Archives de catégorie : Speculative Fiction

THE WATER TAKES de Sarah Walker

An unimaginable apocalypse. A scared young girl. A stubborn old woman. Neither will survive without the other.

THE WATER TAKES
by Sarah Walker
Summit/Simon & Schuster Australia, March 2026
(via Wolf Literary)

Pam is in her mid-seventies, widowed and hiding from the world behind a caustic sense of humour. Her health is declining, and she’s afraid of dying alone, but her most pressing concern is complaining to the council about her waterlogged garden.

When Pam’s ten-year-old neighbour, Charlotte, is foisted upon her, a tentative friendship begins to unfurl, cracking open Pam’s hard exterior.

But the puddles in the garden become pools, and then sinkholes. Nowhere seems safe. With no help coming, Pam and Charlotte can only shelter in place for so long – eventually, they know they must attempt to navigate a catastrophically altered world.

THE WATER TAKES is a work of astonishing literary imagination with the urgent page-turning propulsion of a thriller. Full of surprises and revelations, with a sense of humanity that is never clichéd or sentimental, The Water Takes will make you laugh and cry – and it will stay with you forever.

‘What do you do when the world starts drowning? THE WATER TAKES is haunting, terrifying and still somehow hopeful. Seventy-something Pam is one of the most vivid characters I’ve ever encountered – she made me laugh and roar and weep. I am in awe of Sarah Walker and this book.’ – Kate Mildenhall

‘The Water Takes is a beautifully written blend of looming menace and sharp humour, along with a tender and timely reminder that connection is what saves us when catastrophe hits. This is dystopian fiction that feels as real, as human, as anything I’ve read. A dizzyingly good debut.’ – Jacqueline Bublitz

Sarah Walker is a Naarm/Melbourne-based writer and artist. Her first book, The First Time I Thought I Was Dying, a collection of non-fiction essays about the unruly body in late capitalism, won the 2021 Quentin Bryce Award. She was runner-up in the 2019 Calibre Essay Prize and received the 2020 ABR Victorian Rising Star award. Her work has been shortlisted for the Commonwealth Short Story Prize, the Walkley Awards, the Hammond House International Short Story Prize, the Nillumbik Prize, the Disquiet Literary Contest, the Alpine Fellowship Writing Prize and the Darebin Mayor’s Writing Award. She has been published in The Monthly, Overland, Meanjin, Island Magazine, Kill Your Darlings, the ABR, the AFR, and The Guardian. She is also an award-winning photographer and fine artist, whose work has been commissioned across multiple countries. She is a PhD candidate at RMIT.

EX ROMANA TRILOGY de Sophie Burnham

Perfect for readers of Saara El-Arifi and C. L. Clark and stories with strong, queer voices, this is a speculative imagining of a world on the brink of revolution. Here, Rome never fell, but the apocalypse is coming—if it hasn’t arrived already.

EX ROMANA TRILOGY
by Sophie Burnham
DAW, 2024 – 2027
(via KT Literary)

Book 1: SARGASSA (DAW, October 2024)

An unlikely group of rebels are ready to burn down the Roman empire like you’ve never imagined it before. From the halls of the Senate floor to the bloody sands of the gladiatorial pits, Sophie Burnham’s debut is full of riveting political danger, thoughtful worldbuilding, and a tightly-knit group of conspirators.

The role of Imperial Historian is Selah Kleios’s birthright, but she was supposed to have more time to learn the role from her father, the previous Historian. In the wake of her father’s sudden and shocking assassination, Selah finds herself custodian of more than just the Imperial Archives when an old flame returns intending to steal the Iveroa Stone—a seemingly harmless artifact containing secrets that could destroy the empire.

Theo Nix is a damn good spy, and they know it. By day, they work in Senator Naevia Kleios’s office; smart, unobtrusive, and grateful, they’re the model of a perfect plebeian. By night, their time belongs to Griff: master strategist, commander of the Revenants, the spider at the center of a very large and very dangerous web. When Griff gives Theo an assignment, they move, no questions asked, so it’s really no surprise Theo is flirting with Arran Alexander—Selah’s low-caste half brother is an obvious target. It is a surprise, however, that they’re enjoying it so much.

After a year away in the legions, Arran has recently returned home, only to find the cracks beneath his feet widening. Struggling with his own identity and purpose, drawn into an underground independence movement through his growing feelings for Theo, Arran must choose between the sister he loves and the chance to take control of his own life for the very first time.

SARGASSA is the first book in a new speculative trilogy that is equal parts political intrigue, queer romance, and revolution.

« Sargassa is a masterclass in world-building, with its realistic politics, complex and brutal caste system, and gorgeous settings. It takes time to get the lay of the land, but the payoff is worth the effort. The expansive scope multiplies the emotional and conceptual weight of the narrative. » —Shelf Awareness (starred review)

Book 2: BLOODTIDE (October 2025)

The fate of the empire hangs in the balance in the second installment of the genre-bending Ex Romana trilogy.

