From the New York Times bestselling author of Sold On A Monday―over a million copies sold!―comes a sweeping World War II tale of an illusionist whose recruitment by British intelligence sets her on a perilous, heartrending path.
THE WAYS WE HIDE
by Kristina McMorris
Sourcebooks, September 2022
As a little girl raised amid the hardships of Michigan’s Copper Country, Fenna Vos learned to focus on her own survival. That ability sustains her even now as the Second World War rages in faraway countries. Though she performs onstage as the assistant to an unruly escape artist, behind the curtain she’s the mastermind of their act. Ultimately, controlling her surroundings and eluding traps of every kind helps her keep a lingering trauma at bay.
Yet for all her planning, Fenna doesn’t foresee being called upon by British military intelligence. Tasked with designing escape aids to thwart the Germans, MI9 seeks those with specialized skills for a war nearing its breaking point. Fenna reluctantly joins the unconventional team as an inventor. But when a test of her loyalty draws her deep into the fray, she discovers no mission is more treacherous than escaping one’s past.
Inspired by stunning true accounts, THE WAYS WE HIDE is a gripping story of love and loss, the wars we fight―on the battlefields and within ourselves―and the courage found in unexpected places.
Kristina McMorris is a New York Times bestselling author of two novellas and six novels, including the runaway bestseller Sold on a Monday. Initially inspired by her grandparents’ WWII courtship letters, her works of fiction have garnered more than twenty national literary awards. Prior to her writing career, she owned a wedding-and-event planning company until she had far surpassed her limit of YMCA and chicken dances. She also worked as a weekly TV-show host for Warner Bros. and an ABC affiliate, beginning at age nine with an Emmy Award-winning program. A graduate of Pepperdine University, she lives near Portland, Oregon, where (ironically) she’s entirely deficient of a green thumb and doesn’t own a single umbrella.
The second verse of any song always has to be more killer than the first. Always. The rhythm has to slap. The lyrics must be on point. The feeling intense. And the impact mad definitive. It’s just the way it is. In the same way, if you do well once in life, then you always have to be better from that point onwards. No doubt.
Torn from his parents as a small child in the 1870s, Stephen Mzamane is picked by the Anglican church to train at the Missionary College in Canterbury and then returned to southern Africa’s Cape Colony to be a preacher. He is a brilliant success, but troubles stalk him: his unresolved relationship with his family and people, the condescension of church leaders towards their own native pastors, and That Woman-seen once in a photograph and never forgotten. And now he has to find his mother and take her a message that will break her heart. Stephen’s journey to his mother’s home proves decisive in resolving the contradictions that tear at his heart.
In the small rural town of Qonda, South Africa, the power and water supplies are unreliable, property prices are down, and citizens are slowly suffocating in the acrid smoke from the municipal dump. Recently retired English teacher Megan Merton has lived here all her life, most of it at No. 8 Serpent Crescent. So who better than this self-styled pillar of society to shine a spotlight on the decline and dysfunction, not to mention the dubious activities, past and present, of many of her neighbours. Nefarious deeds and bad behaviour deserve harsh treatment and appropriate retribution, if not consignment to one of Dante’s fiendish nine circles of hell. At least that’s what Megan believes – in fact she’s been taking matters into her own hands, unnoticed, for years. And now she has decided to write it all down, to shake all of the skeletons loose, and rejoice in the inventive punishments she devised and personally delivered to the wicked.
Madison Kelly, a San Diego private investigator, arrives home to a note stabbed to her front door: “Stop investigating me, or I will hunt you down and kill you”. The only problem? Madison hasn’t been investigating anyone—she’s been taking time off to figure out what to do with her life. But how does she prove a negative? The only way to remove the threat is to do exactly what « Anonymous », the note writer, is telling her not to do: investigate to see who left it. Could this have something to do with the true crime podcast she’s been tweeting about, and the missing girls?
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