Archives de catégorie : Literary

OPEN THROAT de Henry Hoke

A mountain lion is on the brink of starvation in the urban landscape of Los Angeles. As it observes the city’s perilous beauty and confronts climate change, inequality and love, the animal asks itself: Does it want to eat a human, or become one?

OPEN THROAT
by Henry Hoke
‎ MCD/ Farrar, Straus & Giroux, Summer 2023
(via Sterling Lord Literistic)

A stinging, elegiac snapshot of contemporary Los Angeles, told, you guessed it, from the perspective of a queer, dangerously hungry mountain lion, isolated and struggling to survive in a drought-devastated Griffith Park. As it protects the precarious welfare of a nearby homeless encampment from its thicket, it confronts a carousel of temptations and threats, taking us on a tour that spans the city’s cruel inequalities to the toll of climate grief, all while grappling with the complexities of its own gender identity and memories of a vicious, absent father.
In stinging, unpunctuated prose, OPEN THROAT delivers searching, exclamatory observations of a strange, seductive and elusive world, rich with wonder and menace, for a creature who knows it’s come to the wrong place at the wrong time. Even as salvation (in the form of a loving and witchy teen daughter of an aging rock star) appears within reach, there’s no escaping our primal pressures as the inevitable reckoning rushes in like wildfire.

Henry Hoke is the author of the memoir, Sticker (Bloomsbury Object Lessons), The Book of Endless Sleepovers, the story collection, Genevieves, and the novel, The Groundhog Forever. His work has appeared in Electric Literature, Triangle House, The Offing, and the Catapult anthology, Tiny Crimes. He holds an MFA from the California Institute of the Arts, where he taught for five years, and presently teaches at the University of Virginia Young Writers Workshop and lives in Brooklyn. Praise for his work can be found here: https://henryhoke.com/

Le Grand prix de littérature américaine 2021 attribué à Joyce Maynard

Où vivaient les gens heureux de Joyce Maynard, paru en août 2021 aux éditions Philippe Rey dans une traduction de Florence Lévy-Paolini, vient de remporter Le Grand prix de littérature américaine. Ce prix récompense chaque année un roman américain paru depuis le 1er janvier et se distinguant par ses qualités littéraires de premier plan.

Le jury a vu dans l’ouvrage « un livre d’une grande subtilité où Joyce Maynard explore magistralement la gamme des sentiments, à travers le portrait d’une femme des années 1970 à aujourd’hui. A la fois réflexion sur le couple et sur la famille, ce roman restitue avec finesse tout ce dont sont faites nos vies, face à un monde et une société en perpétuel mouvement. »

Le roman :

Lorsque Eleanor, jeune artiste à succès, achète une maison dans la campagne du New Hampshire, elle cherche à oublier un passé difficile. Sa rencontre avec le séduisant Cam lui ouvre un nouvel univers, animé par la venue de trois enfants : la secrète Alison, l’optimiste Ursula et le doux Toby.

Comblée, Eleanor vit l’accomplissement d’un rêve. Très tôt laissée à elle-même par des parents indifférents, elle semble prête à tous les sacrifices pour jses enfants. Cette vie au cœur de la nature, tissée de fantaisie et d’imagination, lui offre des joies inespérées. Et si entre Cam et Eleanor la passion n’est plus aussi vibrante, ils possèdent quelque chose de plus important : leur famille. Jusqu’au jour où survient un terrible accident…

Dans ce roman bouleversant qui emporte le lecteur des années 1970 à nos jours, Joyce Maynard relie les évolutions de ses personnages à celles de la société américaine – libération sexuelle, avortement, émancipation des femmes jusqu’à l’émergence du mouvement MeToo… Chaque saison apporte ses moments de doute ou de colère, de pardon et de découverte de soi.

FIRE SEASON de Leyna Krow

A feminist novel upending the archetypal « western » in the vein of The Sisters Brothers meets Inland, set in 1889 in Washington Territory on the heels of a great fire about an inadvertently dangerous psychic and the two conmen she meets on her path to redemption.

FIRE SEASON
by Leyna Krow
‎Viking, Summer 2022
(via Levine Greenberg Rostan)

For the citizens of Spokane Falls, a fire that destroyed their frontier boomtown was no disaster; it was an opportunity. Set in 1889 in Washington Territory on the heels of this event, FIRE SEASON tells the story of three characters who seize big opportunities the fire brings, though in different ways and to different ends. Barton Heydale, manager of the city bank, uses the ensuing chaos to embark on schemes of fraud, forgery, and kidnapping. Quake Auchenbaucher, a conman, suddenly finds his career in manipulation jeopardized. And there’s Roslyn Beck, an alcoholic prostitute with the ability to see the future and with whom both men fall madly and dangerously in love. Unbeknownst to them, she has a deviant influence that, for better or worse, can change the world. As their paths collide, diverge, and collide again, these three come to terms with their own needs for power, greed, and control — leading one to total ruin, one to heartbreak, and one, ultimately, to redemption.
In the incandescent, genre-bending spirit of Eleanor Catton’s The Luminaries, Karen Joy Fowler’s Sarah Canary, or Patrick deWitt’s The Sisters Brothers, with notes of Ottessa Moshfegh’s quick wit and wicked imagination, FIRE SEASON is playful, creepily magical, and historical, yes, but not in the traditional sense. The setting is a darkly whimsical approximation of what the Pacific Northwest was like at the end of the 19th century, and the characters may seem better suited to the modern literary fabulism of someone like Aimee Bender or Kelly Link than the wild west.

