Netflix vient d’acquérir les droits audiovisuels des trois romans de Jenna Evans Welch publiés chez Simon Pulse aux États-Unis : LOVE & GELATO, LOVE & LUCK et LOVE & OLIVES, tous les trois des New York Times Bestsellers. C’est le scénariste et producteur Brandon Camp (Coup de foudre à Seattle, 2009 ; Benji, 2018) qui écrira, réalisera et produira les trois adaptations. Aucune date n’a été annoncée pour l’instant.
Le dernier roman de l’autrice, LOVE & OLIVES, paru en novembre 2020, est un standalone inspiré de la comédie musicale Mamma Mia ! dans lequel une jeune Américaine d’origine grecque, Liv Varanakis, va retrouver à Santorin son père absent qu’elle n’a pas vu depuis des années pour l’aider dans ses recherches sur la cité disparue d’Atlantis. C’est là-bas, dans la librairie de son père, qu’elle fait la rencontre de son assistant Theo…
Jenna Evans Welch publiera prochainement d’autres titres YA chez Simon Pulse.
Les droits de LOVE & OLIVES sont toujours disponibles.
The law in Abai—the last known magical kingdom—does not look kindly on street thieves, but for eighteen-year-old orphan Ria, stealing isn’t a choice of convenience: it’s a matter of survival. So when she and her friend Amir devise a plan to steal priceless jewels from the kingdom’s royal palace and use them to bribe their way into a new kingdom, it seems a new life may finally be within reach. Then, while sneaking into the palace, Ria runs into the princess, and everything she knows about herself is turned on its head—because Princess Rani looks exactly like Ria, down to the freckle. Running into her doppelgänger, Princess Rani doesn’t see her long-lost twin or a dangerous, thieving intruder. She sees an opportunity: a chance to escape the tight confines of her gilded prison before her marriage, and a chance to find the wife of her late, beloved tutor, recently executed for treason, so that Rani can give her the valuable possessions he left behind. After Ria and Rani strike a deal to temporarily switch places, Rani discovers that her father’s kingdom is not the place of prosperity she once thought, and that it’s hurtling toward a dangerous war. Living with the Raja and the queen, Ria learns that they—her family?—have their own dangerous secrets, and that there’s a treasonous conspiracy brewing in the royal court. Neither life inside nor outside the palace walls are safe, and Ria and Rani are in a race against the clock to unravel a conspiracy and stop a war with wits and magic—or else allow the kingdom of Abai to sink into ruin.
Mateo Garcia and his younger sister, Sophie, have been taught to fear one word for as long as they can remember: deportation. Over the past few years, however, the fear that their undocumented immigrant parents could be sent back to Mexico has started to fade. Ma and Pa have been in the United States for so long, they have American-born children, and they’re hard workers and good neighbors. When Mateo returns from school one day to find that his parents have been taken by ICE, he realizes that his family’s worst nightmare has become a reality. With his parents’ fate and his own future hanging in the balance, Mateo must figure out who he is and what he is capable of, even as he’s forced to question what it means to be an American. Daniel Aleman’s INDIVISIBLE is a remarkable story – both powerful in its explorations of immigration in America and deeply intimate in its portrait of a teen boy driven by his fierce, protective love for his parents and his sister.
Her destiny was death. The shadows brought her back. Wrongly accused of her brother’s murder, Sonara’s destiny was to die, sentenced to execution by her own mother. Punished and left for dead, the shadows have cursed her with a second life as a Shadowblood, cast out and hunted by society for her demon-like powers. Now known as the Devil of the Deadlands, Sonara survives as a thief on the edge of society, fighting for survival on a quest to uncover what really happened to her brother and whether he is even dead at all…
Em Morales’s older sister was raped by another student after a frat party. A jury eventually found the rapist guilty on all counts—a remarkable verdict that Em felt more than a little responsible for, since she was her sister’s strongest advocate on social media during the trial. Her passion and outspokenness helped dissuade the DA from settling for a plea deal. Em’s family would have real justice. But the victory is short-lived. In a matter of minutes, justice vanishes as the judge turns the Morales family’s world upside down again by sentencing the rapist to no prison time. While her family is stunned, Em is literally sick with rage and guilt. To make matters worse, a news clip of her saying that the sentence makes her want to learn « how to use a sword » goes viral. From this low point, Em must find a new reason to go on and help her family heal, and she finds it in the unlikely form of the story of a fifteenth-century French noblewoman, Marguerite de Bressieux, who is legendary as an avenging knight for rape victims. WE ARE THE ASHES, WE ARE THE FIRE is a searing and nuanced portrait of a young woman torn between a persistent desire for revenge and a burning need for hope