Cracks are forming in the empire’s facade.

In the wake of startling revelations and personal betrayals, Tair finds herself the Iveroa Stone’s new custodian as she embarks on a battle for Luxana’s streets. As the fallout of the fighting pit massacre leads to a rise in legionary crackdowns and vigilante justice, Tair is determined to find a better path forward for Sargassa’s future. Up in the Imperial Archives, meanwhile, Selah tries to make sense of her family’s tangled history within the Imperium’s shadowed beginnings.

Elsewhere, in the far-flung reaches of Roma Sargassa’s badlands, Arran and Theo undertake a covert mission for the Revenants, one that could tip the scales between victory and defeat in Griff’s upcoming war. But long-laid plans and careful maneuvering are nothing compared to the forces of nature, and Sargassa’s future might just be determined by the coming storm.

Book 3: DAWNLANDS (October 2027)

In the third and final installment of the Ex Romana trilogy, the battle for Sargassa’s future has arrived. As skirmishes break out across the eastern seaboard, Selah and Tair fight to hold Luxana’s tenuous alliance together against both the Imperium and the looming threat of reinforcements from Roma. But the return of long-missing friends and unexpected allies also brings news that will force them to contend with impossible questions: Just how much are they willing to sacrifice for a different tomorrow? And is it already too late to try?

Sophie Burnham is a queer, nonbinary novelist and screenwriter, backed by an Acting BFA and a concentration in playwriting from Syracuse University. Honored with a We Need Diverse Books writing grant and a placement in ScreenCraft’s 2020 Sci-Fi & Fantasy Screenplay competition, Burnham’s debut novel promises to enthrall and enlighten readers. Follow them on Twitter at @sophielburnham.

THE FOUND OBJECT SOCIETY de Michelle Maryk

An atmospheric speculative suspense novel following a mysterious society offering its members the chance to relive the death of another person—and the self-destructive woman determined to uncover its secrets. This ambitious, genre-bending debut is perfect for fans of time-travel fiction including Matt Haig’s The Midnight Library and Gareth Brown’s The Book of Doors.

THE FOUND OBJECT SOCIETY
by Michelle Maryk
Hyperion Avenue, February 2026
(via Kaplan/DeFiore Rights))

For twenty years, Greta Davenport has lived with the guilt of surviving the accident that killed her parents. She’s tested the limits of her own mortality ever since, but little gives her the dopamine rush she craves. Not until the night she almost drunkenly crashes her car into a tree, and a peculiar blank card slides under her front door—an invitation to the Found Object Society. What she discovers there is beyond comprehension: an opulent, subterranean playground filled with aisles of objects from different eras and regions of the world. Pick an object and go on a voyage to relive the final moments of the person who died holding it, along with an unparalleled, irreplicable high. Greta’s hooked, but she can’t quiet her questions about the society and its enigmatic creators, the answers to which have implications far beyond her growing dependence on the voyages. Death is addictive, and what she uncovers will put her entire life into question.

A fever dream of a novel with episodic, time-traveling chapters told from multiple points of view, The Found Object Society examines the depraved whims of the ultrarich and the breadth of unresolved trauma—all while asking how grief and the choices we make in its aftermath can change the course of our lives. Michelle Maryk’s wholly original and ambitious debut opens an impeccably wrought speculative world of greed, power, and destiny.

“The Found Object Society is a mind-bendingly brilliant exploration of the nature of grief, the seductions of liminal experiences, and how alternate reality can renew, deepen, and destroy us. Addictive and beautifully rendered . . . Michelle Maryk has written one hell of a novel.” —Danielle Trussoni, New York Times bestselling author of The Puzzle Master

Michelle Maryk graduated from Cornell University with a degree in English and attended the Yale Writer’s Workshop. For the better part of twenty-five years, she’s been a successful voiceover, on-camera commercial, and comedic actor, and she is a dual Swedish and US citizen. THE FOUND OBJECT SOCIETY is her debut novel.

BATTLEGROUND STATES de Shawn Otto

A scientist and her young son embark on a harrowing journey through the Midwest in the not-too-distant post-civil war future in which the country has divided into different geographical factions, disinformation reigns, and the most powerful weapon ever created is about to be unleashed. Pitched as The Road meets Station Eleven.

BATTLEGROUND STATES
by Shawn Otto
Milkweed, 2027
(via David Black Agency)

For those millions who binged “The Last of Us” and those millions more who still look to 1984, It Can’t Happen Here and The Handmaid’s Tale as dystopian classics.

What if you alone could save the world, and the enemy trying to stop you was your father?

Ten years have passed since the outbreak of the second American Civil War. The United States has been torn into four new nations and an ungoverned Midwest region known as Heartland, where the war rages on.

