Archives de catégorie : History

MOTHER MEDIA de Hannah Zeavin

An essential history for understanding how we mother now, and how motherhood itself became a medium—winner of the Brooke Hindle Award from the Society for the History of Technology.

MOTHER MEDIA:
Hot and Cool Parenting in the Twentieth Century
by Hannah Zeavin
MIT Press, April 2025
(via Sterling Lord Literistic)

From the nursery to the prison, from the clinic to the commune, MOTHER MEDIA tells the story of how our contemporary understanding of what a mother is came to be and how understandings of “bad” mothering formed our contemporary panics about “bad” media. In this book, leading historian of psychology Hannah Zeavin examines twentieth century pediatric, psychological, educational, industrial, and economic norms around mediated mothering and technologized parenting. The book charts the crisis of the family across the twentieth century and the many ingenious attempts to remediate nursemaid and mother via speculative technologies and screen media.

Growing out of her previous award-winning book The Distance Cure, which considered technologized care, the book lays bare the contradictions of techno-parenting and how it relates to conceptions of “maternal fitness,” medical redlining, and surveillance of children, parents, and other caregivers. The author offers narratives of parenting in its extremity (for example, Shaken Baby Syndrome) and its ostensible banality (for example, the Nanny Cam) and how the two are often intertwined. Ultimately, Zeavin grapples with a simple contradiction: technology is seen and judged as harmful in domestic and educational spaces, even as it is a saving grace in the unending labor of raising a family.

Hannah Zeavin is a scholar, writer, and editor. Zeavin is an Assistant Professor of the History of Science at UC Berkeley. She is the Founding Editor of Parapraxis, a new magazine for psychoanalysis. Her work has appeared or is forthcoming from Bookforum, Dissent, The Guardian, Harper’s Magazine, n+1, The New York Review of Books, The New Yorker, and beyond. Zeavin was a recipient of a 2022 Works in Progress Grant from the Robert B. Silvers Foundation for an essay about the children of psychoanalysis, “Composite Case.” She is the author of The Distance Cure: A History of Teletherapy (MIT Press, 2021).

SUPER NINTENDO de Keza MacDonald

The first major cultural history of the biggest form of entertainment on the planet– video games – by the world’s pre-eminent video games journalist, with unique never-before-granted access to Nintendo HQ.

SUPER NINTENDO:
How One Innovative Japanese Company Helped the World Have Fun
by Keza MacDonald
Faber, summer 2025
(via Randle Editorial & Literary)

Whether it’s Mario or Animal Crossing; Tetris on the Game Boy or The Legend of Zelda on the Switch; almost everybody who’s ever held a controller has been touched by a Nintendo game.

For most of its 130-year history, Nintendo, the Kyoto-based entertainment giant, made playing cards. But in 1981, after a few years experimenting in the burgeoning world of electronic toys, it created an arcade game called Donkey Kong. Since then, Nintendo has delighted hundreds of millions of people all over the world with their fizzily creative, brilliantly weird, and enormously fun video games, that issue forth from its secretive Japanese headquarters.

Nintendo is now as ubiquitous and culturally relevant as Marvel, Apple or Disney. Like Disney, it has become a cross-generational treasure, as the kids who were captivated by Super Mario Bros on the SNES now play Nintendo classics with their own children, and proud parents who once doodled pictures of Pikachu on their class notebooks chaperone their offspring to the Pokémon World Championships.

A lot has changed since 1981, but kids still know who Mario is.

Using Nintendo’s most iconic and recognisable games (alongside a smattering of fascinating but less-well-known ones) as a way in, SUPER NINTENDO will tell both a cultural history of video games and posit a narrative about how fun is our primary desire when we consume media.

Taking readers through Nintendo’s history – as so through the history of the medium itself – it will tell the stories of some of the millions of people whose lives have been touched not only by Nintendo games, but gaming more generally: from real-life Pokémon masters to video game developers, parents of autistic children to ordinary players on the sofa, the bus, or the school playground.

Using the story of Nintendo, and its games, to examine how and why the world has moved toward video games as its pre-eminent form of fun, SUPER NINTENDO is the first book to truly examine the dominant cultural medium of the 21st century.

