Archives par étiquette : Frances Goldin Literary Agency

HOW TO CARE FOR A HUMAN GIRL de Ashley Wurzbacher

From “a writer at the top of her game” (The New York Times) comes a bighearted and sharply funny debut novel about two estranged sisters and the crossroads they face after becoming unexpectedly pregnant at the same time.

HOW TO CARE FOR A HUMAN GIRL
by Ashley Wurzbacher
Atria, August 2023
(via Frances Goldin Literary Agency)

Two years after the death of their mother, Jada and Maddy Battle both face unplanned pregnancies. Jada, a thirty-one-year-old psychology PhD student living in Pittsburgh, quietly obtains an abortion without telling her husband, but the secret causes turmoil in her already shaky marriage. Back home in rural Pennsylvania, nineteen-year-old Maddy, who spends her time caring for birds at a wildlife rehabilitation center, is paid off by the man who got her pregnant to get an abortion. But an unsettling visit to a crisis pregnancy center adds to her doubts about whether to go through with it.
Although Maddy still hasn’t forgiven Jada for a terrible betrayal, she goes to her for support, only to discover the cracks in the façade of her sister’s seemingly perfect life. As their past resentments boil over, the sisters must navigate the consequences of their choices and determine how best to care for themselves and each other.
With luminous prose and laser-sharp psychological insight, HOW TO CARE FOR A HUMAN GIRL is a compassionate and unforgettable examination of the complexities of choice, the special intimacy of sisterhood, and the bizarre ways our heated political moment manifests in daily life.

Ashley Wurzbacher is the author of the story collection Happy Like This, which won the 2019 Iowa Short Fiction Award and was named a National Book Foundation “5 Under 35” honoree and a NYT Editors’ Choice. Born and raised in Western Pennsylvania, she currently lives in Birmingham, Alabama and teaches at the University of Montevallo.

TELL ME A RIDDLE, REQUA I, AND OTHER WORKS de Tillie Olsen

The four pieces in TELL ME A RIDDLE are lyrical bulletins of working-class family life, charged with emotional detail and delivered with an attention to the rhythms of consciousness more rigorous and powerful than most of what is called realism.” –A.O. Scott, New York Times

TELL ME A RIDDLE, REQUA I, AND OTHER WORKS
by Tillie Olsen
‎ University of Nebraska Press, 2013
(via the Frances Goldin Literary Agency)

A century after her birth, Tillie Olsen’s writing is as relevant as when it first appeared; indeed, the clarity and passion of her vision and style have, if anything, become even more striking over time. Collected here for the first time are several of Olsen’s nonfiction pieces about the 1930s, early journalism pieces, and short fiction, including the four beautifully crafted, highly celebrated stories originally published as TELL ME A RIDDLE: “I Stand Here Ironing,” “Hey Sailor, What Ship?,” “O Yes,” and “Tell Me a Riddle.” Also included, for the first time since it appeared in the 1971 Best American Short Stories, is “Requa I.”
In these stories, as in all of her work, Olsen set a new standard for the treatment of women and the poor and for the depiction of their lives and circumstances. In her hands, the hard truths about motherhood and marriage, domestic life, labor, and political conviction found expression in language of such poetic intensity and depth that their influence continues to be felt today.
An introduction by Olsen’s granddaughter, the poet Rebekah Edwards, and a foreword by her daughter Laurie Olsen provide a personal and generational context for the author’s work.

Tillie Olsen, 1912-2007, is internationally renowned for her powerful writing about the inner lives of working-class families, women, and minorities. Her books, Tell Me a Riddle, Yonnondio from the Thirties, Silences, and her essays and lectures, have been translated into twelve languages. In April 2021, A.O. Scott, the critic at large and co-chief film critic for The New York Times, wrote about Tillie Olsen for his essay series on influential American authors, saying she “helped change the study of American literature, opening its canon to neglected voices and traditions.”

THE OTHER VALLEY de Scott Alexander Howard

For fans of Emily St. John Mandel, David Mitchell, and Kazuo Ishiguro, an exquisite literary speculative novel set in an unnamed valley, where bereaved residents can petition to cross a forbidden border to see their lost loved ones again.

