Archives de catégorie : Nonfiction

VAGINA OBSCURA de Rachel Gross

Smithsonian magazine’s Rachel Gross tells the story of how early anatomists charted and named (and shamed) our lady parts — and how a new generation of explorers are redrawing and reclaiming the map.

VAGINA OBSCURA
by Rachel Gross
W.W. Norton, Spring 2022

The Latin term for the female genitalia, pudendum, means “parts for which you should be ashamed.” Until 1651, ovaries were called female testicles. The fallopian tubes are named for a man. Named, claimed, and shamed: Welcome to the story of the female body, as penned by men.
Today, a new generation of (mostly) women scientists is finally redrawing the map. With modern tools and fresh perspectives, they’re looking at the organs traditionally bound up in reproduction―the uterus, ovaries, vagina―and seeing within them a new biology of change and resilience. Through their eyes, journalist Rachel E. Gross takes readers on an anatomical odyssey to the center of this new world―a world where the uterus regrows itself, ovaries pump out fresh eggs, and the clitoris pulses beneath the surface like a shimmering pyramid of nerves. Full of wit and wonder, VAGINA OBSCURA is a celebratory testament to how the landscape of knowledge can be rewritten to better serve everyone.

Rachel Gross is a Visiting Scholar in the Women and Gender Studies department at MIT and has just finished her year-long term as a Knight Science Journalism fellow.

YOU ARE YOUR OWN FAIRY TALE d’amanda lovelace

amanda lovelace, the bestselling & award-winning author of the “women are some kind of magic” poetry series, presents a new companion series, “you are your own fairy tale”.

YOU ARE YOUR OWN FAIRY TALE Series
by amanda lovelace
Andrews McMeel

• The first installment, BREAK YOUR GLASS SLIPPERS (published in March 2020), is about overcoming those who don’t see your worth, even if that person is sometimes yourself. in the epic tale of your life, you are the most important character while everyone is but a forgotten footnote. even the prince.
• SHINE YOUR ICY CROWN (January 2021), the second installment, is a story about not letting society dictate the limits of your potential. it’s time to take back your power & realize that you don’t need a king in order to be a queen.
• Coming March 2022: UNLOCK YOUR STORYBOOK HEART

amanda lovelace is the author of several bestselling poetry titles, including her celebrated « women are some kind of magic » trilogy as well as her new “you are your own fairy tale” series. She is also the co-creator of the believe in your own magic oracle deck. When she isn’t reading, writing, or drinking a much-needed cup of coffee, you can find her casting spells from her home in a (very) small town on the jersey shore, where she resides with her poet-spouse & their three cats.

THE SHAPE OF SOUND de Fiona Murphy

Blending memoir with observations on the healthcare industry, THE SHAPE OF SOUND is a story about the corrosive power of secrets, stigma and shame, and how deaf experiences and disability are shaped by economics, social policy, medicine and societal expectations.

THE SHAPE OF SOUND
by Fiona Murphy
Text Publishing Australia, April 2021

I am still unlearning the habit of secrecy. And yet, whenever somebody discovers that I am deaf, my body still reacts with churning terror. How do you build up a sense of robust pride when your body has taught itself to be fearful?
Fiona Murphy’s memoir about being deaf is a revelation.
Secrets are heavy, burdensome things. Imagine carrying a secret that if exposed could jeopardise your chances of securing a job and make you a social outcast. Fiona Murphy kept her deafness a secret for over twenty-five years. But then, desperate to hold onto a career she’d worked hard to pursue, she tried hearing aids. Shocked by how the world sounded, she vowed never to wear them again. After an accident to her hand, she discovered that sign language could change her life, and that Deaf culture could be part of her identity. Just as Fiona thought she was beginning to truly accept her body, she was diagnosed with a rare condition that causes the bones of the ears to harden. She was steadily losing her residual hearing. The news left her reeling. This is the story of how Fiona learns to listen to her body.

Fiona Murphy is a Deaf poet and essayist. Her work has been published in Kill Your Darlings, Overland, Griffith Review and the Big Issue, among other publications. In 2019, she was awarded the Overland Fair Australia Essay Prize and the Monash Undergraduate Creative Writing Prize. In 2018, she was shortlisted for the Richell Prize and highly commended by the Wheeler Centre Next Chapter program.

FILTERWORLD de Kyle Chayka

Author of The Longing For Less and a contributor to The New Yorker and NYT Magazine, Kyle Chayka’s FILTERWORLD focuses on the history and investigation of living in a world ruled by algorithms, which profoundly determine and shape culture in both digital and physical spaces, leading to flat and frictionless experiences that are remaking human identity.