Keza MacDonald played her first Nintendo game at the age of 6; when she was 11, her dream was to go to the Pokémon World Championships. (She finally achieved this aged 25. It was magical.) She is the Video Games Editor at The Guardian, and was previously UK Editor of IGN and Kotaku, two of the biggest specialist games websites in the world, read by over 100 million unique users. She lives in Glasgow, Scotland, with her husband and two sons.

Le Prix allemand de la non-fiction 2024 décerné à Christina Morina

L’historienne Christina Morina a reçu le 11 juin le Prix allemand de la non-fiction 2024 (Deutscher Sachbuchpreis 2024) pour son ouvrage TAUSEND AUFBRÜCHE (« Mille nouveaux départs. Les Allemands et la démocratie depuis les années 1980 »). Le livre avait déjà été sélectionné pour le Prix de la foire du livre de Leipzig de cette année.

Voici le commentaire du jury :

« Tout le monde s’accorde à dire que les démocraties sont en crise dans le monde entier. Mais la question de savoir ce que signifie réellement vivre la démocratie est souvent reléguée au second plan. Christina Morina utilise des sources peu considérées jusqu’à présent pour montrer à quel point la conception de la démocratie a évolué différemment en Allemagne de l’Est et de l’Ouest depuis les années 1980. Son analyse de l’histoire contemporaine, très instructive et raffinée sur le plan méthodologique, se base sur des lettres, des pétitions et des tracts et donne une voix aux citoyens et citoyennes de la RDA et de la RFA. Avec ce livre, Christina Morina donne des impulsions surprenantes et nécessaires aux discussions sociales actuelles. Son livre prend beaucoup de risques sans polariser ; la démocratie est un processus, pas un état. »

Le Prix allemand de la non-fiction est décerné chaque année à un ouvrage exceptionnel de non-fiction publié en langue allemande qui stimule le débat social. Il est doté d’une récompense de 25 000 euros. Depuis le début du concours, les sept membres du jury ont examiné 225 titres publiés depuis avril 2023.

Christina Morina est professeure d’histoire contemporaine à l’Université de Bielefeld en Allemagne. Ses recherches portent sur l’histoire sociale et mémorielle du nazisme, sur l’histoire politique et culturelle de l’Allemagne divisée et réunifiée ainsi que sur la relation entre l’histoire et la mémoire. Elle a étudié l’histoire, les sciences politiques et le journalisme aux universités de Leipzig, de l’Ohio et du Maryland et a obtenu son doctorat en 2007.

Les droits de langue française sont toujours disponibles.

THE 1619 PROJECT: A VISUAL EXPERIENCE

An illustrated edition of The 1619 Project, with newly commissioned artwork and archival images, The New York Times Magazine‘s award-winning reframing of the American founding and its contemporary echoes, placing slavery and resistance at the center of the American story.

THE 1619 PROJECT: A VISUAL EXPERIENCE
by Nikole Hannah-Jones
and
The New York Times Magazine
Clarkson Potter, October 2024

Here, in these pages, Black art provides refuge. The marriage of beautiful, haunting and profound words and imagery creates an experience for the reader, a wanting to reflect, to sit in both the discomfort and the joy, to contemplate what a nation owes a people who have contributed so much and yet received so little, and maybe even, to act. –Nikole Hannah-Jones, from the Preface

Curated by the editors of The New York Times Magazine, led by Pulitzer Prize-winning journalist Nikole Hannah-Jones, this illustrated edition of The 1619 Project features seven chapters from the original book that lend themselves to beautiful, engaging visuals, deepening the experience of the content. The 1619 Project: A Visual Experience offers the same revolutionary idea as the original book, an argument for a new national origin story that begins in late August of 1619, when a cargo ship of enslaved people from Africa arrived on the shores of Jamestown, Virginia. Only by reckoning with this difficult history and understanding its powerful influence on our present can we prepare ourselves for a more just future.

