is reminiscent of Arundhati Roy’s The God of Small Things and Isabel Allende’s The House of the Spirits, but it is not just a novel about women. It is a story of Iran, of a lost cultural moment and identity that flourished before the wars and the reign of the shahs. And it is a story about family—about the things that draw us closer and perhaps inevitably push us apart.

Parnaz Foroutan was born in Iran and spent her early childhood there. This novel, for which she received PEN USA’s Emerging Voices fellowship, was inspired by her family history. She has been named to the Hedgebrook Fellowship and residency, and has received funding from the Elizabeth George Foundation, among other institutions. Writers like Holly Morris, Gloria Steinem, and Carolyn Forche have reviewed her work with praise and hold the project in high esteem.