HUMANS, Abrams Image, October 2021:
A startling and original look at what it means to be human in a rapidly changing world, from bestselling author and art writer Henry Carroll, with images by a diverse and innovative group of contemporary photographers.
See through the eyes of a new generation of photographers responding to the rapidly unfolding issues shaping our lives. In this series of small, insightful, and beautifully presented books, Henry Carroll, the bestselling photography writer of the last decade, considers the ideas behind images to present personal perspectives on climate change, race, sexuality, gender, faith, inequality, beauty, power, and our contradictory relationship to animals and the natural world. The first book in the series, HUMANS, reveals how contemporary photographers use visual language to pose honest and confronting questions about our bodies, the purpose of faith in a fact-based world, systemic social structures that limit and allow freedom, and the opposing forces of unconditional love and abject cruelty.
In this diverse collection of arresting images and insightful text, Carroll regards the photographers as modern-day philosophers, original thinkers who fuse technique, concept, and imagination in order to provoke meaningful visual reflections on what matters most. For both creators and consumers of images, HUMANS is an immersive and supremely relevant book offering a treasure trove of ideas and visual inspiration designed to cultivate a deeper, more personal understanding of who we are, why we are, and what we think.
ANIMALS, Abrams Image, October 2021:
An innovative and insightful look at our relationship with animals in the age of the Anthropocene with original images from an array of contemporary photographers.
See through the eyes of a new generation of photographers responding to the rapidly unfolding issues shaping our lives. In this series of small, revealing, and beautifully presented books, Henry Carroll, the bestselling photography writer of the last decade, considers the ideas behind images to present personal perspectives on climate change, race, sexuality, gender, faith, inequality, beauty, power, and the natural world. In this second book of the series, ANIMALS, Carroll deep-dives into an ecosystem of contemporary images to consider how we relate to animals in the Anthropocene. His accessible analysis of emotive imagery suggests that our appreciation for some animals and disregard, or repulsion, for others is shaped by our own physicality as much as theirs. He shows how the conventions of natural history offer a very politicized understanding of fauna and how the role of animals as spiritual, cultural, and personal symbols can be an equally valid means of classification. Carroll reflects on the psychological power struggles infusing our daily interactions with animals and unpacks the photographers’ visual insights relating to our treatment of animals, whether it’s the way we pamper them as pets or consume them to excess. In this diverse collection of arresting images and engaging text, Carroll regards the photographers as modern-day philosophers, original thinkers who show us how to fuse technique, concept, and imagination in order to pose intriguing questions about the animal kingdom and human nature. For both the creators and consumers of images, this timely book contains a treasure trove of meaningful visual reflections that will prompt you to rethink your relationship with animals both domestic and wild.
LAND, Abrams Image, March 2022:
A look at sublime landscapes, with images from today’s most innovative photographers.
How do the most diverse and relevant voices of contemporary photography respond to the urgent issues of today? In this series of small, insightful, and beautifully presented books, Henry Carroll, the bestselling photography writer of the last decade, unpacks the ideas behind images to reflect on race, gender, faith, inequality, beauty, politics, and our shifting relationship to animals, nature, and the environment. Following HUMANS and ANIMALS, the third book in the series, LAND, considers humanity’s changing relationship with the sublime, a relationship that has seen us edge further away from real encounters. The photographs explore how the sublime can, and has been, commodified, packaged, and distributed, leading to an alarming emotional distancing. With images from a diverse group of photographers, Carroll explores the impermanence of borders, the human reaction to scenes of devastation on Instagram feeds, and the many variables that inform one’s relationship to land. He considers how a photographer’s response to landscape is subjective, full of meaning that’s colored by their own psyches, foibles, fears, and hopes. With captivating and striking photography, Henry Carroll invites the reader to contemplate how their inner world influences their interactions with the natural world.
Henry Carroll is a writer, editor, and concept developer. He is the author of the series Read This If You Want to Take Great Photographs, as well as Photographers on Photography: How the Masters See, Think & Shoot, and the children’s books Be a Super Awesome Photographer and Be a Super Awesome Artist. He is originally from London and has an MFA from the Royal College of Art. Carroll now lives in Los Angeles.

Eight strangers looking for enlightenment from an ancient spiritual teacher are trapped in a cave high in the mountains on their way to his temple. One of his acolytes directs them to each tell a story that the group can learn from as they wait out the horrible snowstorm that rages outside the cave’s entrance. One by one the travelers each share a story that, unbeknownst to them, is actually a morality tale representing one of the aspects of final enlightenment as taught in Buddhism. As the wind howls through the night, they tell symbolic stories of horror, dystopia, high adventure, cyberpunk, and urban fantasy. Each story is a spoke on the symbolic Dharma wheel, and each interlocking tale gets the travelers closer to their true destiny—unveiling the future of the entire human race.
FLUNG OUT OF SPACE is an imagined portrait of the wild and complicated figure that was infamous crime writer Patricia Highsmith. As the story opens, we meet Pat begrudgingly writing low-brow comics. A drinker, a smoker, and a hater of life, Pat knows she can do better. Her brain churns with images of the great novel she could and should be writing—what will eventually be
Decades after being imprisoned for threatening his city with an army of giant robots, an elderly scientist reenters society, only to discover he needs help navigating life in the 21st century. Experiencing real kindness and friendship for the first time ever, his new relationships challenge the inventor’s single-minded devotion for vengeance—just as his plans threaten to spiral out of his control. An homage to the classic cartoons of the 1940s, THE LAST MECHANICAL MONSTER is about ambition, creativity, mortality, friendship, and legacy. How do we want to be remembered? And what will we leave behind?
Vera has a nagging feeling that she’s forgetting something. Not her keys or her homework—something bigger. Or someone. When she discovers her best friend Riven is experiencing the same strange feeling, they set out on a mission to uncover what’s going on. Everyone in Vera’s world has a special ability—a little bit of magic that helps them through the day. Perhaps someone’s ability is interfering with their memory? Or is something altering their very reality? Vera and Riven intend to fix it and get back whatever or whomever they’ve lost. But how do you find the truth when you can’t even remember what you’re looking for in the first place? The Forgotten Memories of Vera Glass is a cleverly constructed, heartbreaking, and compelling contemporary YA novel with a slight fantasy twist about memory, love, grief, and the invisible bonds that tie us to each other.