Told through an intricately woven constellation of narrative, it’s a novel of ambition and sacrifice, humor and desire, alienation and heartbreak, terror and wonder. At its core, it is the story of the extraordinary lengths one woman goes to find space for herself.
HERE MEN FROM THE PLANET EARTH
by Eliana Ramage
Avid Reader Press, TBD
(via The Gernert Company)
HERE MEN FROM THE PLANET EARTH is Eliana Ramage’s debut novel about a young, queer Cherokee woman relentlessly determined to become an astronaut. It’s a book whose expansive heart, powerfully realized characters, thematic richness, and ambitious sweep are reminiscent of Gabrielle Zevin’s Tomorrow, and Tomorrow, and Tomorrow, by way of Andy Weir, Sterlin Harjo (Reservation Dogs) and Kelli Jo Ford.
Spanning almost thirty years, and several continents, it’s also a book that stretches to encompass the multifaceted lives of four different Cherokee women. There’s Steph Harper, our obsessive, determined, at times maddening aspiring astronaut, but also: her younger sister Kayla Harper, an artist who goes on to become an Indigenous influencer and whose determination to appear good takes her life to unexpected places; Steph’s college girlfriend Della Sixkiller, who strives to reclaim her identity as an adult after being removed from her Cherokee family through a challenge to the Indian Child Welfare Act; and Hannah Harper, Steph and Kayla’s mother, who ran from an abusive husband back into the arms of the capital of the Cherokee Nation when her girls were young and who’s been afraid to look back ever since.
Each of these women is running from something across this novel — but ultimately, HERE MEN FROM THE PLANET EARTH asks what it could look like instead to run toward. Time and again, Ramage urges readers to find a way to hold, with empathy, more than one strand of history, more than one idea, more than one way of being Indian — or being anyone — in their heads at once. Hers is a debut about family and community, earthly fragility, women in STEM, complicity and reckoning, visibility in the face of generational erasure, and what it looks like to find pinpricks of hope even against a backdrop of darkness. I could not possibly love it more.
Eliana Ramage is a queer Cherokee Nation citizen living in Nashville. She was an Iowa Arts Fellow at the Iowa Writers’ Workshop, and has been a Richard E. Guthrie Memorial Fellow, a Lambda Literary fellow, a Harpo Foundation Native American Residency Fellow at Vermont Studio Center, and a Tin House Scholar. One excerpt from this novel won the CRAFT Elements Short Fiction Prize, and another was chosen for The Masters Review Anthology. Her stories have also appeared in Beloit Fiction Journal and The Baltimore Review.
Hwa Young was just ten years old when imperial forces destroyed her rebel moon home. Now, six years later, she is a citizen of the very empire that made her an orphan. Desperate to shake her rebel past, Hwa Young dreams of one day becoming a lancer pilot, an elite group of warriors who fly into battle using the empire’s most advanced tech—giant martial robots. Lancers are powerful, and Hwa Young would do anything to be the strong one for once in her life. When an attack on their boarding school leaves Hwa Young and her classmates stranded on an imperial space fleet, her dreams quickly become a reality. As it turns out, the fleet is in dire need of pilot candidates, and Hwa Young—along with her brainy best friend Geum, rival Bae, and class clown Seong Su—are quick to volunteer. But training is nothing like what they expected, and secrets—like the fate of the fleet’s previous lancer squad and hidden truths about the rebellion itself—are stacking up. And when Hwa Young uncovers a conspiracy that puts their entire world at risk, she’s forced to make a choice between her rebel past and an empire she’s no longer sure she can trust.
Yun is a ninety-year-old woman recounting her time growing up in the Phoenix Pencil Company in 1940s Shanghai. While Japan invades China, Yun’s cousin moves in with them, and the two develop a competitive yet loving relationship. When the government discovers their family can magically Reforge a pencil’s words, bringing its words back to life, the cousins are separated and forced into a life of betraying stories in order to survive.
Max Bretzfeld doesn’t want to move to London.
Sadie Grace is wanted for witchcraft, dead (or alive). And every hired gun in Kansas is out to collect the bounty on her head, including bona fide witch hunter Old Tom and his mysterious, mute ward, Rabbit. On the road to Burden County, they’re joined by two vagabond cowboys with a strong sense of adventure – but no sense of purpose – and a recently widowed schoolteacher with nothing left to lose. As their posse grows, so too does the danger. Racing along the drought-stricken plains in a stolen red stagecoach, they encounter monsters more wicked than witches lurking along the dusty trail. But the crew is determined to get that bounty, or die trying. Written with the devilish cadence of Stephen Graham Jones and the pulse-pounding brutality of Nick Cutter, Red Rabbit is a supernatural adventure of luck and misfortune.