A stylish and surreal Midwestern coming-of-age with black humor, SENSUAL WORLD is a story about desire, destruction, and transcendence for fans of Tess Gunty’s The Rabbit Hutch and Susan Choi’s Trust Exercise.

SENSUAL WORLD
by Lauren Friedlander
Catapult, February 2027
(via Sterling Lord Literistic)

Sensual World is about two young women—one escaping an isolated, sordid home in the plains, one escaping a TV-set childhood in The Big City—who meet at an avant-garde theater school in Kansas called “the Con.” They become the best of friends; together they strive to become Artists.

The founder of the Con, Una Flood, wrote a supposedly-cursed, never-performed play and a manifesto on how to become The Ultimate Artist. When the friends are cast in Possum Play, they are torn apart by the absurdist preparations and Flood’s supernatural machinations. A car crash; an identity swap; two women enter a maelstrom of obsession from which only one can emerge! The third act of redemption and reconciliation turns violent and strange—as they strive to embody The Ultimate Artist, the audience (us, fair readers) is unable to look away.

Sensual World lies somewhere in among the concepts of “if Ottessa Moshfegh went to theater camp,” and the movie Poor Things. The novel is viscerally stylish; you will taste the language of the Kansas soil and it’ll shock your senses like Sprite up the nose.

A writer from Kansas, currently in Brooklyn, Lauren Friedlander is a recipient of the PEN/Robert J. Dau Short Story Prize for Emerging Writers. Her fiction has been longlisted for Wigleaf’s Top 50 Very Short Fictions and published in the Best Microfiction anthology, Catapult, Hobart After Dark, Okay Donkey, The Rumpus, Shooter, Slice, and Washington Square Review.