Archives de catégorie : Fiction

THE QUEEN OF BAD INFLUENCES de Jim Shepard

Twelve compressed masterworks from this great American writer of catastrophe fiction, in which lives are upended as much by broken hearts as by collapsing dams, hideously mismanaged wars, gargantuan wildfires, and apocalyptic storms.

THE QUEEN OF BAD INFLUENCES
by Jim Shepard
Knopf, September 2026
(via Sterling Lord Literistic)

In Richard Ford’s view, Jim Shepard’s “talent is so various and canny he can write about seemingly anything and make it thrilling to us,” and in these stories spanning six centuries we find viscerally evoked worlds as wildly diverse as a mercenary’s corner of 16th century Madrid, a young apprentice’s pre-Revolutionary Boston, and Edward Hyde’s London. With civil engineers and destitute veterans we encounter the devastating 1935 Labor Day hurricane in Florida, and we read the 1864 letters between Lucy in Boon, North Carolina (“Three privates are currently sleeping soundly on our porch in their muddy blankets”) and her great love, William, on the march in Tennessee (“I can’t write much for it seems we are looking for a fight every minute”), while the title story introduces us to the stubborn Constance, who had “no gift for flirtation” with men, preferring Minna, her best friend and “queen of bad influences,” as their vexed devotion unfolds in part on the liner Lusitania.

With irony, compassion, and withering humor, these stories evoke the terrible ease with which cataclysm, human-engineered or otherwise, can sweep away all we find most precious, and expose those limitations we’ve refused to address. At the same time, Shepard celebrates what is best in us: the love and friendships we sustain, and the passions and grace we grant one another.

“Jim Shepard is a fantastic writer—compassionate, funny, and fearless—[whose work] does what great writing always does: inspires us to look more closely at life, and be more caring.” —George Saunders

« A deft, audacious artist. » —Norman Rush, National Book Award-winning author of Mating

Jim Shepard has written eight novels, including most recently Phase Six and The Book of Aron, which won the Sophie Brody Medal for Jewish Literature, the PEN/New England Award for Fiction, and the Clark Fiction Prize, and five story collections, including Like You’d Understand, Anyway, a finalist for the National Book Award and Story Prize winner. Seven of his stories have been chosen for the Best American Short Stories, two for the PEN/O. Henry Prize Stories, and two for Pushcart Prizes. His short fiction has appeared in, among other magazines, Harper’s, McSweeney’s, The Paris Review, Granta, The Atlantic Monthly, Esquire, The New Yorker, Zoetrope: All Story, and Playboy, and he was a columnist on film for the magazine The Believer. He also won a Guggenheim Foundation Award, the Library of Congress/ Massachusetts Book Award for Fiction, and the ALEX Award from the American Library Association. He previously taught at Williams College and lives in Williamstown, Massachusetts with his wife Karen and two beagles.

MAGGIE MAYBE de Stephanie Webb

A coming-of-middle-age novel about two women who get a second chance to rewrite their lives—only to discover that their real stories were never flawed, just unfinished. For readers of Emma Straub and Catherine Newman.

MAGGIE MAYBE
by Stephanie Webb
Gallery, Summer 2027
(via David Black Agency)

When thirty-nine-year-old Maggie Mabey reads the opening of a novel-in-progress by her favorite author Savannah Greenstem, she is stunned to find her own life playing out on the page. She passes out and wakes up in an alternate reality where all her professional aspirations have come true: she’s a bookstore owner and a successful author, just as she’d always dreamed of being. The only problem? Her kids don’t exist. And her husband? He’s never heard of her.

Even though sixty-two-year old Savannah Greenstem has written dozens of books, she’s barely typed a word since the death of her late husband five years ago. But her writers block isn’t due to a broken heart; instead, she’s wrecked by the realization that she was never really in love with him in the first place. Years ago, she’d given up the great love of her life—Wilder Sinclair—to become the successful writer she was destined to be. Although she doesn’t exactly regret her choices, she does long for the life she might have had. But now, in this alternate world she’s found herself in, she and Wilder are together and it’s so much better than she could have imagined.

Desperate to return to the life she had before, Maggie finds Savannah and tries to convince her to rewrite her story. But Savannah doesn’t want to leave her own fantasy, even if it means keeping Maggie here against her will. As Maggie’s and Savannah’s fictional lives unravel—and entangle—in unexpected and delightful ways, they each must confront what they’ve been running from, ultimately discovering that the stories we tell ourselves can either trap us or, if we pay attention, give us the insight we need to remake our lives.

Stephanie Webb is a graduate of The Book Incubator and works as the marketing director for the program alongside authors Mary Adkins and Rufi Thorpe (who will certainly blurb). She earned her BA in English Literature and her MS in Holistic Nutrition. She was a finalist for the Women’s Fiction Writers’ Association Rising Star Award and has a growing social media platform with almost 14,000 Instagram followers.

RAVISHING d’Eshani Surya

A brilliant and compelling debut, RAVISHING shines a light on the dark enticements of the beauty industry and how it capitalizes on our desire to be someone we are not.