Leyna Krow’s first collection I’m Fine, But You Appear to Be Sinking (Featherproof Books, 2017) was a finalist for The Believer Book Award. Krow lives in Spokane, Washington with her husband and two children. She is at work on her second novel.

Photo credit: Young Kwak

AUTOPORTRAIT de Jesse Ball

A literary self-portrait in which the author’s entire life is revealed through the brief moments of accident, absurdity, and loss which have made it.

AUTOPORTRAIT
by Jesse Ball
‎ Catapult, TBD 2022
(via Sterling Lord Literistic)

Photo by James Foster

Inspired by Édouard Levé’s novel of the same title and format, Jesse Ball haswritten a slim, uninterrupted stream of compact reflections with no obvious order, that brilliantly construct AUTOPORTRAIT. These reflections range from the mundane, the crude, and the crass, to the mysterious, poignant and the brutally beautiful. With spare prose, marked by its humility and precision, Jesse Ball has rendered life, memory, and existence so vividly there are many places where the reader wonders if it is their own existence being described. The novel, which borrows its name from Levé’s, and which preceded Levé’s final work published mere weeks before his tragic suicide, deals with similar themes in a similar register. However, Ball’s voice is entirely his own, and the speaker of this novel is frighteningly honest, while inspiring a deep, tender fondness. Among the many treasures of this piece, Ball includes comments on his difficult upbringing, his marriages, his drug use, his teaching and pedagogy, the things he likes about cats and rats, and the things he adores about gullies and sumps.
Ambitious, serious, witty, and provocative, Jesse Ball’s latest work is a disciplined novel that chronicles the chaos of a life. AUTOPORTRAIT, both through its form and its content, suggests that human beings are made up of contradictions, and encourages us to contradict ourselves more often.

Jesse Ball is the author of fourteen books. His works have been published to acclaim in many parts of the world and translated into more than a dozen languages. He is on the faculty at the School of the Art Institute of Chicago, won the 2018 Gordon Burn Prize, the 2008 Paris Review Plimpton Prize, was longlisted for the National Book Award, and is a 2017 Granta Best Young American Novelist. Ball has also been a fellow of the NEA, Creative Capital, and the Guggenheim Foundation.

RIVER SPIRIT de Leila Aboulela

A masterful, adventurous new novel set in nineteenth-century Sudan from Caine Prizewinning, New York Times Notable author Leila Aboulela.

RIVER SPIRIT
by Leila Aboulela
Atlantic Monthly Press, March 2023

Hailed as “a versatile prose stylist” (New York Times) whose work “shows the rich possibilities of living in the West with different, non-Western, ways of knowing and thinking” (Sunday Herald), Leila Aboulela has been longlisted for the Orange Prize (now the Women’s Prize for Fiction) multiple times and shortlisted for the Commonwealth Prize and the PEN/Macmillan Silver Pen Award. She has been praised by J.M. Coetzee, Ali Smith, Aminatta Forna, and Anthony Marra, among others, for her rich and nuanced novels depicting Islamic spiritual and political life.
Her new novel, RIVER SPIRIT, is a compulsive and searching look at the complex relationship between Britain and Sudan, Christianity and Islam, colonizer and colonized. A spellbinding and addictive narrative of the years leading up to the brutal British conquest of Sudan in 1898, it colorfully narrates a story of the individuals who fought for and against Gordon of Khartoum—the British general who defended the city against the Sudanese during the 1884 siege of Khartoum—and the self-anointed Mahdi, Sufi religious leader of Sudan. Told mesmerizingly in a chorus of the vivid women and men who fought for and against these two leaders—including an orphaned young enslaved woman, her unlikely suitor and guardian, a military rebel, and two ferocious mothers—this page-turning novel delivers up a complex portrait of the “tragic Victorian hero” who ultimately proved a disappointment to the Sudanese who trusted him, and an obstacle to the thousands of men and women who—against the odds and for a brief time—gained independence from all foreign rule through their will-power, subterfuge, and sacrifice.
A fascinating immersion into Sudanese history written by one of its own, Aboulela’s latest novel examines the trials of war and the dynamism of human courage through the voices of society’s most unexpected heroes.

Leila Aboulela is the first ever winner of the Caine Prize for African Writing. Her novels include The Kindness of Enemies, The Translator (longlisted for the Orange Prize), Minaret, and Lyrics Alley, which was Fiction Winner of the Scottish Book Awards. Her work has been translated into fifteen languages. She grew up in Khartoum, Sudan, and now lives in Aberdeen, Scotland.