Archives par étiquette : Writers House

GHOSTLIGHT de Kenneth Oppel

A classic ghost story with epic stakes, interwoven with themes of grief, anger, family, and friendship, GHOSTLIGHT is an upper middle-grade standalone that’s perfect for fans of Victoria Schwab’s City of Ghosts and Neil Gaiman’s The Graveyard Book.

by Kenneth Oppel
Knopf, Fall 2022
(via Writers House)

The story of the tragic death of sixteen-year-old Rebecca Strand and her lighthouse keeper father is just an elaborate tale Gabe tells tourists for his summer job at Toronto Island Amusement Park. Or so he thought. When his ghost tours awaken Rebecca’s spirit, Gabe is drawn into a world far darker than any ghost story he’s ever heard. Rebecca reveals that she and her father were connected to The Order, a secret society devoted to protecting the world from “the wakeful and wicked dead”—malevolent spirits like Viker, the ghost responsible for their deaths. But now the Order has disappeared and Viker is growing ever stronger, and he’ll stop at nothing to wreak chaos and destruction on the living. Gabe and his friends—both living and dead—must find a way to stop Viker before they all become lost souls.

Kenneth Oppel was born in Port Alberni, a mill town on Vancouver Island, British Columbia but spent the bulk of his childhood in Victoria, B.C. and on the opposite coast, in Halifax, Nova Scotia. He is one of the most highly regarded authors of middle-grade fiction writing today. Some of his best-known titles are The Inkling, The Nest, Airborn, a 2005 Printz Honor Book, and Silverwing.

DIESEL de Douglas Brunt

In DIESEL Brunt paints a revealing portrait of a revolutionary inventor whose contribution to society lives on as he probes the truth of Diesel’s demise. Perfect for readers of Ben Macintyre, Erik Larson, Edmund Morris, and Walter Issacson.

The Extraordinary Life and Curious Disappearance of Rudolf Diesel
by Douglas Brunt
Atria/Simon & Schuster, TBD
(via Javelin)

The name Diesel is well known, but the life of Rudolf Diesel, the man who invented the engine that bears his name, remains a mystery. His innovation—intended to revolutionize the world by improving the lives of workers and cutting down on the era’s increasing pollution—drew the attention of militaries and capitalists who wanted to harness its potential for their own ends. Even more intriguing than Diesel’s eventful life is his mysterious death. When he vanished from a boat crossing the English Channel, his disappearance was ruled a suicide, but questions remain about whether it was an intelligence operation similar to Operation Mincemeat designed to prevent Diesel’s technology from falling into the wrong hands.

Douglas Brunt is the New York Times bestselling author of three novels: Ghosts of Manhattan (Simon & Schuster, 2012), The Means (Simon & Schuster, 2014), and Trophy Son (Macmillan, 2017).

AVALON de Nell Zink

From one of America’s most original voices comes a profound and singular story about a young woman searching for her place in the world.

by Nell Zink
Knopf, June 2022
(via Writers House)

After her mother joins a Buddhist colony and dies, Bran’s southern California upbringing is anything but traditional. Raised by her “common-law-stepfather” on Bourdon Farms—a plant nursery that doubles as a cover for a biker gang—Bran spends her days tending plants, slogging through high school, and imagining what life could be if she were born to a different family. And then she meets Peter—a beautiful, troubled, and charming trainwreck of a college student from the east coast—who launches his teaching career by initiating her into the world of literature and aesthetics. As the two begin a volatile and ostensibly doomed long-distance relationship, she searches for meaning in her own surroundings—attending disastrous dance recitals, house-sitting for strangers, and writing scripts for student films. She knows how to survive, but her happiness depends on learning to call the shots.
Exceedingly rich, brilliantly observed, and delivered with Zink’s masterful humor, AVALON
is the irresistible story of one teenager’s reckoning with society at large, and the ways art and desire can clarify all that goes overlooked and cast aside.

Nell Zink grew up in rural Virginia. She has worked in a variety of trades, including masonry and technical writing. In the early 1990s, she edited an indie rock fanzine. Her books include The Wallcreeper, Mislaid, Private Novelist, Nicotine, and Doxology, and her writing has appeared in n+1, Granta, and Harper’s. She lives near Berlin, Germany.


