Archives de catégorie : Literary

WHILE THE GETTING IS GOOD de Matt Riordan

Amid the gangland wars of Prohibition, one fisherman’s long-shot play to secure his family’s future brings disaster to everyone he loves. Based partly on family lore, Matt Riordan’s follow-up to The North Line is for readers of Jeannette Wall’s Hang the Moon and S.A. Cosby’s All the Sinners Bleed.

WHILE THE GETTING IS GOOD
by Matt Riordan
Hyperion Avenue, April 2025
(via Kaplan/DeFiore Rights)

Eld should’ve known better. Hell, he did know better. But watching lesser men hit big paydays—men who didn’t fight in Europe—grew unbearable. So, when the opportunity arises, he reaches for a little something extra for his family, and even more for himself. With Prohibition expiring in a matter of months, his turn from fisherman to rumrunner was supposed to be temporary. It seemed the perfect plan. Even Maggie, Eld’s normally sensible wife, is on board.

Things don’t go to plan. Amid the region’s players battle to capture the biggest piece of a shrinking pie, Eld’s tiny family operation is caught in the crossfire. One bitterly cold night packing whiskey across Lake Huron costs Eld dearly, and his family even more.

Hunted by gangsters and squeezed by the Depression, Eld, Maggie, and the children are scattered: Eld to Canada on a doomed quest, Maggie and her daughter forced into finding sanctuary in a faith more cult than religion. When they finally reunite, they may not even recognize each other as the same people who crossed their fingers and threw the dice for a shot at a better life.

Matt Riordan grew up in Michigan but spent his early twenties working on commercial fishing boats in Alaska. After college Matt drifted from commercial fishing through a variety of jobs before landing in law school. He became a litigator in New York City, where he practiced for twenty years. He now lives with his family in Australia.

HOW TO BE A GOOD GIRL de Jamie Hood

The ambitious and experimental debut by Jamie Hood, author of Trauma Plot, interrogating the “good girl” archetype and the price one pays to embody it.

HOW TO BE A GOOD GIRL
by Jamie Hood
Vintage, March 2025
(via Frances Goldin Literary)

In the thick of winter 2020, when so many books were buried beneath the catastrophe of the COVID-19 news cycle, one unlikely debut seemed to cut through the noise. Jamie Hood’s How to Be a Good Girl was an inventive and hybrid work of self-making, mingling diary entries, poetry, literary criticism, and love letters to interrogate the archetype of the “good girl,” and the ideas of femininity, passivity, desire, and trauma that come with it. Journeying from the ice age to our modern-day climate crisis, it devoured texts as expansive as Levinas and Plath to the Ronettes and after-school specials, all the while asking: what pound of flesh must a woman pay to be seen as “good.”

How to Be a Good Girl was a critical darling when it was first published by Grieveland. The Rumpus praised its “bold vulnerability,” and Vogue named it a Best Book of 2020. Now, Vintage is proud to reissue this provocative and genre-bending debut and find new readers for an exciting, new literary voice.

Jamie Hood is a critic, memoirist, and poet. Her work has appeared in Bookforum, The Baffler, The Nation, Los Angeles Review of Books, The New Inquiry, Observer, The Drift, SSENSE, Bookforum, Vogue, and elsewhere. She lives in Brooklyn.

CLOSE RELATIONSHIPS WITH STRANGERS de Krista Diamond

A modern literary noir in the tradition of Bret Easton Ellis for fans of A Touch of Jen by Beth Morgan, the LA stories of Emma Cline, and Uncut Gems.

CLOSE RELATIONSHIPS WITH STRANGERS
by Krista Diamond
Simon & Schuster, Fall 2026
(via Sterling Lord Literistic)

CLOSE RELATIONSHIPS WITH STRANGERS follows a Las Vegas wildlife photographer who, while moving to Los Angeles to become a paparazzo, loses his relationships, his morals, and eventually his tether to reality.

A Los Vegan itching for LA, Ben is an amateur wild-life photographer and busser in a diner where tourists come to recreate a movie scene starring Jack Whitlock, “the last real movie star.” He meets a man who promises money as a paparazzo, which he likens to wildlife photography, inciting Ben to move to LA. The job is a thrill; high that he chases to increasingly damaging ends.

A year and a half later, Ben—broke, single, and receiving increasingly credible death threats from a pop star’s stans—is desperate for a win. And when scandalous photos of Jack Whitlock leak, and Ben becomes obsessed with being the first photographer to break new photos of Jack. He follows leads through the absurd horrors of celebrity LA, dodging close encounters with fans, weaving his way back to Las Vegas and the desert of his redemption or demise.

Krista Diamond is a Black Mountain Institute PhD fellow in creative writing at the University of Nevada Las Vegas. Her writing has been supported by Bread Loaf, Tin House, the Nevada Arts Council, and has appeared in The New York Times, Cosmopolitan, Slate, Longreads, Hazlitt, Catapult, Joyland, and elsewhere. The opening of CLOSE RELATIONSHIPS WITH STRANGERS was longlisted for both the First Pages Prize and the Stockholm Writers Festival First Pages Prize.

LESSER RUINS de Mark Haber

From the author of Reinhardt’s Garden and Saint Sebastian’s Abyss comes a breathless new novel of delirious obsession.