THE OTHER VALLEY
by Scott Alexander Howard
Atria/Simon & Schuster, February 2024
(via Frances Goldin Literary Agency)

Sixteen-year-old Odile Ozanne is an awkward, quiet girl, vying for a coveted seat on the Conseil. If she earns the position, she’ll decree who among the town’s residents may be escorted deep into the woods, who may cross the border’s barbed wire fence, who may make the arduous trek to descend into the next valley over. It’s the same valley, the same town. But to the east, the town is twenty years ahead in time. To the west, it’s twenty years behind. The only border crossings permitted by the Conseil are mourning tours: furtive viewings of the dead in towns where the dead are still alive.

When Odile recognizes two mourners she wasn’t supposed to see, she realizes that the parents of her classmate Edme have crossed the border from the future to see their son while he’s still alive in Odile’s present. Edme—who is brilliant and funny, and the only person to truly know Odile—is about to die. Sworn to secrecy by the Conseil so as not to disrupt the course of nature, Odile finds herself drawing closer to her doomed friend—imperilling her own future.

Masterful and original, The Other Valley is an affecting modern fable about the inevitable march of time and whether or not fate can be defied. Above all, it is about love and letting go, and the bonds, in both life and death, that never break.

Scott Alexander Howard lives in Vancouver, British Columbia. He has a PhD in philosophy from the University of Toronto and was a postdoctoral fellow at Harvard, where his work focused on the relationship between memory, emotion, and literature. The Other Valley is his first novel.

YONNONDIO de Tillie Olsen

The hopes, struggles, and dreams of a poor Wyoming family in the 1920s are revealed in their quest for a better life. Written by the author in the 1930s and rediscovered by her in the 1970s.

YONNONDIO:
From the Thirties
by Tillie Olsen
Delacorte Press, 1974
(via Frances Goldin Literary Agency)

YONNONDIO follows the heartbreaking path of the Holbrook family in the late 1920s and the Great Depression as they move from the coal mines of Wyoming to a tenant farm in western Nebraska, ending up finally on the kill floors of the slaughterhouses and in the wretched neighborhoods of the poor in Omaha, Nebraska.
Mazie, the oldest daughter in the growing family of Jim and Anna Holbrook, tells the story of the family’s desire for a better life – Anna’s dream that her children be educated and Jim’s wish for a life lived out in the open, away from the darkness and danger of the mines. At every turn in their journey, however, their dreams are frustrated, and the family is jeopardized by cruel and indifferent systems.

Tillie Olsen (1912-2007) was an American author of fiction and nonfiction whose slim body of work was very influential for her treatment of the lives of women and the poor. She was one of the first writers to draw attention to why women have been less likely to become published authors (and why they receive less attention than male authors when they are published). In April 2021, A.O. Scott, New York Times critic at large and co-chief film critic, included her in his essay series of the most influential authors, and credited her with changing the « study of American literature, opening its canon to neglected voices and traditions. »

DEMON COPPERHEAD de Barbara Kingsolver

A modern retelling of Dickens’s David Copperfield, which transposes that epic novel, chapter by chapter, to a modern place and time: the American south.

DEMON COPPERHEAD
by Barbara Kingsolver
‎ HarperCollins USA, Fall 2022
(via Frances Goldin Literary)

DEMON COPPERHEAD is the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father’s good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. In a plot that never pauses for breath, relayed in his own unsparing voice, he braves the perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses. A modern retelling of Dickens’s David Copperfield, which transposes that epic novel, chapter by chapter, to a modern place and time: the American south.

Barbara Kingsolver is the author of nine bestselling novels, including The Poisonwood Bible and The Bean Trees. Her work of narrative nonfiction is the enormously influential bestseller Animal, Vegetable, Miracle. Kingsolver’s work has been translated into more than 20 languages and has earned literary awards and a devoted readership at home and abroad. She was awarded the National Humanities Medal, the highest honor for service through the arts in the United States, as well as the prestigious Dayton Literary Peace Prize for her body of work.