From #1 New York Times bestselling author Rachel Griffin comes an atmospheric and haunting adult debut in which a disappearance rattles a small town, forcing one woman to confront her fate and unravel the dark secrets of the past—perfect for fans of Once There Were Wolves and The Unmaking of June Farrow.
WHEN THE WOODS CALLED US HOME
by Rachel Griffin
Atria, February 2027
(via Park, Fine & Brower)
In the rural town of Bone Creek, Emma Pierce has devoted her life to caring for the wind-battered trees of the rugged Washington coast, feeling more grounded one hundred feet up than with both feet planted firmly on land.
When she’s climbing, Emma can almost convince herself that the curse claiming the Pierce women’s lives is nothing more than hollow gossip. When she’s climbing, the changes in her sister don’t seem so alarming.
But when her boyfriend Eli’s brother goes missing, not even the trees can calm the dread in Emma’s gut. Both Eli and her sister fall under the town’s suspicion, and Emma throws herself into the search for answers. Soon, she discovers that the town is holding onto secrets—and so too is her own family.
Forced to confront what the people she loves most are capable of, Emma must uncover her forgotten memories from the night her mother died. A generations-old feud has been simmering beneath the surface of Bone Creek…and it’s coming to a lethal boil in the very woods where Parker vanished.
Rachel Griffin writes novels inspired by the magic of the world around her. She is the #1 New York Times and Sunday Times bestselling author of atmospheric, spellbinding books for teens and adults. Born and raised in the Pacific Northwest, Rachel has a deep love of nature, from the mountains to the ocean and all the towering evergreens in between. When she isn’t writing, you can find her wandering rain-soaked forests, reading by the fire, or drinking copious amounts of coffee and tea. She lives with her husband beneath the moody skies of western Washington.

Abandoned on a remote island known as Makeshift, three sisters—Ari, Heiko, and CeCe—believe they’re the last humans on Earth.
At the end of the eighteenth century, Europe faced revolutions, famine, and war. It was out of this chaos that the field of economics was born—and while that founding has for centuries been attributed almost entirely to men, they were only part of the story.
In Richard Ford’s view, Jim Shepard’s “talent is so various and canny he can write about seemingly anything and make it thrilling to us,” and in these stories spanning six centuries we find viscerally evoked worlds as wildly diverse as a mercenary’s corner of 16th century Madrid, a young apprentice’s pre-Revolutionary Boston, and Edward Hyde’s London. With civil engineers and destitute veterans we encounter the devastating 1935 Labor Day hurricane in Florida, and we read the 1864 letters between Lucy in Boon, North Carolina (“Three privates are currently sleeping soundly on our porch in their muddy blankets”) and her great love, William, on the march in Tennessee (“I can’t write much for it seems we are looking for a fight every minute”), while the title story introduces us to the stubborn Constance, who had “no gift for flirtation” with men, preferring Minna, her best friend and “queen of bad influences,” as their vexed devotion unfolds in part on the liner Lusitania.