Told as an unfolding detective story, WATER ALWAYS WINS by award-winning science journalist Erica Gies follows experts who are obsessed with water as they use close observation, historical research, ancient animal and human expertise and cutting-edge science to understand how water really works, why efforts to control it are failing and how to create more resilient water systems in the urgent race to mitigate the catastrophic effects of climate change.
WATER ALWAYS WINS:
Collaborating with Nature for a More Resilient Future
by Erica Gies
University of Chicago Press, 2022
WATER ALWAYS WINS makes clear that we need to fundamentally rethink our relationship with water. We must embrace the reality that we are an integral part of nature and need learn to live in harmony with these forces that we cannot conquer. This requires humility, not arrogance; collaboration, not aggressive control and setting a goal, which is to determine what water wants and figure out a how to make way for it, while protecting and securing our lives. The overarching theme is that such a mindset is essential in all our dealings with every aspect of nature, if we want our planet to survive. As Erica Gies so beautifully states, water is life, it “flexes with the rhythms of the earth, expanding and retreating in an eternal dance upon the land.”
WATER ALWAYS WINS follows the scientists and engineers who are recovering this lost knowledge and also new understanding of water and then finding ways to let water be water, a kind of un-engineering that reclaims space for water to stall on the land for cleaning, capture, and storage – a “slow water” ethic with many of the same attributes as the slow food movement. WATER ALWAYS WINS takes us along on this great journey, from Peru, where scientists are restoring a 1,500-year-old aqueduct system created by a pre-Incan civilization to Chennai, India, where the technology of ancient Dravidian temple tanks is being introduced to control flooding to San Francisco, where urban planners are mapping the original “ghost” waterways under the city to find improved methods of water management. Animal researchers are studying the ways creatures from beavers (who built a continuous dam twice as long as the Hoover dam) to elephants naturally “engineer” water systems that renew and replenish the land.
This is a riveting and eye-opening “big idea” book that will do for water what The Hidden Life of Trees did for forests or what The Sixth Extinction did for animal genocide.
Erica Gies is the perfect person to write this book. She is an independent journalist who writes about water, climate policy, urban planning, plants and animals for Scientific American, Nature, The New York Times, The Guardian, National Geographic, The Economist, with a proven track record of bringing science alive for the general public. Erica has appeared on NPR’s Science Friday and they are eager to have her on when the book comes out. She holds a master’s degree in literature with a focus in eco-criticism, which brings a wide-angle, narrative lens to her science reporting.

This was the grim reality that Ann Burgess, then a doctoral graduate with a degree in psychiatric nursing, found when she decided to get involved in the study of rape and sexual assault, choosing a topic that few others saw as worth the trouble. But what she called the complete “absence of understanding” surrounding this urgent issue left her no choice. Fortunately, she connected with a medical sociologist, Lynda Lytle Holmstrom, with whom Ann created the first ever formalized study of rape from the victim’s perspective, and through countless interviews with rape survivors ultimately proved that rape is more about dominance and control than sex. The impact of this early work was groundbreaking. It led to the development of the first rape crisis centers, created new police standards, and resulted in an increase in rape trials with outcomes that favored the victim. It also captured the attention of the FBI Academy, leading Burgess to become one of the first female consultants hired by the agency.
DIARY OF A MAGPIE tells the story of Stella, a child of Ghanaian parents, born and raised in South West London. Stella is born into the chaos of domestic violence and struggles to make sense of the world around her. She touches wood so that bad things won’t happen to her or her family – until she learns a poem about Magpies, ‘one for sorrow…’ Stella excels academically and achieves professional fulfilment and success once she leaves home. However, she is unable to make evidence-based conclusions about events that unfold around her. Stella continues to rely on superstition to provide meaning to her life; to control the otherwise uncontrollable. She feels her greatest personal happiness when she falls in love but learns that magpies alone can’t protect her from heartbreak, and that the impact of her childhood is something she will have to face – one way or another.
Despite being a trained midwife, Illiyin’s own birth experience was traumatic and led her to examine the effects of birth trauma more deeply. She has grown to appreciate the need for greater understanding of what took place during childbirth and why, in order to facilitate healing during the postnatal period. Using her own experience as a midwife and mother Illiyin plans to dispel myths and taboos around pregnancy and give women and birthing people the tools to manage and alleviate the effects of birth trauma. Illiyin will also be giving practical tips and exercises throughout the book to help readers understand and manage any birth related trauma while transitioning into postnatal life – whether it is the first or fifth baby.
In the last census, Britain recorded over 1.2 million people who identified as mixed race. 6% of children under the age of 5 identify as mixed race, a higher number than any other Black and ethnic minority group in the country. So, why is it so hard for mixed race people to navigate their identity?