Archives par étiquette : The Gernert Company

LOCALS de Jared Jackson

In the vein of Jonathan Escoffery’s If I Survive You, Bryan Washington’s Lot, and Morgan Talty’s Night of the Living Rez, this debut, in the form of a strongly linked story collection, brings to brash and tender life a cast of young, working-class characters navigating love, grief, survival, and the pursuit of something more in Hartford, Connecticut in the aughts.

LOCALS
by Jared Jackson
Viking, Spring 2027
(via The Gernert Company)

Mikey becomes a man too early when he begs for emotional scraps from his uncle’s girlfriend. Collin reveals his cowardice when he fails to show up for Bebo, an outsider far braver than Collin will ever be. Enis, a refugee on the local baseball team along with Collin, Bebo, and Mikey, wants more than he can ever get from his neighborhood or his girlfriend. Minnie wants redemption. Suit Man wants a warm place to sleep. Ms. Ana wants a daughter. And Andrews wants his white fraternity brothers to accept him despite being a “local,” while all his cousin Ant wants is for Andrews to remember he already has a family—that Hartford has always been his family.

Vibrating with vivid imagery and characters whose voices alternate between aching frankness and exhilarating swagger, the interlocking pieces of this book tumble one into another like so many expertly laid dominoes. The result is a striking vision for reclamation—of faith in city, and faith in self. Jackson is a generational talent descended from a distinct literary tradition (encompassing everything from Joyce’s Dubliners to Bambara’s Gorilla, My Love; Cisneros’s The House on Mango Street to Barrett’s Young Skins) but blazing a thrilling path all his own.

Jared Jackson is a proud Hartford native and writer, editor, educator, and arts administrator currently living in New York. He has been awarded residencies, fellowships, and grants from MacDowell, Yaddo, Baldwin for the Arts, Tin House, and several others. His writing has been published or is forthcoming in The Yale Review, Guernica, Kenyon Review, n+1, and VQR, and was anthologized in The Best American Short Stories 2023 (guest edited by Min Jin Lee). He received an MFA in fiction from Columbia University, where he was a chair’s fellow, creative writing teaching fellow, and an adjunct assistant professor. Jackson is the director of programs and partnerships at Poets & Writers, Inc. He was previously the program director of literary programs at PEN America.

STATE CHAMP de Hilary Plum

Ferocious, hilarious, slippery, and wise” (Leni Zumas ) – the story of a woman risking her life and finding her own way to protest the end of abortion rights.

STATE CHAMP
by Hilary Plum
Bloomsbury, May 2025
(via The Gernert Company)

A high-school state champion runner turned college dropout, Angela is working as a receptionist at an abortion clinic when a “heartbeat law” criminalizes most abortions statewide. In the ensuing upheaval, her boss is arrested for providing illegal procedures and the clinic is shut down.

Angela has never been either an activist or a model employee. But she gets why her boss didn’t follow the rules. She decides to go on a hunger strike in the boarded-up clinic, to protest her boss’s arrest and everything that’s been lost. She’ll draw on her skillset: the masochistic discipline of a runner, a history of self-destructive behavior, and a willingness to sleep on exam room tables (whose hygienic paper she uses as her diary).

Angela’s protest is solitary, enraged, and a little messy, but it mobilizes a group of people around her-an ex who’s a local journalist looking for a good story, the everyday people the clinic once served, and most especially a formidable anti-abortion activist named Janine.

Lucid, strange, and deeply metal, State Champ cuts through the political rhetoric to explore the relationship between bodily autonomy and real freedom. Angela’s story is about what abortion access means day-to-day and how much we are-in ways that can transform us-responsible for one another.

“Oh, this voice! Ferocious, hilarious, slippery, wise-I couldn’t stop listening. Hilary Plum is one of my favorite writers working today because her curiosity about injustice and liberation is so relentless, so tender, and so alert to the fact that every single one of us is implicated in the struggle.” ―Leni Zumas, author of Red Clocks

“Revelatory . . . Perfect for fans of Henry Hoke’s Open Throat and Rita Bullwinkel’s Headshot . . . Hilary Plum, through this funny and furious narrator, throws bold punches in defense of reproductive rights and celebrates the commitment of those who uphold them.” ―Shelf Awareness

Hilary Plum is the author of five books, including the poetry collection Excisions, the essay collection Hole Studies, and the Fence Modern Prize in Prose-winning novel Strawberry Fields. She teaches at Cleveland State University and in the NEOMFA program, and she serves as associate director of the CSU Poetry Center. Her work has appeared in Granta, Astra, The Rupture, Los Angeles Review of Books, Cleveland Review of Books, and elsewhere. She lives in Cleveland Heights, Ohio.

MISBEHAVING AT THE CROSSROADS d’Honorée Fanonne Jeffers

The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times.

MISBEHAVING AT THE CROSSROADS: Essays & Writings
by Honorée Fanonne Jeffers
Harper, June 2025
(via The Gernert Company)

Honorée Fanonne Jeffers is at a crossroads.
Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression.

