Sundberg focuses on the longer-lasting effects of trauma and PTSD on survivors, challenging a culture in which violence against women is normalized and illuminating the nonlinear, complex nature of recovery. For readers of In the Dream House by Carmen Maria Machado and The Empathy Exams by Leslie Jamison, this is a beautiful, devastating, and nuanced examination into embracing a new reality after trauma and finding power and beauty in it.
THE ANSWER IS IN THE WOUND
by Kelly Sundberg
Roxane Gay Books/Grove Atlantic, August 2025
The trauma of surviving an abusive marriage didn’t make Kelly Sundberg stronger. In fact, it nearly broke her. But leaving the abuse behind was not the end of the story, it was the beginning of a new one. In that journey, Sundberg learned in ways both good and bad, that one doesn’t necessarily get to leave abuse behind. Sometimes, everywhere you go, the memories of the abuse go with you.
THE ANSWER IS IN THE WOUND begins with the invocation “May this book be an exorcism.” Learning to coexist with her rage and then to turn that rage into strength, Sundberg’s journey to alchemizing her suffering from post-traumatic stress disorder into post-traumatic stress growth was neither easy nor simple. Far from bleak, her story provides vital insight into the little-known recovery process, and how healing is possible.
A narrative following a process of discovery as Sundberg’s personal story is juxtaposed against established research, The Answer is in the Wound offers a redemptive arc for trauma survivors, arguing for healing through an acceptance of their new state of being. Sundberg uses metaphors like the act of erasure—shown in erasure poetry created from her abusive ex-husband’s apologetic emails—and includes theories from psychiatrists and researchers like Judith Herman, Bessel van der Kolk, and Peter A. Levine to construct a balanced meditation on trauma and the imprint it leaves.
Kelly Sundberg is the author of Goodbye, Sweet Girl: A Story of Domestic Violence and Survival, published by Harper in 2018. Her essays have appeared in the New York Times Modern Love column, Alaska Quarterly Review, Guernica, and elsewhere. Her essays have been published or selected as notables in Best American Essays four times. She has a PhD in creative nonfiction. She lives, writes, and edits in Columbus, Ohio.


Joni Ackerman’s decision to raise children came with a steep cost. Twenty-five years ago, she was a pioneering filmmaker, one of the few women to break into the all-male club of Hollywood feature film directors. But she and her husband Paul had always wanted a family, and his ascending career at a premier television network provided a safety net. They have recently transplanted to Brooklyn, so that Paul can launch a major East Coast production studio, when a scandal rocks the film industry and forces Joni to revisit a secret from long ago involving a powerful man who abused women, including the friend of her youth, Val.