Archives par étiquette : Sterling Lord Literistic

UNTITLED NEW NOVEL de Patrick deWitt

A new gripping, literary tour-de-force from Patrick deWitt takes on a journey where a young man is forced to decide between his moral principles, his family, and his country.

UNTITLED NEW NOVEL
by Patrick deWitt
Ecco, Spring 2027
(via Sterling Lord Literistic)

It’s the 1960s, and our protagonist Max—a straight-laced young man from a blue-collar background who has unfortunately just been kicked out of school because of a fight—is living in California, but is a citizen of both Canada and the USA. Max very much considers the United States his home, but when he receives a draft notice, he decides that it’s time for him to leave the country he loves and head north. As Max travels across the land to bid farewell to his various family members, he struggles with whether it’s the right thing to say goodbye to the people he loves forever in order to remain true to his beliefs.

A moving, funny, emotional tour de force from one of our most creative and talented living novelists.

Patrick deWitt is the author of the critically acclaimed The Librarianist, French Exit, Ablutions: Notes for a Novel, as well as the novels Undermajordomo Minor and The Sisters Brothers, which was short-listed for the Man Booker Prize. deWitt has won the Governor General’s Literary Award for Fiction, the Rogers Writers’ Trust Fiction Prize, the Stephen Leacock Medal, an Oregon Book Award, and he was shortlisted twice for the Giller Prize. Born in British Columbia, Canada, he has also lived in California and Washington, and now resides in Portland, Oregon.

LESSER RUINS de Mark Haber

From the author of Reinhardt’s Garden and Saint Sebastian’s Abyss comes a breathless new novel of delirious obsession.

LESSER RUINS
by Mark Haber
Publisher, October 2024
(via Sterling Lord Literistic)

Bereft after the death of his ailing wife, a retired professor has resumed his life’s work—a book that will stand as a towering cathedral to Michel de Montaigne, reframing the inventor of the essay for the modern age. The challenge is the litany of intrusions that bar his way—from memories of his past to the nattering of smartphones to his son’s relentless desire to make an electronic dance album.

As he sifts through the contents of his desk, his thoughts pulsing and receding in a haze of caffeine, ghosts and grievances spill out across the page. From the community college where he toiled in vain to an artists’ colony in the Berkshires, from the endless pleasures of coffee to the finer points of Holocaust art, the professor’s memories churn with sculptors, poets, painters, and inventors, all obsessed with escaping both mediocrity and themselves.

Laced with humor as acrid as it is absurd, LESSER RUINS is a spiraling meditation on ambition, grief, and humanity’s ecstatic, agonizing search for meaning through art.

Longlisted for the 2024 Republic of Consciousness Prize
Washington Post Notable Book of 2024
A New York Public Library Best Book of 2024
Literary Hub Favorite Book of 2024
An Electric Literature Best Book of Fall 2024, According to Indie Booksellers
Literary Hub Most Anticipated Book of 2024

« LESSER RUINS mounts decisive proof that Haber is one of the most rigorous and serious—and anachronistic—novelists working today. » —Becca Rothfeld, The Washington Post

« Haber’s novel is fluent and compelling, often rhapsodic, with a cumulative power to its repetitions. » —Hal Jensen, Times Literary Supplement

Mark Haber was born in Washington, D.C. and grew up in Florida. His debut novel, Reinhardt’s Garden (2019, Coffee House Press), was longlisted for the PEN/Hemingway Award. His second novel, Saint Sebastian’s Abyss (2022, Coffee House Press), was named a best book of 2022 by the New York Public Library, Literary Hub, and Publishers Weekly. Mark’s fiction has appeared in Guernica, Southwest Review, and Air/Light, among others. He lives in Minneapolis.

FABLE FOR THE END OF THE WORLD d’Ava Reid

The Last of Us meets The Ballad of Songbirds and Snakes in this dystopian romance about survival, sacrifice, and love that risks everything.

FABLE FOR THE END OF THE WORLD
by Ava Reid
HarperTeen, March 2025
(via Sterling Lord Literistic)

By encouraging massive accumulations of debt from its underclass, a single corporation, Caerus, controls all aspects of society.

Inesa lives with her brother in a half-sunken town where they scrape by running a taxidermy shop. Unbeknownst to Inesa, their cruel and indolent mother has accrued an enormous debt—enough to qualify one of her children for Caerus’s livestreamed assassination spectacle: the Lamb’s Gauntlet.

Melinoë is a Caerus assassin, trained to track and kill the sacrificial Lambs. The product of neural reconditioning and physiological alteration, she is a living weapon, known for her cold brutality and deadly beauty. She has never failed to assassinate one of her marks.

When Inesa learns that her mother has offered her as a sacrifice, at first she despairs—the Gauntlet is always a bloodbath for the impoverished debtors. But she’s had years of practice surviving in the apocalyptic wastes, and with the help of her hunter brother, she might stand a chance of staying alive.

