Archives par étiquette : The Gernert Company

BOUNCE de William Milberg

An engaging, authoritative and accessible study of globalization—in the vein of A History of the World in 6 Glasses—told through the fascinating histories of six different balls used in sports.

BOUNCE: The Story of Globalization
by William Milberg
The New Press, late 2026/early2027
(via The Gernert Company)

Globalization is the central economic issue of our time: it’s tied to everything we buy; impacts elections; leads to the wholesale collapse (or revitalization) of a town, or a city, or a region, with jobs going someplace else, coming in, or never coming back. It’s a primary reason behind the Trump administration’s tariffs, which are causing major economic upheaval. Yet for all its significance, globalization is still widely misunderstood. It’s too complex, too diffuse, with too many moving parts – its design makes individuals feel powerless. In BOUNCE, a Professor of Economics examines the history of six sporting balls as a way to understand the story of globalization, how it has evolved, and how the decisions that society has made and is currently making, continue to shape it.

The golf ball, the baseball, the football, the soccer ball, the tennis ball and the basketball: each has a complex and fascinating history that parallels the evolution of globalization. Balls have been used in games for hundreds of years and each one tells us unique and vital things about this evolution: the golf ball uncovers the dynamics of the first wave of globalization, with colonial powers seeking rubber in the plantations of Africa, Asia and South America, and the importance of machine technology and innovation. The football shows how labor unions provided the “countervailing power” needed to stand up to growing industrial corporations, prompting steady growth in pay and economic security for the average worker. Milberg, Professor of Economics at the New School for Social Research where he directs the Heilbroner Center for Capitalism Studies, slices each ball open, dives deep into its story, and spins a narrative revealing how each microhistory is inextricably linked to the greater economy.

Globalization has been a series of choices by individuals, corporations, governments, countries. Understanding the history of these game balls helps us to better understand the consequences of those choices and where we want the economy to go.

Professor Milberg’s research focuses on the history and philosophy of economics. He has written extensively on global value chains and their implications for economic development, jobs, finance and intellectual property.

William Milberg is Professor of Economics at the New School for Social Research, where he also directs the Heilbroner Center for Capitalism Studies. His recent project at the Heilbroner Center is on the economic causes and consequences of the multinational retreat from liberal democracy. Milberg has worked as a consultant to the International Labour Organization and the World Bank and lectured at the World Trade Organization. Author of three academic books, Milberg served as Dean of the New School for Social Research from 2013-2023. He lives in Westchester, NY with his wife, his youngest daughter and his dog Lola.

THE END OF ROMANCE de Lily Meyer

A big-hearted, wise, unceasingly buoyant novel about a woman who, after escaping a bruising marriage, theorizes that happiness is possible solely with the eradication of all romance—only to find a love that could change her life forever.

THE END OF ROMANCE
by Lily Meyer
Viking, February 2026
(via The Gernert Company)

Sylvie Broder was taught early to embrace joy. The granddaughter of Holocaust survivors whose greatest priority was enjoying the life they’d snatched back from Hitler, Sylvie believes in the tenacious pursuit of pleasure—yet, somehow, finds herself trapped in a suffocating, emotionally abusive marriage. With enormous fortitude, Sylvie frees herself and turns to graduate school, where she develops a new philosophy: Straight women will find true liberation and happiness only once romance is eradicated.

Now, Sylvie prides herself in separating sex from tenderness—having fun with men, but never committing to one. Then she meets Robbie and Abie, and finds her philosophy sorely tested. A warm and gentle man, Robbie treats Sylvie with patience and enormous kindness, offering her comfort she hasn’t had since childhood. Abie is passionate and dynamic, a man who challenges Sylvie, and with whom she finds herself constantly disarmed. With both men, she feels a deep desire that looks, worryingly, a lot like love.

