Archives par étiquette : Sterling Lord Literistic

THREAT ACTORS de Mitch Moxley et Johnny Liesman

A quarter-billion-dollar crypto heist, a violent kidnapping, a network of teenage cybercriminals, and the rise of the Gen Z Mafia.

THREAT ACTORS
by Mitch Moxley & Johnny Liesman

Random House, Fall 2028
(via Sterling Lord Literistic)

Not too long ago, responsible adults worried that adolescents who spent hours playing video games like Grand Theft Auto were being indoctrinated into a world numbed to violence and misogyny. What flew under the radar were the late-night sessions on less violent multiplayer games like Minecraft and Roblox that primed kids for something just as unsettling. There, kids could learn to cheat, hack, and steal in online marketplaces selling “rare” usernames and game add-ons, earning an “education” that seamlessly propelled them into the higherstakes cryptocurrency world and hijacking digital wallets—sometimes in a matter of seconds. Threat Actors follows one such group of young men as they graduate from scripted phone scams into threats and beatings, and from “small” seven-figure thefts to the heist of a quarter billion dollars from an unsuspecting middle-aged investor. They are members of “the Com,” or “the Community,” a fast-growing online collective of young criminals trained at home and emerging as a brutal and organized 21st-century Mafia.

THREAT ACTORS (a term used by law enforcement and investigators to describe this growing class of cybercriminals) follows the group’s most notorious crime down every rabbit hole, revealing who the “threat actors” behind the senseless usernames are, examining how an anonymous young investigator on X helped the FBI unravel the mystery of their identities, and asking who’s really to blame for the conditions that guided them down the path to crime.

Mitch Moxley is a writer who has contributed to The New York Times Magazine, GQ, Esquire, Rolling Stone, The Atlantic, and other publications. He is the co-creator, writer, and host of the podcast Over My Dead Body: Operation Sideswipe (Audible Originals, October 2026), and author of the memoir Apologies to My Censor, about the six years he lived in China.

Johnny Liesman is a New York-based investigative journalist and producer who codeveloped and reported the Audible Originals series Over My Dead Body: Operation Sideswipe and is producing an upcoming podcast hosted by Pulitzer Prize-winning journalist Ronan Farrow. He’s spent countless late nights in the Telegram channels of the Com—and grew up in the same online world as many of the book’s subjects.

THE ST. ALWYNN GIRLS AT SEA de Sheila Heti

From “one of the freshest, funniest and most ingenious humans writing today [and] one of our best living authors” (The Washington Post) comes a deeply delightful seafaring adventure and a brilliant group portrait of female adolescence.

THE ST. ALWYNN GIRLS AT SEA
by Sheila Heti

Farrar, Straus and Giroux, May 2027
(via Sterling Lord Literistic)

Photo credit: Luis Mora

To escape the dangers of wartime bombings, the girls of St. Alwynn’s have been evacuated by their headmistress to a ship on the high seas. Yet instead of being safe, they find themselves plunged into a different kind of chaos. Trapped in a floating pressure cooker of teenage anguish and rivalry, their isolation is penetrated by just one thing: the weekly arrival of the mail bag, bearing letters from a distant boys’ ship.

Through the perspectives of the passionate Dani, the high-minded Lorraine, the sensitive Flora, and the beautiful Yvonne, THE ST. ALWYNN GIRLS AT SEA creates a dramatic and vivid mini-society. But as their ship sails onward, westward, or perhaps just around in circles, the girls find themselves in ever more peril. Will they never reach home? Is their headmistress okay? And what if they’ve completely misunderstood each other―and themselves?

Hilarious, moving, and taking on some of the biggest questions of life, THE ST. ALWYNN GIRLS AT SEA delivers the absorbing and wondrous pleasures of childhood reading while inventing an entirely new category of narrative pleasure, anchored by the psychological incisiveness Sheila Heti is known for. It is as though she has gone back in time and returned to the present with a lost modern classic in hand.

Sheila Heti is the author of eight books, including the critically acclaimed How Should a Person Be? and the New York Times Bestseller, Women in Clothes (edited with Heidi Julavits and Leanne Shapton). She is the former interviews editor at The Believer magazine, and has been published in The New Yorker, McSweeney’s, The Paris Review, n+1, The London Review of Books, and more. Her work has been translated into a dozen languages. She lives in Toronto.

MAKESHIFT de Peter Rock

An uncompromising act of good faith, a testament to devotion and allegiance rendered with the haunting grace of Rock’s precision prose.

MAKESHIFT
by Peter Rock

Soft Skull Press, August 2026
(via Sterling Lord Literistic)

Abandoned on a remote island known as Makeshift, three sisters—Ari, Heiko, and CeCe—believe they’re the last humans on Earth.

These three, left alone after a band of foreigners slaughtered their entire community, must learn to fend for themselves. They fish and forage in the shallow waters of their protected cove, salvage useful treasures from the rusting hulks of ships that ran aground on its offshore reefs, and entertain themselves with half-remembered tales from their time before.

But when they stray beyond the island into a wider, broken world, they find that life may not be as they believed. And upon their return to the island, they face further revelations that strain their bonds, hint that secrets may be everywhere, and affirm their need for one another in the face of a perilous future.

