Three lives, 100 years, one Western ghost town: an explosive novel about a mysterious place called Sunrise where the secrets of the past refuse to stay buried, from the New York Times bestselling author of The Tiger’s Wife.
SUNRISE: A Novel
by Téa Obreht
Random House, August 2026
(via The Gernert Company)
In 2024, Nina’s small-engine plane crashes into a lake in the Wyoming mountains. Her boyfriend Ben, who was flying it, is nowhere to be found. Lost and freezing on the shore, Nina is armed with only a few old energy bars, a phone with no service, and a vague hope of rescue. It is up to her to survive in the vast wilderness. But then she stumbles upon Sunrise—a town of the Old West that is strangely well-maintained, but seemingly abandoned. A place that holds the missing link to a ghost story 100 years in the making.
In 2003, Sunrise’s golden boy Coll begins to direct town’s annual historical reenactment when he is linked with a scandalous incident at a local bar. And when an upstart author comes to him with questions about one of Sunrise’s most beloved figures, it threatens to upend everything he thought he knew about the city—and himself.
In 1902, town founder, gunslinger, and legendary pulp hero Anton Vargas returns to Sunrise and quickly takes charge of a group searching for a missing boy. But who really is Vargas? What does he know about the boy’s disappearance? And why has he returned after such a long absence?
These three are strangers, separated by time. But Sunrise has secrets which lie in waiting like gunpowder: quiet, unassuming, until they encounter a spark. Magisterial and suspenseful, Téa Obreht’s novel challenges the myths we think we know: of heroes and villains, of the places we lay claim to, and most of all, of our own lives.
Rooted in one place, yet traveling across three time periods, Téa explores: the complicated concept of people becoming legends big enough to support ticket sales in their own time, and how they perpetuate their own myths, even as they diverge from reality. Our spooky fascination with ghost towns – imagining what once was in a place, or what could be again. What it means to be truly lost and faced with back-to-survival basics in today’s uber connected world. The novel comes together in a heart-in-mouth ending that I haven’t felt since watching Thelma & Louise, literary style. With its matryoshka doll structure and her signature command of language, this novel, brimming with wry humor, sharp observations and pure linguistic joy, is a triumph.
A MOST ANTICIPATED BOOK OF THE YEAR: Esquire, Literary Hub, Today
“Téa Obreht never disappoints.”—Esquire
“As the novel goes on, Obreht weaves three timelines together . . . to unravel the mystery of Sunrise, the ghost town to end all ghost towns. Sorry to fangirl but: YAY.” —Literary Hub
Téa Obreht is the internationally bestselling author of The Tiger’s Wife, Inland and The Morningside. Her novels have won the Orange Prize for Fiction, been a finalist for the National Book Award, won the Southwest Book Award, and won the Dylan Thomas Prize. Her work has appeared in The Best American Short Stories, The New Yorker, The Atlantic, Harper’s, and Zoetrope: All-Story, among many other publications. Originally from the former Yugoslavia, Obreht now resides in Wyoming.
When Silvia and her mother finally land in a place called Island City, after being expelled from their ancestral home in a not-too-distant future, they end up living and working at The Morningside, a crumbling luxury tower where Silvia’s aunt, Ena, serves as the superintendent. Silvia feels unmoored in her new life because her mother has been so diligently secretive about their family’s past. Silvia knows almost nothing about the place she was born and spent her early years; nor does she know why she and her mother had to leave. But in Ena there is an opening: a person willing to give a young girl glimpses into the folktales of her demolished homeland, a place of natural beauty and communal spirit that is lacking in Silvia’s lonely and impoverished reality.