From the beloved Women’s Prize shortlisted author of Dominicana comes a new novel set in 2008 about a fifty-six-year-old Dominican-American woman who has lost everything, including her beloved, estranged son, and is fighting to get it all back again.
HOW NOT TO DROWN IN A GLASS OF WATER
by Angie Cruz
Flatiron/St. Martin’s Press, September 2022
Lulu Sanchez Pena and Cara Romera became friends soon after Cara’s son Fernando ran away. The mystery of why he ran away and the search to find him is central to their lives. When the two women are laid off from the factory where they work, the financial impacts are devastating; and when Cara unexpectedly dies and Fernando reappears, Lulu must question his intentions. Told from Lulu’s point of view, and with Cara’s voice coming through in a recorded transcript of a job interview, this is a novel that asks the reader not to accept the story as fact but to piece it together themselves. Much like gossip that vexes and catches a person in the way it spins and invents, Lulu and Cara spin tales about themselves assembling a memory of their lives and community. With its themes of immigration, aging, LGBTQ+ acceptance, and female friendship, this is a timely novel from a powerful literary voice.
Angie Cruz is the author of the novels Soledad; Let It Rain Coffee, a finalist in 2007 for the International IMPAC Dublin Literary Award; and Dominicana, winner of the YALSA Alex Award, shortlisted for the 2020 Women’s Prize for Fiction, Longlisted for an Andrew Carnegie Medal for Excellence and the Aspen Words Literary Prize. She has published short fiction and essays in magazines and journals, including The New York Times, VQR, and Gulf Coast Literary Journal. She has received numerous grants and residencies including the New York Foundation of the Arts Fellowship, Yaddo, and The Macdowell Colony. She is founder and Editor-in-Chief of Aster(ix), a literary and arts journal, and is an Associate Professor of English at the University of Pittsburgh.
Hannah Green is the last person you would envision as an Executive Protection Agent (aka “bodyguard”). Petite and non-descript, she is nevertheless an expert in her field who loves her job and the motley crew that make up her team. But when she is hired to protect Jack Stapleton, a Hollywood star with a tragic past who is coming home to Houston, she expects another spoiled, capricious player. Jack wants to keep her at arm’s length, which complicates her assignment. Hannah wants to keep him within arm’s length, which complicates her growing attraction to him. But each of them has secrets and heartbreak in their past that might prevent them from ever finding true love—even more than the different worlds they come from. With stalkers closing in, Jack and Hannah must each find a way to take chances…because every chance you take might bring you into harm’s way, but also might make you a little bit braver.
In this lush, lyrical debut, Teresa Cepeda is staring down old age alone, estranged from her eldest daughter, Lyra. With her husband missing and her youngest dead, Teresa’s only companion is the petulant ghost of her mother, Amarga. But when an aberrant hurricane makes landfall in San Jose’s Valley, an unexpected visitor—the grandson she love but was never permitted to meet—arrives on her doorstep. Thirty years ago, when Teresa’s husband murdered Amarga and burned the American Fruit Corporation to the ground, Teresa was forced to flee Costa Rica. Now that her grandson is asking questions, will the Cepedas learn why their patriarch committed these shocking acts of violence? Will Lyra finally forgive Teresa for abandoning her and her late sister when they were children? As the hurricane wreaks havoc, the Cepedas will need to reconcile soon—if at all. Brimming with ancestral spirits, omens, and the anthropomorphic forces of nature, Where There Was Fire weaves a brilliant tapestry of love, loss, secrets, and redemption. John Manuel Arias chronicles the rich history of Costa Rica from the civil war in 1948 through the mid-1990s and shows how the lives of one family are intertwined with the tides of history and international politics.
It’s the start of the summer holidays and eleven-year-old Bertie is worried. Next year she’s going to a high school in the city, while all her friends stay behind in Merri, the small town she’s lived in all her life. To help her feel better prepared for high school, her best friend, Claire, makes a list of eleven tasks Bertie has to complete over the summer. They start working through the list together, but the tasks begin to reveal some of the cracks in their friendship. Now Bertie’s not even sure she’ll have one friend by the end of the summer.
Brooke likes order, she likes lists, she likes rules. The first and only rule of her new sharehouse is ‘no unnecessary drama’. Which means no fights, no tension, and absolutely no romance with housemates Penny and Jesse. That’s fine by Brooke, because she has plans. This is going to be her year: her first year of university, the year she’s moved to Melbourne, and the year she’s going to live up to all of her potential. But things get off to a bad start: university isn’t what she thought it would be; she’s desperately homesick, chronically anxious and, to add to her problems, Brooke might be developing inconvenient romantic feelings for off-limits housemate Jesse.