One teen’s summer job scaring tourists with ghost stories takes a terrifying turn when he accidentally summons the spirit of a dead girl—and she has demands. . . . The award-winning author of Airborn delivers a roller-coaster ride of a story about the wakeful and wicked dead.
GHOSTLIGHT
by Kenneth Oppel
Knopf, September 2022
(via Writers House)
Rebecca Strand was just sixteen when she and her father fell to their deaths from the top of the Gibraltar Point Lighthouse in 1839. Just how they fell—or were they pushed?—remains a mystery. And their ghosts haunt the lighthouse to this day. . .
Gabe tells this story every day when he gives the ghost tour on Toronto Island. He tries to make it scary enough to satisfy the tourists, but he doesn’t actually believe in ghosts—until he finds himself face to face with Rebecca Strand. The true story of her death is far more terrifying than any ghost tale Gabe has told. Rebecca reveals that her father was a member of the Order, a secret society devoted to protecting the world from “the wakeful and wicked dead”—malevolent spirits like Viker, the ghost responsible for their deaths. But the Order has disappeared, and Viker’s ghost is growing ever stronger. Now Gabe and his friends must find a way to stop Viker before they all become lost souls. . . .
Kenneth Oppel was born in Port Alberni, a mill town on Vancouver Island, British Columbia but spent the bulk of his childhood in Victoria, B.C. and on the opposite coast, in Halifax, Nova Scotia. He is one of the most highly regarded authors of middle-grade fiction writing today. Some of his best-known titles are The Inkling, The Nest, Airborn, a 2005 Printz Honor Book, and Silverwing.

After her mother joins a Buddhist colony and dies, Bran’s southern California upbringing is anything but traditional. Raised by her “common-law-stepfather” on Bourdon Farms—a plant nursery that doubles as a cover for a biker gang—Bran spends her days tending plants, slogging through high school, and imagining what life could be if she were born to a different family. And then she meets Peter—a beautiful, troubled, and charming trainwreck of a college student from the east coast—who launches his teaching career by initiating her into the world of literature and aesthetics. As the two begin a volatile and ostensibly doomed long-distance relationship, she searches for meaning in her own surroundings—attending disastrous dance recitals, house-sitting for strangers, and writing scripts for student films. She knows how to survive, but her happiness depends on learning to call the shots.
Years ago, in a still little-understood phenomenon known as The Blinding, all of mankind lost the ability to see. Now, people can “see” again thanks to vidders, devices that transmit radar and other visual information directly to the brain. It feels like slightly enhanced vision, complete with night vision and, alas, pop-up ads. But now someone’s figured out to hack it.
LOVE is a fever dream of a novel about a young sex worker whose life blurs the boundaries between violence and intimacy, objectification and real love. Startlingly vulnerable and lyrically deft, Maayan Eitan’s debut follows Libby as she goes about her work in a nameless Israeli city, riding in cars, seeing clients, meeting and befriending other sex workers and pimps. In prose as crystalline as it is unflinching, Eitan brings us into the mind of her fierce protagonist, as Libby spins a series of fictions to tell herself, and others, in order to negotiate her life under the gaze of men. After long nights of slipping in and out of the beds of strangers, in a shocking moment of violence, she seizes control of her narrative and then labors to construct a life that resembles normalcy. But as she pursues love, it continually eludes her. She discovers that her past nights in cheap hotel rooms eerily resemble the more conventional life she’s trying to forge.
Kate Burns grows up wanting attention from her Ma, but her Ma wants only money and Kate learns how to get both. She and her childhood friend, Lacey, run kissing lessons for cash in the janitor’s closet of Fenbrook High, and, just like that, they find themselves in the sex work industry. When Ma dies, Kate discovers that the men her Ma was always inviting over to their home were, in fact, clients. Ma was no stranger to sex work either.