RAVISHING
by Eshani Surya
Roxane Gay Books/Grove Atlantic, November 2025

A provocative, darkly surreal novel of two Indian American siblings caught in the clutches of a beauty tech company, RAVISHING is a searing portrait of the beauty industry’s dangerous ability to change people’s relationship to their bodies and the cult-like grip it has on youth.

For teenage Kashmira, it’s painful to look in the mirror; she has her father’s face, and every feature is a reminder of his abandonment. When a friend introduces her to Evolvoir, a beauty product that changes users’ features, Kashmira is quickly hooked on how it allows her to erase the triggers of her grief. Meanwhile, at Evolvoir’s corporate offices, Kashmira’s estranged brother Nikhil first sees the product as an opportunity to make a difference and a name for himself, but is quickly mired in corporate complicity as reports surface of the product causing severe pain and persistent symptoms in some users. As chaos ensues, Kashmira is hospitalized and must negotiate the constraints of her new reality, while Nikhil uncovers a vicious truth that will force him to decide where his loyalties lie.

Perfect for readers of Gold Diggers and You Too Can Have a Body Like Mine, RAVISHING is a visceral, yet immensely tender, coming-of-age story of two Indian American siblings caught in the clutches of a predatory beauty tech company, providing an illuminating portrait of the complexities of growing up brown, chronic illness, and our relationship to ourselves.

“[An] absorbing debut . . .  timely and a hard-hitting takedown of the beauty industry and a nuanced and sensitive look at the pressure on those who don’t fit traditional beauty norms to assimilate.”—Booklist (starred review)

“This debut is thoughtful in its handling of tricky themes of identity, belonging, and, perhaps most compellingly, the intersection of wellness culture and chronic illness. Surya handles this latter with unflinching—even discomfiting—clarity. A speculative take on the all-too-real rot at the heart of the beauty and wellness industry.”—Kirkus Reviews

“Incendiary . . . Surya blends her stirring whistleblower plot with a heartrending depiction of Kashmira’s delusion . . . This one hits hard.”—Publishers Weekly

Eshani Surya is a chronically ill South Asian writer living in Philadelphia. She holds an MFA from the University of Arizona, and is a 2022 Asian Women Writer’s Workshop mentee, a 2022 Kenyon Review Writer’s Workshop scholarship recipient, and a 2021 Mae Fellowship recipient. RAVISHING is her first book.

CO de Rina Schmeller

“Rina Schmeller […] writes with empathy but eschews all sentimentality, revealing not only the full horror of her situation, but also love in all its facets.” —Jenny Erpenbeck

CO by Rina Schmeller
Penguin Verlag/PRH Germany, March 2026

They met on a bridge. They recognised a kindred spirit in each other. They fell in love. And now they have decided to share their lives with each other, regardless of the drug to which he is addicted, and which will henceforth govern her life too. She becomes entangled in his addiction, and starts to orbit him like he orbits the drug, both calm centre and third party. She leaves again and again, to escape the violence, but always comes back. Almost always.

CO is a story about empathy and creeping self-sabotage, about the dynamics of addiction – which affects us all – and about what life is like when you’re co-dependent. Yet it is also the story of a woman’s empowerment and liberation, who finds the strength to let go. And as she embarks on the long and tough road to survival, she gradually regains her independence and finds her way back to herself. A powerful, elegant novel about regaining your inner freedom, sober, quiet and fiercely honest.

Rina Schmeller, born in 1986, studied creative writing in Leipzig and literary studies with comparative literature in Berlin. She has been awarded several fellowships and was a member of the 2020 prose writers’ workshop at the Literary Colloquium in Berlin. In 2024 she published the essay Bedeutung erleben (‘Experiencing meaning’, Edit no. 91) about writing « Co ».

EXIT d’Ezzedine C. Fishere

This highly original novel tells an alternative history in which the Arab Spring leads Egypt and the Middle East to the brink of nuclear war.

EXIT
by Ezzedine C. Fishere
Translated by Jonathan Smolin
American University in Cairo Press, November 2026

In what might be his last night on Earth, the Egyptian president’s translator Ali pens a letter to his estranged son, telling him of everything that has led him, and his country, to breaking point.

Ali is traveling aboard a cargo ship on a dangerous mission to accompany twenty-four nuclear warheads from North Korea to Egypt, where they will be launched at the Israeli occupation of Sinai. But he has blown the whistle on the operation and now must face the consequences: will he be celebrated as a hero or condemned as a traitor?

Fishere’s powerful storytelling offers an alternative history to events post-revolution in Egypt, hinging on the rupture of the Arab Spring. EXIT creates a compelling, and terrifying, vision of the Middle East, one that both teaches us about the present and warns of coming catastrophe.

“[A] wonderful ‘prophetic’ novel”—Jamal Khashoggi

Ezzedine C. Fishere is an Egyptian novelist, diplomat and academic. A distinguished fellow at Dartmouth College, his extensive diplomatic experience includes the Egyptian Foreign Service and the United Nations missions in the Middle East and East Africa. He has published ten novels in Arabic, two of which have been translated into English: Embrace on Brooklyn Bridge which was nominated for the International Prize for Arabic Fiction (often referred to as “the Arabic Booker”) and The Egyptian Assassin which was adapted by Pan-Arab TV into a limited television series entitled, “Abou Omar El-Masry.” He lives in Hanover, New Hampshire.