Archives par étiquette : Frances Goldin Literary Agency

TO NAME THE BIGGER LIE de Sarah Viren

Part coming-of-age story, part psychological thriller, part philosophical investigation, this unforgettable memoir traces the ramifications of a series of lies that threaten to derail the author’s life—exploring the line between truth and deception, fact and fiction, and reality and conspiracy.

TO NAME THE BIGGER LIE:
A Memoir in Two Stories
by Sarah Viren
Scribner, June 2023
(via Frances Goldin Literary)

Sarah’s story begins as she’s researching what she believes will be a book about her high school philosophy teacher, a charismatic instructor who taught her and her classmates to question everything—in the end, even the reality of historical atrocities. As she digs into the effects of his teachings, her life takes a turn into the fantastical when her wife, Marta, is notified that she’s been investigated for sexual misconduct at the university where they both teach.
Based in part on a viral
New York Times essay, TO NAME THE BIGGER LIE follows the investigation as it upends Sarah’s understanding of truth. She knows the claims made against Marta must be lies, and as she uncovers the identity of the person behind them and then tries, with increasing desperation, to prove their innocence, she’s drawn back into the questions that her teacher inspired all those years ago: about the nature of truth, the value of skepticism, and the stakes we all have in getting the story right.
A compelling, incisive journey into honesty and betrayal, this memoir explores the powerful pull of dangerous conspiracy theories and the pliability of personal narratives in a world dominated by hoaxes and fakes. TO NAME THE BIGGER LIE reads like the best of psychological thrillers—made all the more riveting because it’s true.

« A thrilling, labyrinthine and ultimately illuminating reckoning with what it feels like to be caught up in a vortex of post-truth, conspiracy, and lies, Sarah Viren’s To Name the Bigger Lie is a fascinating and deeply disturbing account of our contemporary age of weaponized falsehoods… This is a memoir, yes, but it’s also a view into a terrifying aspect of modernity, and Viren’s ability to unspool complicated tangles for the reader is unparalleled. » —Alex Marzano-Lesnevich, author of The Fact of a Body

Sarah Viren is a contributing writer for the New York Times Magazine and the author of Mine. Sarah’s creative work has been supported by an NEA Fellowship and a Kerouac House Writing Residency, and her writing appears in the New York Times Magazine, Oxford American, Texas Monthly, and elsewhere. An assistant professor of creative nonfiction at ASU, she is a graduate of the Nonfiction Writing MFA at the University of Iowa.

IDLEWILD de James Frankie Thomas

A darkly funny and much gayer imagining of the classic prep school novel, IDLEWILD will appeal to readers of Curtis Sittenfeld’s Prep and Donna Tartt’s The Secret History.

IDLEWILD
by James Frankie Thomas
Overlook/Abrams, Fall 2023
(via Frances Goldin Literary)

Idlewild is a tiny, artsy Quaker high school in lower Manhattan. Students call their teachers by their first names, there are no grades or awards, and every day begins with 20 minutes of contemplative silence. It is during one of those moments of worship that two airplanes hit the World Trade Center.
For two Idlewild outcasts, 9/11 serves as the first day of an intense, 18-month friendship. Fay is a prickly, aloof rich kid who is obsessed with gay men; Nell is a shy, sensitive scholarship student who is obsessed with Fay. The two of them bond fiercely over being the only two openly queer kids at Idlewild. But, as they rehearse for the school’s production of Othello, they notice two sexually ambiguous boys, Theo and Christopher, who are potential candidates for their exclusive Invert Society (née Gay-Straight Alliance). The pairs become mirrors of one another’s desires, anxieties, and loneliness. Their devotion to one another becomes an obsession, driving them to do things that they’ll regret for the rest of their lives.
Looking back on these events as adults, Fay and Nell, who haven’t spoken to each other in fifteen years, are haunted by shame over their Idlewild days. From alternating perspectives, they wonder if they could have done anything to save their friendship, or if it was meant to remain an artifact that couldn’t have existed outside of Idlewild’s walls.

James Frankie Thomas holds an MFA in fiction from the Iowa Writers’ Workshop. Their fiction has been published in the Paris Review online, Vol. 1 Brooklyn, and The Toast, among other publications. One of these essays is included in the anthology We Are the Baby-Sitters Club, and another was adapted into a PBS NewsHour segment.

HOW TO CARE FOR A HUMAN GIRL de Ashley Wurzbacher

From “a writer at the top of her game” (The New York Times) comes a bighearted and sharply funny debut novel about two estranged sisters and the crossroads they face after becoming unexpectedly pregnant at the same time.

HOW TO CARE FOR A HUMAN GIRL
by Ashley Wurzbacher
Atria, August 2023
(via Frances Goldin Literary Agency)

Two years after the death of their mother, Jada and Maddy Battle both face unplanned pregnancies. Jada, a thirty-one-year-old psychology PhD student living in Pittsburgh, quietly obtains an abortion without telling her husband, but the secret causes turmoil in her already shaky marriage. Back home in rural Pennsylvania, nineteen-year-old Maddy, who spends her time caring for birds at a wildlife rehabilitation center, is paid off by the man who got her pregnant to get an abortion. But an unsettling visit to a crisis pregnancy center adds to her doubts about whether to go through with it.
Although Maddy still hasn’t forgiven Jada for a terrible betrayal, she goes to her for support, only to discover the cracks in the façade of her sister’s seemingly perfect life. As their past resentments boil over, the sisters must navigate the consequences of their choices and determine how best to care for themselves and each other.
With luminous prose and laser-sharp psychological insight, HOW TO CARE FOR A HUMAN GIRL is a compassionate and unforgettable examination of the complexities of choice, the special intimacy of sisterhood, and the bizarre ways our heated political moment manifests in daily life.