From Thomas Mullen, the internationally acclaimed author of Darktown and The Last Town On Earth, and in the tradition of Blade Runner and Minority Report, AFTER THE BLINDING is a fast-paced speculative thriller about the ways technology has warped how we see the world and the people around us.

by Thomas Mullen
St. Martin’s Press, Fall 2022
(via Writers House)

Years ago, in a still little-understood phenomenon known as The Blinding, all of mankind lost the ability to see. Now, people can “see” again thanks to vidders, devices that transmit radar and other visual information directly to the brain. It feels like slightly enhanced vision, complete with night vision and, alas, pop-up ads. But now someone’s figured out to hack it.
Mark Owens is a burned-out, grieving detective called to investigate a murder in which the killer supposedly blacked himself out of view of every single witness. Owens doesn’t believe the story—until the killer strikes again, and this time Owens himself “sees” not the killer but a black blur, like a human censor bar, the killer somehow redacted from Owens’ vision.
In this police procedural set in a recognizable but fully imagined world, Owens needs to figure out how the killer is redacting himself, and who he is, before he strikes again. His investigation will take him from tech billionaires to anti-modernity cultists, and he’ll be forced to confront his past mistakes and the tragic loss of his wife, a visual artist who was driven to suicide by The Blinding.
Tackling subjects like the pervasive impact of technology, the role of police, government censorship, and a world recovering from collective trauma, AFTER THE BLINDING has the social resonance and immersive world-building of
Darktown but with an escapism that whisks the reader someplace new.

Thomas Mullen’s first novel, The Last Town On Earth, was named Best Debut of the Year by USA Today, won the James Fenimore Cooper Prize for historical fiction, was optioned in a preempt by DreamWorks, and has been a popular choice for colleges’ Freshmen Reads programs (and its treatment of the 1918 flu has proven eerily prescient). Darktown was named an NPR Best Book of the year and was nominated for the Los Angeles Times Book Prize, the Indies Choice Award, and several international prizes, and is currently under development for television with MGM. The follow-up, Lightning Men, was named one of the top 10 crime novels of the year by The New York Times Book Review. Five of Mullen’s novels have been optioned for TV and film.

MELANCTHA de Wayétu Moore

A masterful work of magical realism which follows the life of a West African immigrant girl living in the US who discovers that she can breathe underwater.

by Wayétu Moore
Viking, Fall 2022
(via Writers House)

Melanctha is dealing with relentless bullying from her middle school classmates when she meets Habila, a sea witch in the vein of Mami Wata (an ancient West-African mythological figure who drowns civilians so she won’t be alone). Habila first coerces Melanctha to drown her bully. He is the first of two men throughout her life who she hypnotizes with help of a family heirloom. As Habila pushes Melanctha further, encouraging her to use her power to rid the world of evil men, Melanctha discovers that the use of this power has a catch.
As the novel unfolds in three parts: “small girl,” “gronah girl,” and “woman,” we see Melanctha come of age and enter adulthood, while the narrative voice takes on a unique style in each part to coincide with each phase of her life. This wrenching story is a complex exploration of the many faces and stages of a woman’s power, and what happens when she decides that she does not want to use it for good.
Moore invites her readers to carefully consider how racism and misogyny overwhelmingly encourage Black women to act out a pathology of perpetual forgiveness by presenting it as a seemingly necessary means of survival. By showing what can happen when a remarkably strong woman goes against the grain and chooses to seek justice and dole out punishment on her own terms, rather than do what is expected of her, MELANCTHA offers a revolutionary alternative to this insidious aspect of our culture.
Through her brilliant weaving of history, myth, cultural criticism, and the supernatural, Moore’s writing resonates with readers of contemporary greats Imbolo Mbue, Naomi Alderman, Marlon James, Yaa Gyasi, Ta-Nehisi Coates, and recalls classic writers like Gabriel Garcia Marquez, Toni Cade Bambara and Toni Morrison.

Wayétu Moore is the author of She Would Be King, which was a Sarah Jessica Parker Book Club selection, a BEA Buzz Panel Book and a #1 Indie Next Pick, and the memoir The Dragons, The Giant, The Women. She is the founder of One Moore Book, a non-profit organization that encourages reading among children of countries with low literacy rates and underrepresented cultures by publishing culturally relevant books that speak to their truths, and by creating bookstores and reading corners that serve their communities. Her first bookstore opened in Monrovia, Liberia in 2015. Her writing can be found in The New York Times, The Paris Review, Guernica Magazine, The Rumpus, The Atlantic Magazine and other publications, and she has been featured in Vogue, The Economist Magazine, NPR, NBC, BET and ABC, among others.