Cleverly constructed, delightfully funny, and beautifully written, THE END OF ROMANCE is an anti-romance romance novel that charts its fallible heroine’s tumultuous journey to love and happiness with erudition and deep feeling—a story for anyone who, despite their very best efforts, has fallen in love, and wondered why.

Lily Meyer is a translator, a critic, and the author of the novel Short War. She is also a contributing writer at The Atlantic. Her stories and translations can be found in The Dial, The Drift, The Sewanee Review, The Southern Review, and many other journals, and her essays and criticism appear in outlets including Bookforum, The New Yorker, and The New York Times Book Review.

THE MOODY MORTICIAN de Samantha Jay

A grouchy goth mortician with a heart of gold gets embroiled in the murder investigation of the man she embalmed with the infuriating help of the handsome son of her town’s rival funeral home. The Maid meets « Six Feet Under » with a dash of Dial A For Aunties in this funny, clever debut mystery.

THE MOODY MORTICIAN
by Samantha Jay
Dutton, Spring 2027
(via The Gernert Company)

« I’m telling you, dude. The living. They are the worst. »

For Riley Peluso, a 28-year-old funeral director, death isn’t scary, gross, or annoying—it’s the living who are a problem. She loves her job at the century-old family-run Italian-American funeral home where she works, as she doesn’t have to talk to anyone and besides, she’s the best embalmer in quaint Dorchester, Connecticut. When she notices what someone else might have overlooked – something is amiss about a decedent she’s embalming which might indicate foul play – Riley finds herself embroiled in a murder investigation.

While her nosy, overbearing Italian family is constantly on her case about her introverted lifestyle, and the funeral home is so overbooked she’s working 70 hours a week, Riley finds herself mixed up with Flynn Gallagher, the obnoxiously competitive scion of the rival Irish-American funeral home, who is as dogged as the golden retriever he resembles. In the middle of this mess of the drama of the living, can Riley figure out the truth and restore her faith in her own profession?

Gloriously gory and laugh-out-loud funny, THE MOODY MORTICIAN is a delectable puzzle featuring one of the most endearing amateur sleuths to grace the pages of a mystery in years. This debut establishes Samantha Jay as one to watch.

Samantha Jay is the pen name of first-cousin writing duo Samantha Cusano and Juliet Grames. Samantha is a licensed funeral director in Connecticut. A graduate of the New England Institute of Applied Funeral Arts and Sciences at Mount Ida College, Samantha has earned certificates in specialized embalming and reconstruction and has served as a forensic autopsy tech, working high-profile crime cases and performing eviscerations under the direction of the Medical Examiner to help determine cause of death. Juliet is the international bestselling author of two novels, The Seven or Eight Deaths of Stella Fortuna and The Lost Boy of Santa Chionia. Her writing has appeared in Best American Mystery & Suspense, People, Real Simple, Ellery Queen Mystery Magazine, Parade, and many other places. Juliet is Editorial Director at Soho Press, where she has curated the Soho Crime imprint since 2010. She’s the recipient of the Mystery Writers of America’s Ellery Queen Award as well as of Italy’s Premio Cetraro for Contributions to Southern Italian Literature. Both cousins live in New England, where they juggle the professional obligations they take very seriously with the social demands of their loving Italian family.

LOCALS de Jared Jackson

In the vein of Jonathan Escoffery’s If I Survive You, Bryan Washington’s Lot, and Morgan Talty’s Night of the Living Rez, this debut, in the form of a strongly linked story collection, brings to brash and tender life a cast of young, working-class characters navigating love, grief, survival, and the pursuit of something more in Hartford, Connecticut in the aughts.

LOCALS
by Jared Jackson
Viking, Spring 2027
(via The Gernert Company)

Mikey becomes a man too early when he begs for emotional scraps from his uncle’s girlfriend. Collin reveals his cowardice when he fails to show up for Bebo, an outsider far braver than Collin will ever be. Enis, a refugee on the local baseball team along with Collin, Bebo, and Mikey, wants more than he can ever get from his neighborhood or his girlfriend. Minnie wants redemption. Suit Man wants a warm place to sleep. Ms. Ana wants a daughter. And Andrews wants his white fraternity brothers to accept him despite being a “local,” while all his cousin Ant wants is for Andrews to remember he already has a family—that Hartford has always been his family.

