Oscillating between elation and despair, AN EXCITING AND VIVID INNER LIFE is the debut short story collection from Sunday Times Short Story Award finalist Paul Dalla Rosa.
AN EXCITING AND VIVID INNER LIFE
by Paul Dalla Rosa
Allen & Unwin, May 2022
(via Neon Literary)
Whether working in food service or in high-end retail, lit by a laptop in a sex chat or by the camera of an acclaimed film director, sharing a dangerous apartment in the city, a rooming house in China or a vacation rental in Mallorca, the protagonists of the ten stories comprising Paul Dalla Rosa’s debut collection, An Exciting and Vivid Inner Life, navigate the spaces between aspiration and delusion, ambition and aimlessness, the curated profile and the unreliable body.
By turns unsparing and tender, Dalla Rosa explores our lives in late-stage Capitalism, where globalisation and its false promises of connectivity and equity leave us all further alienated and disenfranchised. His stories are small masterpieces of regret, futility and tenderness, dripping with acuity, irony and wit.
Like his acclaimed contemporary Ottessa Moshfegh and the legendary Lucia Berlin, Dalla Rosa is a masterful observer and unflinching eviscerator of our ugly, beautiful attempts at finding meaning in an ugly, beautiful world.
« The contemporary urgency of his stories is intoxicating…. This is such an exciting collection – writing this good is thrilling, exhilarating. » – Christos Tsiolkas, author of The Slap
Paul Dalla Rosa is a writer based in Melbourne, Australia. His stories have appeared in Granta, McSweeney’s, Meanjin and New York Tyrant. In 2019, his story ‘Comme’ was shortlisted for the Sunday Times Short Story Award. He is currently undertaking his PhD at RMIT University, studying the real within contemporary fiction. An Exciting and Vivid Inner Life is his debut collection.

The Year of Return, linked to the 400th anniversary of slaves landing in the US, memorialised the many who died during the slave trade in Ghana, particularly at Elmina Castle, while encouraging members of the African diaspora to visit. As Black diasporans around the world make the pilgrimage to West Africa, three African-American friends join in the festivities to explore Ghana’s colonial past and its underground queer scene. They are thrust into the hands of two guides, Kobby and Nana, whose intentions aren’t clear, yet they are the narrators we have to trust. Kobby, a modern deviant according to Nana’s traditional and religious principles, offers a more upscale and privileged tour of Ghana and also becomes the friends’ link to Accra’s secret gay culture. Nana’s adherence to his pastor’s teachings against sin makes him hate Kobby enough to want to kill.
Todd is playing at the beach with his six-year-old son, Anthony, when he sees a man approach them. It is Jack, the man who made his highschool years a living hell. Radiant, repentant, and overjoyed to have « run into » Todd, Jack suggests a meal (to catch up!) and perhaps a night or two’s stay at Todd’s house (to reconnect!). Todd politely agrees, smile frozen on his face, as a sick feeling begins to grow within him, churning into rot and releasing a repressed darkness. What follows is a tense, fast-paced story of obsession and the grotesque, as disturbing as it is emotionally riveting. A Patricia Highsmith novel for the demented age we’re living through, HAWK MOUNTAIN is a compelling look at how love and hate are indissoluble, intertwined until the last breath.