An uncompromising act of good faith, a testament to devotion and allegiance rendered with the haunting grace of Rock’s precision prose.
MAKESHIFT
by Peter Rock
Soft Skull Press, August 2026
(via Sterling Lord Literistic)
Abandoned on a remote island known as Makeshift, three sisters—Ari, Heiko, and CeCe—believe they’re the last humans on Earth.
These three, left alone after a band of foreigners slaughtered their entire community, must learn to fend for themselves. They fish and forage in the shallow waters of their protected cove, salvage useful treasures from the rusting hulks of ships that ran aground on its offshore reefs, and entertain themselves with half-remembered tales from their time before.
But when they stray beyond the island into a wider, broken world, they find that life may not be as they believed. And upon their return to the island, they face further revelations that strain their bonds, hint that secrets may be everywhere, and affirm their need for one another in the face of a perilous future.
MAKESHIFT is a singular novel of hope and survival set on a small rock-bound island in the coastal Pacific Northwest, and a testament to devotion and allegiance rendered with the haunting grace of Rock’s precision prose.
Peter Rock is the author of eleven previous works of fiction, including My Abandonment, which won the Alex Award and was adapted into the film Leave No Trace. The recipient of fellowships from the Guggenheim Foundation and the National Endowment for the Arts, as well as a finalist for the PEN/Faulkner Award and John Dos Passos Prize, he lives in Portland, Oregon with his wife and two daughters.
In Richard Ford’s view, Jim Shepard’s “talent is so various and canny he can write about seemingly anything and make it thrilling to us,” and in these stories spanning six centuries we find viscerally evoked worlds as wildly diverse as a mercenary’s corner of 16th century Madrid, a young apprentice’s pre-Revolutionary Boston, and Edward Hyde’s London. With civil engineers and destitute veterans we encounter the devastating 1935 Labor Day hurricane in Florida, and we read the 1864 letters between Lucy in Boon, North Carolina (“Three privates are currently sleeping soundly on our porch in their muddy blankets”) and her great love, William, on the march in Tennessee (“I can’t write much for it seems we are looking for a fight every minute”), while the title story introduces us to the stubborn Constance, who had “no gift for flirtation” with men, preferring Minna, her best friend and “queen of bad influences,” as their vexed devotion unfolds in part on the liner Lusitania. 
“