In 1812 Russia, the exiled second son of the Tsar and his lover come under the sway of a magnetic woman who may be more than what she seems. As she drives the lovers toward conflict with the throne, they fall into collaboration with a revolutionary faction organizing an uprising for workers’ rights in St. Petersburg.
LET THE DEAD BURY THE DEAD
by Allison Epstein
Doubleday, 2023
(via JABberwocky)
Russia, 1812. The war with Napoleon is over, and Imperial Army Captain Aleksandr Nikolaevich is returning home to Tsarskoe Selo, the imperial summer palace, where Prince Felix, the tsar’s second son and Sasha’s sometime lover, holds court. But the reunion he planned goes awry when Sasha saves a woman lying unconscious in the snow and carries her into the palace, only to discover she’s not quite a woman at all.
When Sasha and Felix watch Sofia transform herself into an owl, their reactions sunder their relationship. Sasha, who remembers the stories of the vila and the ways they torment humans, is terrified, but Felix is enchanted. And when Sofia shows him visions of the destruction his father’s war has wrought, for the first time in his life Felix feels a sense of responsibility. With a fire burning for change and his father unwilling to listen, Felix follows Sofia to a rebellion brewing among the working class of Saint Petersburg, where he finds community and purpose. But Sasha has orders to bring him back at any cost, and Sofia has motivations of her own. Felix might be the key to peaceful change – but he also might be the spark that ignites Saint Petersburg.
Allison Epstein earned her M.F.A. in fiction from Northwestern University and a B.A. in creative writing and Renaissance literature from the University of Michigan. A Michigan native, she now lives in Chicago, where she works as an editor. When not writing, she enjoys good theater, bad puns, and fancy jackets. She is the author of A Tip for the Hangman.

As a little girl raised amid the hardships of Michigan’s Copper Country, Fenna Vos learned to focus on her own survival. That ability sustains her even now as the Second World War rages in faraway countries. Though she performs onstage as the assistant to an unruly escape artist, behind the curtain she’s the mastermind of their act. Ultimately, controlling her surroundings and eluding traps of every kind helps her keep a lingering trauma at bay.
Torn from his parents as a small child in the 1870s, Stephen Mzamane is picked by the Anglican church to train at the Missionary College in Canterbury and then returned to southern Africa’s Cape Colony to be a preacher. He is a brilliant success, but troubles stalk him: his unresolved relationship with his family and people, the condescension of church leaders towards their own native pastors, and That Woman-seen once in a photograph and never forgotten. And now he has to find his mother and take her a message that will break her heart. Stephen’s journey to his mother’s home proves decisive in resolving the contradictions that tear at his heart.
Belleville 1860: Lavender Fitch is a twenty-eightyear-old spinster, whose station in life is diminished after the death of her father, the local apothecary. Her only inheritance is the family house along with its extensive gardens. To make ends meet, Lavender resorts to selling flowers at the local market.
In early 1920s New York, during the height of the Victorian Gilded Age, when fortunes were made and most young women dreamt of the most eligible bachelor, Pandora Carmichael dreams of becoming a fashion designer and achieving the independency forbidden to women of the time. Her main impediment is that she does not belong to the right family.