Le studio de production mexicano-américain Gato Grande/Amazon MGM Studios adaptera le cozy mystery MANGO, MAMBO AND MURDER de Raquel V. Reyes, premier volet de la série Caribbean Kitchen Mysteries, en série TV sous le titre Miami Spice. A l’origine du projet, le scénariste et producteur cubano-américain Art Alamo qui a travaillé sur la série New York Police judiciaire.
D’après la PDG de Gato Grande, Carla Vargas Gonzalez, Miami Spice sera une série latino-américaine captivante à l’esprit mordant, comparable à Big Little Lies. (Lire l’article de Variety)
Dans le roman, Miriam Quiñonez-Smith, chercheuse en anthropologie de l’alimentation, met de côté sa carrière universitaire pour aller s’installer dans le quartier de Coral Shores à Miami avec son mari et son fils. Après avoir trouvé un emploi temporaire en tant qu’experte en cuisine caribéenne dans une émission de télévision matinale, elle se retrouve mêlée à une affaire de meurtre. Les soupçons se portent sur un herboriste cubain controversé, et l’inspecteur chargé de l’enquête requiert son aide pour infiltrer la communauté hispanophone et le milieu social de Coral Shores, ce qui la met elle-même en danger.
“Raquel V. Reyes’s series debut, MANGO, MAMBO, AND MURDER, furthers my belief that the cozy mystery has become one of the most diverse, and most vibrant, in contemporary crime fiction.” —The New York Times
« A vibrant, diverse, LGBTQ-inclusive cast and Raquel Reyes’s deft balance of sensitive topics and frothy intrigue make this a standout. » —BookRiot
“[A] refreshing debut and series launch . . . [with] well-defined characters and [a] vibrant social scene. Mouthwatering recipes round out the volume.” —Publishers Weekly
Les droits de langue française des trois tomes qui composent actuellement la série sont disponibles.


Expat Zoe Barlow has settled well into her artist’s life among the Lost Generation in 1920s Paris. When a too-tipsy guest at her weekly poker game breaks Zoe’s favorite clock, she’s off to a Montparnasse flea market to bargain with the vendor Laurette for a replacement. What Zoe didn’t bargain for was the lost Chagall painting that’s been used like a rag to wrap her purchases! Eager to learn whether Laurette has more Chagalls lying about like trash, Zoe sets off to track her down at her storage shed. With no Laurette in sight, Zoe snoops around and indeed finds several additional Chagalls—and then she finds Laurette herself, dead beneath a scrap heap, her beautiful face bashed in.
Ask Cordelia Black why she did it. The answer will always be: He had it coming.
Haunted by a childhood spent picking locks, tailing suspects, and helping her hard-boiled PI father solve cases, Dame Polara has spent most of her adult life running from his shady profession and the memories she associates with it. What Dame wants now is simple — her safe job preserving heritage buildings, adequate care for her father’s mounting health complications, and to raise a family of her own. But life doesn’t seem to be going her way.