Archives de catégorie : Cinema/TV

TURBO RACERS, bientôt à l’écran?

La 20th Century Fox a mis une option sur la série TURBO RACERS de Austin Aslan pour en faire une série de long-métrages.

Le premier tome a été publié par HarperCollins le 31 décembre 2018 et a été très bien accueilli par la presse américaine :

“Intense, impeccably paced, bonkers-awesome international race sequences provide clarity without sacrificing tension or becoming repetitive… With flash, spectacle, and tough character choices, an all-around, full-throttle read.” – Kirkus

“An exhilarating read that doesn’t compromise on fun in its exploration of integrity and friendship. Heartily recommended for fans of sf and sports books alike.” – Booklist

“The plot sets a pace so quick that readers will speed through it, with twists and turns as intense as those on a racetrack.” – School Library Journal

Les mémoires de William Kamkawamba bientôt sur Netflix

Le film tiré de THE BOY WHO HARNESSED THE WIND (titre français: « Une Eolienne en Afrique », éditions Globe) sera diffusé sur la plateforme de streaming à partir du 1er mars 2019. Cette adaptation a été écrite, réalisée et jouée par Chiwetel Ejiofor (Twelve Years a Slave).

Les droits cinéma pour AMERICAN DIRT cédés

Comme l’a annoncé le Hollywood Reporter, Imperative Entertainment, la société de production derrière « La Mule » de Clint Eastwood et « Tout l’Argent du Monde » de Ridley Scott, a acquis les droits cinématographiques du roman de Jeanine Cummins. Le scénario sera écrit par Charles Leavitt, connu pour avoir écrit « Blood Diamon », avec Leonardo di Caprio.

AMERICAN DIRT sera publié en France par Philippe Rey Editions.

THE SOPRANOS SESSIONS de Matt Zoller Seitz, Alan Sepinwall et Laura Lippman

The best TV series ever

THE SOPRANOS SESSIONS
by Matt Zoller Seitz, Alan Sepinwall and Laura Lippman
Abrams Books, January 2019

On January 10, 1999, a mobster walked into a psychiatrist’s office and changed TV history. By shattering preconceptions about the kinds of stories the medium should tell, The Sopranos launched our current age of prestige television, paving the way for such giants as Mad Men, The Wire, Breaking Bad, and Game of Thrones. As TV critics for Tony Soprano’s hometown paper, New Jersey’s The Star-Ledger, Alan Sepinwall and Matt Zoller Seitz were among the first to write about the series before it became a cultural phenomenon.
To celebrate the 20th anniversary of the show’s debut, Sepinwall and Seitz have reunited to produce “The Sopranos Sessions”, a collection of recaps, conversations, and critical essays covering every episode. Featuring a series of new long-form interviews with series creator David Chase, as well as selections from the authors’ archival writing on the series, The Sopranos Sessions explores the show’s artistry, themes, and legacy, examining its portrayal of Italian Americans, its graphic depictions of violence, and its deep connections to other cinematic and television classics.

Matt Zoller Seitz is the television critic for New York magazine and the editor in chief of RogerEbert.com. He is the author of “Mad Men Carousel” and “The Wes Anderson Collection”. Alan Sepinwall is the chief television critic for Rolling Stone and the author of “Breaking Bad 101”. His thoughts on television have appeared in the New York Times, Time, and Variety. Laura Lippman, a New York Times bestselling novelist, has won every major mystery writing prize in the United States.

7 nouvelles sur 13 de WHY VISIT AMERICA seront adaptées pour le cinéma ou la télévision

Sept nouvelles sur treize de ce recueil de Matthew Baker qui sera publié par Holt seront adaptées pour le cinéma ou la télévision! Voici la liste impressionnante des deals qui ont été finalisés :

THE TRANSITION – droits d’adaptation acquis par Amazon

LIFE SENTENCE – droits d’adaptation acquis par Netflix

THE APPEARANCE – droits d’adaptation acquis par Makeready

RITES – droits d’adaptation acquis par James Ponsoldt, directeur de “The Circle”

WHY VISIT AMERICA – droits d’adaptation acquis par FX

LOST SOULS – droits d’adaptation acquis par Fox Searchlight.

TO BE READ BACKWARD – droits d’adaptation acquis par Fox

For readers of George Sanders and Carmen Maria Machado and watchers of Black Mirror and The Twilight Zone, WHY VISIT AMERICA is for anyone who, like the citizens of Baker’s America, “don’t subscribe to any one brand of politics” but who want to simply be free

WHY VISIT AMERICA
Stories
by Matthew Baker
Holt, TBA

The citizens of Plainfield, TX, a tiny town that “couldn’t even be plotted onto your basic left-right binary,” have had it with the United States, “that broke-down country.” So they vote to secede, rename themselves America “in memory of our former country,” and happily set themselves up to receive tourists from their closest neighbor. America. Couldn’t happen? Well, it might, and so it goes in the thirteen stories in Matthew Baker’s brilliantly illuminating, incisive, and heartbreaking collection WHY VISIT AMERICA. A young man breaks the news to his family that he is going to transition – from an analog body to a digital existence. A young woman abducts a child – her own – from a government-run childcare facility. A man returns home after committing a great crime, his sentence being that his memory – his entire life – is wiped clean. Employing an exhilarating range of genres, Baker takes the issues confronting so many of us – from old age to runaway consumer culture, from immigration to infertility – and with truly innovative language and a very deep heart, makes us think about them in a new way.
Margaret Atwood recently commented that “[i]n science fiction, it’s always about now. What else could it be about? There is no future. There are many possibilities, but we do not know which one we are going to have.” WHY VISIT AMERICA is about these possibilities: an exegesis of our current political predicament, a warning for where we might be headed, and an eloquent plea for connection and the understanding of, as one character terms it, those who are “othery.”

Matthew Baker is author of the story collection “Hybrid Creatures” and the Edgar Award-nominated middle grade novel “If You Find This”. His stories have appeared in publications such as American Short Fiction, New England Review, One Story, Electric Literature, and Conjunctions, and in anthologies including Best of the Net and Best Small Fictions. A recipient of grants and fellowships from the Fulbright Commission, the MacDowell Colony, the Ucross Foundation, the Ragdale Foundation, Vermont Studio Center, Virginia Center for the Creative Arts, Blue Mountain Center, Prairie Center of the Arts, Djerassi Resident Artists Program, the Sewanee Writers’ Conference, and the Bread Loaf Writers’ Conference, he has an MFA from Vanderbilt University, where he was the founding editor of Nashville Review.