MAKESHIFT is a singular novel of hope and survival set on a small rock-bound island in the coastal Pacific Northwest, and a testament to devotion and allegiance rendered with the haunting grace of Rock’s precision prose.

Peter Rock is the author of eleven previous works of fiction, including My Abandonment, which won the Alex Award and was adapted into the film Leave No Trace. The recipient of fellowships from the Guggenheim Foundation and the National Endowment for the Arts, as well as a finalist for the PEN/Faulkner Award and John Dos Passos Prize, he lives in Portland, Oregon with his wife and two daughters.

THE QUEEN OF BAD INFLUENCES de Jim Shepard

Twelve compressed masterworks from this great American writer of catastrophe fiction, in which lives are upended as much by broken hearts as by collapsing dams, hideously mismanaged wars, gargantuan wildfires, and apocalyptic storms.

THE QUEEN OF BAD INFLUENCES
by Jim Shepard

Knopf, September 2026
(via Sterling Lord Literistic)

In Richard Ford’s view, Jim Shepard’s “talent is so various and canny he can write about seemingly anything and make it thrilling to us,” and in these stories spanning six centuries we find viscerally evoked worlds as wildly diverse as a mercenary’s corner of 16th century Madrid, a young apprentice’s pre-Revolutionary Boston, and Edward Hyde’s London. With civil engineers and destitute veterans we encounter the devastating 1935 Labor Day hurricane in Florida, and we read the 1864 letters between Lucy in Boon, North Carolina (“Three privates are currently sleeping soundly on our porch in their muddy blankets”) and her great love, William, on the march in Tennessee (“I can’t write much for it seems we are looking for a fight every minute”), while the title story introduces us to the stubborn Constance, who had “no gift for flirtation” with men, preferring Minna, her best friend and “queen of bad influences,” as their vexed devotion unfolds in part on the liner Lusitania.

With irony, compassion, and withering humor, these stories evoke the terrible ease with which cataclysm, human-engineered or otherwise, can sweep away all we find most precious, and expose those limitations we’ve refused to address. At the same time, Shepard celebrates what is best in us: the love and friendships we sustain, and the passions and grace we grant one another.

“Jim Shepard is a fantastic writer—compassionate, funny, and fearless—[whose work] does what great writing always does: inspires us to look more closely at life, and be more caring.” —George Saunders

« A deft, audacious artist. » —Norman Rush, National Book Award-winning author of Mating

Jim Shepard has written eight novels, including most recently Phase Six and The Book of Aron, which won the Sophie Brody Medal for Jewish Literature, the PEN/New England Award for Fiction, and the Clark Fiction Prize, and five story collections, including Like You’d Understand, Anyway, a finalist for the National Book Award and Story Prize winner. Seven of his stories have been chosen for the Best American Short Stories, two for the PEN/O. Henry Prize Stories, and two for Pushcart Prizes. His short fiction has appeared in, among other magazines, Harper’s, McSweeney’s, The Paris Review, Granta, The Atlantic Monthly, Esquire, The New Yorker, Zoetrope: All Story, and Playboy, and he was a columnist on film for the magazine The Believer. He also won a Guggenheim Foundation Award, the Library of Congress/ Massachusetts Book Award for Fiction, and the ALEX Award from the American Library Association. He previously taught at Williams College and lives in Williamstown, Massachusetts with his wife Karen and two beagles.

SHE DID IT d’Emily Lloyd-Jones

A dual-timeline mystery-thriller in the vein of The Inheritance Games and Truly Devious about a small-town competition taken too far, a slightly unhinged anti-heroine, and the lengths we go to for revenge.

SHE DID IT
by Emily Lloyd-Jones

Balzer + Bray/Macmillan, Summer 2027
(via Sterling Lord Literistic)

When 17-year-old Madison Mercer hears the local sheriff investigated a tip about a body in a trunk, she’s not sure what’s more horrifying—that someone found the abandoned car in the woods or that it was empty. Because Maddy knows there’s a body in the trunk. That’s where she stashed it.

The previous summer, Maddy participates in the Lark: a wholly illegal scavenger hunt that takes teenagers through the woods thick with illegal weed, down abandoned train tunnels, and into locked houses. Mourning the death of her mother and the loss of her best friend who has recently moved away, Maddy decides to win the Lark at any cost. In the final trial of the Lark, a boy ends up dead. And Madison is found standing over the body. Luckily, her friends and new boyfriend all agree to help her stash the body in an abandoned car trunk.

When the body goes missing and the sheriff gets an anonymous tip, Maddy knows she needs to find the real killer… or risk being implicated. Because she didn’t do it.

Right?

As Maddy tries to unravel what really happened, she realizes that the game never truly ended. Because in the Lark, there’s only one rule: Trust no one in the dark.

Emily Lloyd-Jones grew up on a vineyard in rural Oregon, where she played in ever-green forests and learned to fear sheep. She currently resides in Northern California, where she enjoys wandering in redwood forests. Her other novels include Illusive, Deceptive, The Hearts We Sold, The Bone Houses, The Drowned Woods, The Wild Huntress, and most recently, Augusta Pine Does Not Exist.