Twelve compressed masterworks from this great American writer of catastrophe fiction, in which lives are upended as much by broken hearts as by collapsing dams, hideously mismanaged wars, gargantuan wildfires, and apocalyptic storms.
THE QUEEN OF BAD INFLUENCES
by Jim Shepard
Knopf, September 2026
(via Sterling Lord Literistic)
In Richard Ford’s view, Jim Shepard’s “talent is so various and canny he can write about seemingly anything and make it thrilling to us,” and in these stories spanning six centuries we find viscerally evoked worlds as wildly diverse as a mercenary’s corner of 16th century Madrid, a young apprentice’s pre-Revolutionary Boston, and Edward Hyde’s London. With civil engineers and destitute veterans we encounter the devastating 1935 Labor Day hurricane in Florida, and we read the 1864 letters between Lucy in Boon, North Carolina (“Three privates are currently sleeping soundly on our porch in their muddy blankets”) and her great love, William, on the march in Tennessee (“I can’t write much for it seems we are looking for a fight every minute”), while the title story introduces us to the stubborn Constance, who had “no gift for flirtation” with men, preferring Minna, her best friend and “queen of bad influences,” as their vexed devotion unfolds in part on the liner Lusitania.
With irony, compassion, and withering humor, these stories evoke the terrible ease with which cataclysm, human-engineered or otherwise, can sweep away all we find most precious, and expose those limitations we’ve refused to address. At the same time, Shepard celebrates what is best in us: the love and friendships we sustain, and the passions and grace we grant one another.
“Jim Shepard is a fantastic writer—compassionate, funny, and fearless—[whose work] does what great writing always does: inspires us to look more closely at life, and be more caring.” —George Saunders
« A deft, audacious artist. » —Norman Rush, National Book Award-winning author of Mating
Jim Shepard has written eight novels, including most recently Phase Six and The Book of Aron, which won the Sophie Brody Medal for Jewish Literature, the PEN/New England Award for Fiction, and the Clark Fiction Prize, and five story collections, including Like You’d Understand, Anyway, a finalist for the National Book Award and Story Prize winner. Seven of his stories have been chosen for the Best American Short Stories, two for the PEN/O. Henry Prize Stories, and two for Pushcart Prizes. His short fiction has appeared in, among other magazines, Harper’s, McSweeney’s, The Paris Review, Granta, The Atlantic Monthly, Esquire, The New Yorker, Zoetrope: All Story, and Playboy, and he was a columnist on film for the magazine The Believer. He also won a Guggenheim Foundation Award, the Library of Congress/ Massachusetts Book Award for Fiction, and the ALEX Award from the American Library Association. He previously taught at Williams College and lives in Williamstown, Massachusetts with his wife Karen and two beagles.