Filled with original art by thirteen Black artists like Carrie Mae Weems, Calida Rawles, Vitus Shell, Xaviera Simmons, on the themes of resistance and freedom, a brand-new photo essay about slave auction sites, vivid photos of Black Americans celebrating their own forms of patriotism, and a collection of archival images of Black families by Black photographers, this gorgeous volume offers readers a dynamic new way of experiencing the impact of The 1619 Project.

Complete with many of the powerful essays and vignettes from the original edition, written by some of the most brilliant journalists, scholars, and thinkers of our time, The 1619 Project: A Visual Experience brings to life a fuller, more comprehensive understanding of American history and culture.

The 1619 Project began in 2019 as a special project from in The New York Times Magazine to commemorate the 400th anniversary of the beginning of American slavery. It is led by Pulitzer Prize-winning journalist Nikole Hannah-Jones, along with New York Times editor-in-chief Jake Silverstein and New York Times Magazine editors Ilena Silverman and Caitlin Roper.

EDEN UNDONE d’Abbott Kahler

An incredible true story of murder, romance, and a fateful search for utopia in the Galápagos—from the New York Times bestselling author of The Ghosts of Eden Park

EDEN UNDONE:
A True Story of Sex, Murder, and Utopia at the Dawn of World War II
by Abbott Kahler
Crown, September 2024
(via Writers House)

At the height of the Great Depression, Los Angeles oil mogul George Allan Hancock and his crew of Smithsonian scientists came upon a gruesome scene: two bodies, mummified by the searing heat, on the shore of a remote Galápagos island. For the past four years Hancock and other American elites had traveled the South Seas to collect specimens for scientific research. On one trip to the Galápagos, Hancock was surprised to discover an equally exotic group of humans: European exiles who had fled political and economic unrest, hoping to create a utopian paradise. One was so devoted to a life of isolation that he’d had his teeth extracted and replaced with a set of steel dentures.

As Hancock and his fellow American explorers would witness, paradise had turned into chaos. The three sets of exiles—a Berlin doctor and his lover, a traumatized World War I veteran and his young family, and an Austrian baroness with two adoring paramours—were riven by conflict. Petty slights led to angry confrontations. The baroness, wielding a riding crop and pearl-handled revolver, staged physical fights between her two lovers and unabashedly seduced American tourists. The conclusion was deadly: with two exiles missing and two others dead, the survivors hurled accusations of murder.

Using never-before-published archives, Abbott Kahler weaves a chilling, stranger-than-fiction tale worthy of Agatha Christie. Set against the backdrop of the Great Depression and the march to World War II, with a mystery as alluring and curious as the Galápagos itself, Eden Undone explores the universal and timeless desire to seek utopia—and lays bare the human fallibility that, inevitably, renders such a quest doomed.

One of my favorite writers has knocked it out of the park yet again. In EDEN UNDONE, Abbott Kahler has created a book as fantastic as the true story she weaves. With taut prose and sublime storytelling, she crafts an atmospheric page-turner, ominous and thought-provoking, with the best last line I’ve read in decades.” —Kate MooreNew York Times bestselling author of The Radium Girls and The Woman They Could Not Silence

In describing Abbott Kahler’s wickedly gothic tale, one is tempted to reach for handy literary or cinematic references. There’s a dash of Conrad. A bit of Hitchcock. Notes of Melville, Darwin, and Robinson Crusoe—and certainly more than a whiff of Lord of the Flies. But really, EDEN UNDONE is completely its own thing. Bizarre, mesmerizing, and compellingly tragic, Kahler’s fine book confronts an essential truth about those who ditch civilization: Try as we might, humans cannot elude the tyranny of our own nature.” —Hampton SidesNew York Times bestselling author of The Wide Wide Sea

Kahler (the author of previous books, including Sin in the Second City and The Ghosts of Eden Park, under the name Karen Abbott) has a gift for writing gripping histories that are both sensational and thoroughly documented. Possibly her wildest book yet.” —Booklist, starred review​

Abbott Kahler, formerly writing as Karen Abbott, is the New York Times bestselling author of Sin in the Second City; American Rose; Liar, Temptress, Soldier, Spy; and The Ghosts of Eden Park, which was an Edgar Award finalist for best fact crime and a finalist for the Ohioana Book Award. Her debut novel, Where You End, was published January 2024.