For Melinoë, this is a game she can’t afford to lose. Despite her reputation for mercilessness, she is haunted by painful flashbacks. After her last Gauntlet, where she broke down on livestream, she desperately needs redemption.

As Mel pursues Inesa across the wasteland, both girls begin to question everything: Inesa wonders if there’s more to life than survival, while Mel wonders if she’s capable of more than killing.

And both wonder if, against all odds, they might be falling in love.

Ava Reid was born in Manhattan and raised right across the Hudson River in Hoboken but currently lives in Palo Alto. She has a degree in political science from Barnard College, focusing on religion and ethnonationalism.

Manon Steffan Ros lauréate de la première édition des prix de l’Entente Littéraire

Organisé par la Royal Society of Literature et l’Institut français du Royaume-Uni à Londres, en collaboration avec le ministère de la Culture en France et le Department for Culture, Media and Sport au Royaume-Uni, l’Ambassade de France au Royaume-Uni et l’Ambassade du Royaume-Uni en France, le prix de l’Entente Littéraire a été remis à Londres mercredi 4 décembre lors d’une cérémonie à la Résidence de France à laquelle ont assisté la reine Camilla et Brigitte Macron.

Ce prix a pour but de « célébrer les plaisirs de la lecture et le partage d’expériences littéraires entre la France et le Royaume-Uni. Créé lors du sommet franco-britannique en mars 2023 par le Président Emmanuel Macron et le Premier Ministre britannique Rishi Sunak, il est organisé par l’Institut français du Royaume-Uni et la Royal Society of Literature dans le cadre du 120e anniversaire de l’Entente Cordiale. »

Parmi les six titres en lice, deux récompenses de 8 000 € ont été décernées pour distinguer la meilleure publication traduite d’un ouvrage de littérature jeunesse dans chacun des deux pays. Manon Steffan Ros et la traductrice Lise Garond ont été récompensées pour LE LIVRE BLEU DE NEBO, aux côtés de Lucie Bryon pour Thieves.

Pour cette première édition, le jury se composait de Marie-Aude Murail, Thimothée de Fombelle, Patrice Lawrence et Joseph Coelho.

LE LIVRE BLEU DE NEBO (Actes Sud Jeunesse) de Manon Steffan Ros, traduit par Lise Garond, est un « journal intime bouleversant où se mêlent les voix d’une mère et de son fils ayant fait l’expérience d’une étrange fin du monde. » L’adolescent cherche dans les livres des traces du passé. Manon Steffan Ros a travaillé en tant qu’actrice avant de devenir écrivaine jeunesse et adulte. Elle a remporté le prix du livre du Pays de Galles de l’année pour ses romans de fiction pour adultes en plus d’être quatre fois lauréate du prix gallois de littérature jeunesse Tir na N’Og. Avec LE LIVRE BLEU DE NEBO, Manon a remporté la médaille Yoto Carnegie de l’écriture.

MOTHER MEDIA de Hannah Zeavin

An essential history for understanding how we mother now, and how motherhood itself became a medium—winner of the Brooke Hindle Award from the Society for the History of Technology.

MOTHER MEDIA:
Hot and Cool Parenting in the Twentieth Century
by Hannah Zeavin
MIT Press, April 2025
(via Sterling Lord Literistic)

From the nursery to the prison, from the clinic to the commune, MOTHER MEDIA tells the story of how our contemporary understanding of what a mother is came to be and how understandings of “bad” mothering formed our contemporary panics about “bad” media. In this book, leading historian of psychology Hannah Zeavin examines twentieth century pediatric, psychological, educational, industrial, and economic norms around mediated mothering and technologized parenting. The book charts the crisis of the family across the twentieth century and the many ingenious attempts to remediate nursemaid and mother via speculative technologies and screen media.

Growing out of her previous award-winning book The Distance Cure, which considered technologized care, the book lays bare the contradictions of techno-parenting and how it relates to conceptions of “maternal fitness,” medical redlining, and surveillance of children, parents, and other caregivers. The author offers narratives of parenting in its extremity (for example, Shaken Baby Syndrome) and its ostensible banality (for example, the Nanny Cam) and how the two are often intertwined. Ultimately, Zeavin grapples with a simple contradiction: technology is seen and judged as harmful in domestic and educational spaces, even as it is a saving grace in the unending labor of raising a family.

Hannah Zeavin is a scholar, writer, and editor. Zeavin is an Assistant Professor of the History of Science at UC Berkeley. She is the Founding Editor of Parapraxis, a new magazine for psychoanalysis. Her work has appeared or is forthcoming from Bookforum, Dissent, The Guardian, Harper’s Magazine, n+1, The New York Review of Books, The New Yorker, and beyond. Zeavin was a recipient of a 2022 Works in Progress Grant from the Robert B. Silvers Foundation for an essay about the children of psychoanalysis, “Composite Case.” She is the author of The Distance Cure: A History of Teletherapy (MIT Press, 2021).