One unidentified skeleton. Three missing men. A village full of secrets. The best-selling author of The Seven or Eight Deaths of Stella Fortuna brings us a sparkling—by turns funny and moving—novel about a young American woman turned amateur detective in a small village in Southern Italy.
THE LOST BOY OF SANTA CHIONIA
by Juliet Grames
Knopf, July 2024
(via The Gernert Company)
Calabria, 1960. Francesca Loftfield, a twenty-seven-year-old, starry-eyed American, arrives in the isolated mountain village of Santa Chionia tasked with opening a nursery school. There is no road, no doctor, no running water or electricity. And thanks to a recent flood that swept away the post office, there’s no mail, either.
Most troubling, though, is the human skeleton that surfaced after the flood waters receded. Who is it? And why don’t the police come and investigate? When an old woman begs Francesca to help determine if the remains are those of her long-missing son, Francesca begins to ask a lot of inconvenient questions. As an outsider, she might be the only person who can uncover the truth. Or she might be getting in over her head. As she attempts to juggle a nosy landlady, a suspiciously dashing shepherd, and a network of local families bound together by a code of silence, Francesca finds herself forced to choose between the charitable mission that brought her to Santa Chionia, and her future happiness, between truth and survival.
Set in the wild heart of Calabria, a land of sheer cliff faces, ancient tradition, dazzling sunlight—and one of the world’s most ruthless criminal syndicates—The Lost Boy of Santa Chionia is a suspenseful puzzle mystery, a captivating romance, and an affecting portrait of a young woman in search of a meaningful life.
Juliet Grames is the best-selling author of The Seven or Eight Deaths of Stella Fortuna. Her essays and short fiction have appeared in Real Simple, Parade, and The Boston Globe, and she is the recipient of an Ellery Queen Award from the Mystery Writers of America. She is editorial director at Soho Press in New York.

There’s been a sensational murder at historic Castle Kinloch, a gothic fantasy of a grey granite on a remote island in the Highlands of Scotland. Literary superstar Brett Saffron Presley has been found dead–under bizarre circumstances–in the castle tower’s book-lined study. Years ago, Presley purchased the castle as a showpiece for his brand and to lure paying guests with a taste for writerly glamour. Now it seems, the castle has done him in…or, possibly, one of the castle’s guests has. Detective Chief Inspector Euan McIntosh, a local with no love for this literary American show-off (or Americans in general), finds himself with the unenviable task of extracting statements from three American lady novelists.
A century-old trunk has been dug up near the railway village of Sterfontein. Inside is the lost journal of Victorian author ElizabethTenant – and what appear to be the remains of a child. Michael, a university student recovering from a broken heart, is intriguedby what the journal describes: a scarlet curtain billowing above the desert, covering the entrance to another world. But thingsbecome even stranger when a line in the journal seems to be connected to Michael and his cosmologist mother, written ahundred years before their time. Without much to go on, Michael travels to the old Karoo hotel where Elizabeth wrote her novelMIRAGE. Amid talk of omens in the sky, ancient prophecies and the end of the world, he tries to decipher the journal’s secrets. Asone mystery leads to the next, constellation-like patterns between his own life and Elizabeth’s appear, helped along by Renata, aself-proclaimed medium, and Oom Sarel, the local museum curator. But as time starts to dissolve in the mirages of the Karoo, itbecomes more and more difficult to know what is real and what is not. And why can’t he shake the feeling that he’s been to thevillage before?
When a young woman, Sarah Connelly, is found murdered in her home in New York’s elite Sleepy Point suburb, it triggers questions about the neighbor who discovered the body, Audrey Hughes. This kind of attention is the last thing Audrey wants. Moving to Sleepy Point was supposed to provide her with a new, quiet start after a trauma left her with incurable blindness. But the other reason she settled next door to Sarah was to spy on her. Police scrutiny moves Audrey like a pawn on a chessboard from witness to suspect, after it’s revealed that she had a volatile argument with Sarah hours before her death. The deeper the police delve into the case, the murkier the truth becomes. As the book twists and turns through alternating points of view and timelines, a compelling and complex scheme emerges that threatens all involved . . . and the ticking clock of investigation collides with the explosive secrets Audrey and Sarah have been keeping.
Welcome to Spooky Time, the hit TV ghost hunting show where the horror is scripted…and the ratings are declining rapidly. What better way to up the stakes—and boost the viewership—than by locking a select group of Z-list celebrities up for the night in The Most Haunted Hall in England (TM) and live-streaming the « terrifying » results?