FILTERWORLD:
How Algorithms Flattened Culture
by Kyle Chayka
Doubleday, Fall 2023
(via Frances Goldin Literary)

You’ve seen the smooth, uncanny artifacts: a blank, white café that looks like it could be located anywhere in the world; TikTok dance videos repeating in a dull echo; restaurant design and food plating which begs to be posted on Instagram; endlessly bingeable streaming television; influencers’ faces made up and surgically altered towards a certain photogenic ideal. While appearing in different mediums, these pieces of culture are characterized by a slick sameness. Rather than provoking us, they’re pleasing, ambient, frictionless.
In this new book, Kyle Chayka argues that these seemingly disparate cultural phenomena all have been shaped by a similar force: the algorithms governing and filtering the content that appears on digital platforms. We increasingly live in a world where the culture we encounter is not simply curated by these algorithms, but in which algorithms profoundly determine and shape culture itself in both digital and physical spaces. Chayka names this new reality, of a world both inescapably mediated and changed by algorithmic filtration, “Filterworld”.
In FILTERWORLD, Chayka traces a brief history of how we arrived in this place—from the rise of the algorithm through the corresponding erosion of human curation and taste—before launching a penetrating exploration of the flat hallmarks of Filterworld byproducts and the way that algorithmically determined taste is fundamentally reshaping human identity. Ultimately a pointed critique of the frictionless culture of Filterworld, the book turns towards what we might do to escape and dismantle this numbing cycle.
Building on the popular criticism Kyle Chayka has published for both The New Yorker online and elsewhere, FILTERWORLD is the product of a career spent as one of our keenest observers of the intersection of technology and modern culture. While much has been written about the way that algorithms impact everything from news to policy, there has been no major book published on the impact of algorithms on culture.
FILTERWORLD will appeal strongly to readers of Jia Tolentino’s Trick Mirror and Jenny Odell’s How To Do Nothing: a book that not only seeks to give language to the slippery ways that technology is reshaping our lived experience, but also gives readers tools to imagine a world in which things could be otherwise.

Kyle Chayka is a freelance writer and critic whose work has appeared in the New York Times Magazine, New York Magazine, the New Republic, Rolling Stone, n+1, Vox, the Paris Review, and other publications. He has contributed chapters to Reading Pop Culture: A Portable Anthology and A Companion to Digital Art. Chayka is cofounder of Study Hall, a newsletter and digital community for journalists. He began his career as a visual art critic for Hyperallergic in Brooklyn, and now lives in Washington, D.C.

MUTINOUS WOMEN de Joan DeJean

From distinguished scholar Joan DeJean, the secret history of the rebellious Frenchwomen who were exiled to colonial Louisiana and found power in the Mississippi Valley.

MUTINOUS WOMEN:
How French Convicts Became Founding Mothers of the Gulf Coast
by Joan DeJean
Basic Books, April 2022

In 1719, a ship named La Mutine (the mutinous woman), sailed from the French port of Le Havre, bound for the Mississippi. It was loaded with urgently needed goods for the fledgling French colony, but its principal commodity was a new kind of export: women. Falsely accused of sex crimes, these women were prisoners, shackled in the ship’s hold. Of the 132 women who were sent this way, only 62 survived. But these women carved out a place for themselves in the colonies that would have been impossible in France, making advantageous marriages and accumulating property. Many were instrumental in the building of New Orleans and in settling Louisiana, Alabama, Arkansas, Illinois, and Mississippi.
Drawing on an impressive range of sources to restore the voices of these women to the historical record, MUTINOUS WOMEN introduces us to the Gulf South’s Founding Mothers.

« What transpired after they landed ashore, however, is a clear demonstration of the beauty and power of the feminine spirit, and DeJean chronicles their experiences in well-written, often gripping prose….Readers will come away fascinated and inspired by this relatively unknown tale of strength and the human spirit. » —Kirkus (starred review)

“Gripping from its opening scene of a corpse discovered on a Paris side street, Joan DeJean’s MUTINOUS WOMEN tells the stories of these French women, deported as unwanted criminals to what would become, less than a century later, part of the United States… Through astounding research in French and Louisiana archives… Ms. DeJean uses her knowledge as a scholar of early modern France to great effect. … A fascinating history and a reminder that all kinds of people helped to build what became the United States.” —Wall Street Journal

“Working with a chaotic and often confusing historical record, DeJean traces the constellation of forces—including avarice, corruption and misogyny—that permitted the rapid roundup of another 96 or so female prisoners to be transported in the dank hold of La Mutine. The horrific conditions of the women’s journey and the will to survive that must have sustained them when they were set down, largely without resources, in a barren, swampy, inhospitable land, are evoked in vivid detail.” —New York Times Book Review

Joan DeJean is Trustee Professor at the University of Pennsylvania and has taught at Yale and Princeton. She is the author of eleven books on French literature, history, and material culture of the seventeenth and eighteenth centuries, including most recently How Paris Became Paris: The Invention of the Modern City (2014); The Age of Comfort: When Paris Discovered Casual—and the Modern Home Began (2009); and The Essence of Style: How the French Invented High Fashion, Fine Food, Chic Cafés, Style, Sophistication, and Glamour (2005). She lives in Philadelphia, Pennsylvania, and Paris, France.