In MISBEHAVING AT THE CROSSROADS, Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks.

Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers.

Honorée Fanonne Jeffers is a fiction writer, poet, and essayist. She is the author of the acclaimed New York Times bestseller and Oprah’s Book Club Pick, The Love Songs of W. E. B. Du Bois, which won the National Book Critics Circle Award in Fiction and the Dayton Literary Peace Prize and was nominated for the National Book Award, and five poetry collections, including the NAACP Image Award-winning The Age of Phillis, also nominated for the National Book Award. She teaches at the University of Oklahoma, where she holds the Paul and Carol Daube Sutton Chair in English.

I’LL TELL YOU WHEN I’M HOME de Hala Alyan

The rich and deeply personal memoir by the award-winning Palestinian American poet and novelist whose experience of motherhood via surrogacy forces her to reckon with her own past, and the legacy of her family’s exile and displacement.

I’LL TELL YOU WHEN I’M HOME: A Memoir
by Hala Alyan
Avid Reader, June 2025
(via The Gernert Company)

After a decade of yearning for parenthood, years marked by miscarriage after miscarriage, Hala Alyan decides to use a surrogate. In this charged time, she turns to the archetype of the waiting woman—the Scheherazade who tells stories to ensure another dawn—to confront her own narratives of motherhood, love, and inheritance. As her baby grows in the body of another woman, in another country, Hala finds her own life unraveling—a husband who wants to leave; the cost of past traumas and addictions threatening to resurface; the city of her youth, Beirut, on the brink of crisis. She turns to family stories and communal myths: of grandmothers mapping their lives through Palestine, Kuwait, Syria, Lebanon; of eradicated villages and invading armies; of places of refuge that proved only temporary; of men that left and women that stayed; of the contradictions of her own Midwestern childhood, and adolescence in various Arab cities. Hala gathers the stories that are her legacy, which makes for emotionally charged, painstaking work, but now the stakes are higher: how to honor ancestors and future generations alike in the midst of displacement? How to impart love for those who are no longer here, for places one can no longer touch?

A stunningly lyrical and brutally honest quest for motherhood, selfhood, and peoplehood, I’LL TELL YOU WHEN I’M HOME is a powerful story of unraveling and becoming, of destruction and redemption, and of homelands lost and recreated.

“A beautiful and intimate memoir of a life in the embrace of stories, Alyan weaves the fine threads of torn and fragmented lives into an irresistible, intergenerational tapestry. I was spellbound from the first page.”
—Naomi Klein, author of Doppelganger

Hala Alyan is the Palestinian-American author of the novels Salt Houses—winner of the Dayton Literary Peace Prize and the Arab American Book Award, and a finalist for the Chautauqua Prize—and The Arsonists’ City, a finalist for the Aspen Words Literary Prize. She is also the author of five highly acclaimed collections of poetry, including The Twenty-Ninth Year and The Moon That Turns You Back, both published by Ecco. Her work has been published by The New Yorker, The Academy of American Poets, The New York Times, The Guardian, and Guernica. She lives in Brooklyn with her family, where she works as a clinical psychologist and professor at New York University.

SCAVENGERS de Kathleen Boland

Hacks meets Rebecca Makkai in this rollicking novel about a cautious daughter and her eccentric, estranged mother venturing west in search of buried treasure—and a way back to each other—before they run out of patience, money, and options.

SCAVENGERS
by Kathleen Boland
Viking, January 2026
(via The Gernert Company)

After being fired for taking an uncharacteristic risk at her commodities trading job, Bea Macon sublets her New York apartment and books a one-way ticket to stay with her mother, Christy, a free spirit who has been living in Salt Lake City on Bea’s dime.

Usually the responsible one, Bea isn’t about to admit exactly why she’s suddenly decided to visit, but she isn’t the only one keeping secrets: Christy has a man. She has a map. She has . . . a username on a forum devoted to unearthing $1 million in buried treasure that an antiquities dealer claims to have hidden somewhere in the western U.S.?

Bea is convinced this is just another one of her mother’s wild larks, an elaborate way to refuse, as she has for Bea’s entire life, to finally grow up. But Christy believes she’s onto something—and she’s arranged a rendezvous in a rural town called Mercy with the guy she’s been obsessively trading theories with online to prove it. Out in the desert that one woman believes to be a promised land, the other a wasteland, they find themselves barreling toward a more high-stakes, transformative escapade than either of them could have imagined.

Populated with unforgettable characters and set against one of the world’s most oddly enrapturing landscapes, Scavengers is a funny and heartbreaking novel about old injuries, new beginnings, and the lengths to which we’ll go to find, escape, and reinvent ourselves..

Kathleen Boland‘s fiction has appeared in Tin House, Conjunctions, Gulf Coast, and elsewhere, and she has received support from the Tin House Summer Workshop, the Bread Loaf Writers’ Conference, and the Vermont Studio Center. The former event director for Catapult/Counterpoint Press/Soft Skull Press, she earned her MFA from Louisiana State University, where she received the Robert Penn Warren Thesis Award.