Ashley Wurzbacher is the author of the story collection Happy Like This, which won the 2019 Iowa Short Fiction Award and was named a National Book Foundation “5 Under 35” honoree and a NYT Editors’ Choice. Born and raised in Western Pennsylvania, she currently lives in Birmingham, Alabama and teaches at the University of Montevallo.

TELL ME A RIDDLE, REQUA I, AND OTHER WORKS de Tillie Olsen

The four pieces in TELL ME A RIDDLE are lyrical bulletins of working-class family life, charged with emotional detail and delivered with an attention to the rhythms of consciousness more rigorous and powerful than most of what is called realism.” –A.O. Scott, New York Times

TELL ME A RIDDLE, REQUA I, AND OTHER WORKS
by Tillie Olsen
‎ University of Nebraska Press, 2013
(via the Frances Goldin Literary Agency)

A century after her birth, Tillie Olsen’s writing is as relevant as when it first appeared; indeed, the clarity and passion of her vision and style have, if anything, become even more striking over time. Collected here for the first time are several of Olsen’s nonfiction pieces about the 1930s, early journalism pieces, and short fiction, including the four beautifully crafted, highly celebrated stories originally published as TELL ME A RIDDLE: “I Stand Here Ironing,” “Hey Sailor, What Ship?,” “O Yes,” and “Tell Me a Riddle.” Also included, for the first time since it appeared in the 1971 Best American Short Stories, is “Requa I.”
In these stories, as in all of her work, Olsen set a new standard for the treatment of women and the poor and for the depiction of their lives and circumstances. In her hands, the hard truths about motherhood and marriage, domestic life, labor, and political conviction found expression in language of such poetic intensity and depth that their influence continues to be felt today.
An introduction by Olsen’s granddaughter, the poet Rebekah Edwards, and a foreword by her daughter Laurie Olsen provide a personal and generational context for the author’s work.

Tillie Olsen, 1912-2007, is internationally renowned for her powerful writing about the inner lives of working-class families, women, and minorities. Her books, Tell Me a Riddle, Yonnondio from the Thirties, Silences, and her essays and lectures, have been translated into twelve languages. In April 2021, A.O. Scott, the critic at large and co-chief film critic for The New York Times, wrote about Tillie Olsen for his essay series on influential American authors, saying she “helped change the study of American literature, opening its canon to neglected voices and traditions.”

THE OTHER VALLEY de Scott Alexander Howard

For fans of Emily St. John Mandel, David Mitchell, and Kazuo Ishiguro, this “mind-bending take on time travel” (The New York Times) is about an isolated town neighbored by its own past and future, and a young girl who spots two elderly visitors from across the border: the grieving parents of the boy she loves.

THE OTHER VALLEY
by Scott Alexander Howard
Atria/Simon & Schuster, February 2024
(via Frances Goldin Literary Agency)

Sixteen-year-old Odile Ozanne is an awkward, quiet girl, vying for a coveted seat on the Conseil. If she earns the position, she’ll decree who among the town’s residents may be escorted deep into the woods, who may cross the border’s barbed wire fence, who may make the arduous trek to descend into the next valley over. It’s the same valley, the same town. But to the east, the town is twenty years ahead in time. To the west, it’s twenty years behind. The only border crossings permitted by the Conseil are mourning tours: furtive viewings of the dead in towns where the dead are still alive.

When Odile recognizes two mourners she wasn’t supposed to see, she realizes that the parents of her classmate Edme have crossed the border from the future to see their son while he’s still alive in Odile’s present. Edme—who is brilliant and funny, and the only person to truly know Odile—is about to die. Sworn to secrecy by the Conseil so as not to disrupt the course of nature, Odile finds herself drawing closer to her doomed friend—imperilling her own future.

Masterful and original, THE OTHER VALLEY is an affecting modern fable about the inevitable march of time and whether or not fate can be defied. Above all, it is about love and letting go, and the bonds, in both life and death, that never break.

Jimmy Fallon’s Book Club Top Four Pick
A PBS Book Club Pick
Soon to be a TV series

« Beautifully written…a triumph »—Booklist (starred review) « This gripping speculative novel will make for wonderful book club discussions. » —Library Journal (starred review)

“A mind-bending take on time travel” and “a slow-boiling psychological thriller…Howard has a naturalist’s gift for the pastoral.” —The New York Times

« What a stunning debut! This coming-of-age story is filled to the brim with heart and hope and Howard’s prose is simply breathtaking. The Other Valley is a brilliant take on time travel and a thought-provoking exploration of the boundaries between fate and choice. Make room on your shelves, folks, this book is going to knock your socks off. » —Sylvain Neuvel, award-winning author of Sleeping Giants

Scott Alexander Howard lives in Vancouver, British Columbia. He has a PhD in philosophy from the University of Toronto and was a postdoctoral fellow at Harvard, where his work focused on the relationship between memory, emotion, and literature. THE OTHER VALLEY is his first novel.