LESSER RUINS
by Mark Haber
Publisher, October 2024
(via Sterling Lord Literistic)

Bereft after the death of his ailing wife, a retired professor has resumed his life’s work—a book that will stand as a towering cathedral to Michel de Montaigne, reframing the inventor of the essay for the modern age. The challenge is the litany of intrusions that bar his way—from memories of his past to the nattering of smartphones to his son’s relentless desire to make an electronic dance album.

As he sifts through the contents of his desk, his thoughts pulsing and receding in a haze of caffeine, ghosts and grievances spill out across the page. From the community college where he toiled in vain to an artists’ colony in the Berkshires, from the endless pleasures of coffee to the finer points of Holocaust art, the professor’s memories churn with sculptors, poets, painters, and inventors, all obsessed with escaping both mediocrity and themselves.

Laced with humor as acrid as it is absurd, LESSER RUINS is a spiraling meditation on ambition, grief, and humanity’s ecstatic, agonizing search for meaning through art.

Longlisted for the 2024 Republic of Consciousness Prize
Washington Post Notable Book of 2024
A New York Public Library Best Book of 2024
Literary Hub Favorite Book of 2024
An Electric Literature Best Book of Fall 2024, According to Indie Booksellers
Literary Hub Most Anticipated Book of 2024

« LESSER RUINS mounts decisive proof that Haber is one of the most rigorous and serious—and anachronistic—novelists working today. » —Becca Rothfeld, The Washington Post

« Haber’s novel is fluent and compelling, often rhapsodic, with a cumulative power to its repetitions. » —Hal Jensen, Times Literary Supplement

Mark Haber was born in Washington, D.C. and grew up in Florida. His debut novel, Reinhardt’s Garden (2019, Coffee House Press), was longlisted for the PEN/Hemingway Award. His second novel, Saint Sebastian’s Abyss (2022, Coffee House Press), was named a best book of 2022 by the New York Public Library, Literary Hub, and Publishers Weekly. Mark’s fiction has appeared in Guernica, Southwest Review, and Air/Light, among others. He lives in Minneapolis.

TOO SOON de Betty Shamieh

For readers of Pachinko and Queenie, a funny, sexy, and heart-wrenching literary debut that explores exile, ambition, and hope across three generations of Palestinian American women.

TOO SOON
by Betty Shamieh
Avid Reader Press, January 2025
(via Writers House)

Arabella gets an unexpected chance at love when she’s thrust into a conflict and history she’s tried to avoid all her life. 
Zoya is playing matchmaker for her last unmarried granddaughter—introducing Arabella to the very eligible grandson of an old flame and stirring up buried family history.
Naya is keeping a secret from her family that will change all their lives.

Thirty-five-year-old Arabella, a New York theatre director whose dating and career prospects are drying up, is offered an opportunity to direct a risqué cross-dressing interpretation of a Shakespeare classic (that might garner international attention) in the West Bank. Her grandmother, Zoya, plots to make a match between her and Aziz, a Palestinian American doctor volunteering in Gaza. Arabella agrees to meet Aziz since her growing feelings for Yoav, a celebrated Israeli American theatre designer, seem destined for disaster.

Arabella and Aziz’s instant connection reminds Zoya of the passion she once felt for Aziz’s grandfather, a man she desired desperately, even after her father arranged another husband for her. In turn, Zoya would later marry off her youngest daughter, Naya, who aspired to date the Jackson 5 and wasn’t ready to be a wife or mother to Arabella at sixteen. Now that Naya’s children are grown and she’s arrived at an abrupt midlife crossroads, it’s time to settle old scores…

With biting hilarity, Too Soon introduces us to a trio of bold and unforgettable voices. This dramatic saga follows one family’s epic journey from fleeing war-torn Jaffa in 1948, chasing the American Dream in Detroit and San Francisco in the sixties and seventies, hustling in the New York theatre scene post-9/11, and daring to stage a show in Palestine in 2012. Upon learning one of them is living on borrowed time, three women fight to live, make art, and love on their own terms. Too Soon joins the stories that seek to illuminate our shared history and ask, how can we set ourselves free? 

Read the profile of Betty Shamieh from The Atlantic, written by Gal Beckerman.

Betty Shamieh is a Palestinian American writer and the author of fifteen plays. She is currently the Mellon Playwright-in-Residence at the Classical Theatre of Harlem, where her comedy, Malvolio, a sequel to Twelfth Night had its world premiere in July 2023 to wide critical acclaim, including as a New York Times Critic’s Pick. Her dramedy Roar, which was also a New York Times Critic’s Pick, premiered off-Broadway in a sold-out extended run. Betty is the founding artistic director of The Semitic Root, an artistic collective that supports innovative theatre co-created by Arab and Jewish Americans, which presented her plays Chocolate in Heat and The Strangest. Selected as a Denning Visiting Artist at Stanford and a Clifton Visiting Artist at Harvard, Shamieh was named a UNESCO Young Artist for Intercultural Dialogue. A graduate of Harvard College and the Yale School of Drama, she has been awarded a Guggenheim and Radcliffe Fellowship in Playwriting. Her works have been translated into seven languages and are widely produced internationally, including at the EU Capital of Culture Festival.