Vibrating with vivid imagery and characters whose voices alternate between aching frankness and exhilarating swagger, the interlocking pieces of this book tumble one into another like so many expertly laid dominoes. The result is a striking vision for reclamation—of faith in city, and faith in self. Jackson is a generational talent descended from a distinct literary tradition (encompassing everything from Joyce’s Dubliners to Bambara’s Gorilla, My Love; Cisneros’s The House on Mango Street to Barrett’s Young Skins) but blazing a thrilling path all his own.

Jared Jackson is a proud Hartford native and writer, editor, educator, and arts administrator currently living in New York. He has been awarded residencies, fellowships, and grants from MacDowell, Yaddo, Baldwin for the Arts, Tin House, and several others. His writing has been published or is forthcoming in The Yale Review, Guernica, Kenyon Review, n+1, and VQR, and was anthologized in The Best American Short Stories 2023 (guest edited by Min Jin Lee). He received an MFA in fiction from Columbia University, where he was a chair’s fellow, creative writing teaching fellow, and an adjunct assistant professor. Jackson is the director of programs and partnerships at Poets & Writers, Inc. He was previously the program director of literary programs at PEN America.

STATE CHAMP de Hilary Plum

Ferocious, hilarious, slippery, and wise” (Leni Zumas ) – the story of a woman risking her life and finding her own way to protest the end of abortion rights.

STATE CHAMP
by Hilary Plum
Bloomsbury, May 2025
(via The Gernert Company)

A high-school state champion runner turned college dropout, Angela is working as a receptionist at an abortion clinic when a “heartbeat law” criminalizes most abortions statewide. In the ensuing upheaval, her boss is arrested for providing illegal procedures and the clinic is shut down.

Angela has never been either an activist or a model employee. But she gets why her boss didn’t follow the rules. She decides to go on a hunger strike in the boarded-up clinic, to protest her boss’s arrest and everything that’s been lost. She’ll draw on her skillset: the masochistic discipline of a runner, a history of self-destructive behavior, and a willingness to sleep on exam room tables (whose hygienic paper she uses as her diary).

Angela’s protest is solitary, enraged, and a little messy, but it mobilizes a group of people around her-an ex who’s a local journalist looking for a good story, the everyday people the clinic once served, and most especially a formidable anti-abortion activist named Janine.

Lucid, strange, and deeply metal, State Champ cuts through the political rhetoric to explore the relationship between bodily autonomy and real freedom. Angela’s story is about what abortion access means day-to-day and how much we are-in ways that can transform us-responsible for one another.

“Oh, this voice! Ferocious, hilarious, slippery, wise-I couldn’t stop listening. Hilary Plum is one of my favorite writers working today because her curiosity about injustice and liberation is so relentless, so tender, and so alert to the fact that every single one of us is implicated in the struggle.” ―Leni Zumas, author of Red Clocks

“Revelatory . . . Perfect for fans of Henry Hoke’s Open Throat and Rita Bullwinkel’s Headshot . . . Hilary Plum, through this funny and furious narrator, throws bold punches in defense of reproductive rights and celebrates the commitment of those who uphold them.” ―Shelf Awareness

Hilary Plum is the author of five books, including the poetry collection Excisions, the essay collection Hole Studies, and the Fence Modern Prize in Prose-winning novel Strawberry Fields. She teaches at Cleveland State University and in the NEOMFA program, and she serves as associate director of the CSU Poetry Center. Her work has appeared in Granta, Astra, The Rupture, Los Angeles Review of Books, Cleveland Review of Books, and elsewhere. She lives in Cleveland Heights, Ohio.