Christine Haber, once the UW-Madison’s youngest endowed chair in genetics at age twenty-three, lost everything in the war. Now she runs the Preserve, the last functioning university in Heartland, while her father rises in power as a ruthless demagogue intent on controlling the war-torn region.

Situated in tents on a former nature preserve in Wisconsin, the Preserve has survived because it offers objective, neutral education to anyone regardless of their politics. There Christine has also been raising her eight-year-old son Robby alone, after his father was killed in the war.

One night Christine is woken by a fellow scientist seeking her help. The woman carries a stolen vial containing a new type of biological weapon—a deadly virus designed using advanced epigenetic editing to infect and kill “genetic liberals,” the people Christine’s father blames for the war. The scientist wants Christine’s help to smuggle the stolen vial out of Heartland to Canada so researchers can develop a vaccine before it’s too late.

But then the Preserve is attacked. Christine and Robby escape with the vial and begin a harrowing journey through a darkly beautiful world that is both recognizable and strange, where destruction and disinformation reign and questions about what is true or not become more and more unanswerable.

Ultimately, Christine’s odyssey leads her to confront her radicalized father and, in a stunning twist, to make a devastating choice that will change them all forever. Otto’s unforgettable novel imagines a dysfunctional family writ large and, by probing the biological roots of how we see ourselves and each other, asks how different we really are.

Shawn Otto speaks to audiences worldwide about writing, the scientific foundation of democracy, and the causes of anti-truth, antidemocratic movements. He is a past board chair of the Loft Literary Center in Minnesota, where he lives in a solar- and wind-powered home he designed and built. His award-winning debut novel, Sins Of Our Fathers (Milkweed), was a finalist for the Los Angeles Times Book Prize. He wrote and co-produced the Academy-Award nominated movie House of Sand and Fog, starring Ben Kingsley and Jennifer Connelly. Otto is also author of two award-winning nonfiction science books, Fool Me Twice (Rodale) and The War On Science (Milkweed), which predicted the rise of anti-truth authoritarianism. The Guardian called The War On Science “a game changer, and probably the most important book you’ll read this year.”

THIS WILL BE THE END OF ME de Jared Young

A mind-bending locked-room mystery where every suspect is the same man—and so is the corpse. Knives Out meets Everything Everywhere All At Once: clever, twisty, and impossible to put down.

THIS WILL BE THE END OF ME
by Jared Young
Crown Fiction, spring 2027

Joshua Hoffman is throwing a weekend-long party at his remote lakeside home with nine alternate versions of himself—other selves who made different choices at various crossroads in Joshua Hoffman’s life and ended up in wildly different circumstances.

To distinguish themselves from one another, they adopt nicknames. Among them are: The Argentinian, who fled his dreary hometown for a life of luxury in South America; The Townie, who stayed behind to marry his high school crush; The Marksman, a single father struggling to raise his troubled daughter; The Director, a Hollywood filmmaker facing an embarrassing end to his career; and The Teacher, a man of faith and moral duty who unknowingly carries a dark secret.

Some of the Joshua Hoffmans have gained fame and fortune, others have embraced the stability of family life. But over the course of the weekend, all of them will uncover deep wells of existential doubt and unhappiness as they reckon with what might have been. And when one of the Joshua Hoffmans turns up dead – brutally strangled in an upstairs bedroom – the others must confront a horrifying truth: a killer is among them.

As the violence escalates and the bodies pile up – stabbed, drowned, and burned alive – paranoia tears the group apart. Which Joshua Hoffman wants to kill his other selves, and why? Desperate to survive until the end of the weekend, they interrogate, accuse, and attack each other. When every suspect looks just like the others, finding the murderer is next to impossible. 

Deftly told in rotating first-person perspectives, each chapter immerses readers in the consciousness of a different Joshua Hoffman—men divided by circumstance but bound by identity. THIS WILL BE THE END OF ME is for readers who love the ingenious puzzles of Agatha Christie and Stuart Turton, the unsettling tension of Iain Reid and Paul Tremblay, and the raw emotional introspection of writers such as Karl Ove Knausgaard and Kazuo Ishiguro. It’s for fans of high-concept mysteries that double as philosophical meditations, for readers who want both page-turning suspense and a work of literary ambition that asks philosophical questions about how to live a life.

Jared Young’s body of work spans books, magazines, and feature films. He is the author of the novel Into the Current, which was longlisted for the ReLit Award in 2016. His stories and essays have appeared in publications around the world, and have been anthologized by McSweeney’s. He is the writer of the feature film, Sinister Switch, and currently has multiple scripts optioned and in development. 
As a creative director, his brand and campaign work has won international recognition, and has been covered by Adweek and The Globe & Mail. His book trailer for Into The Current was the first ever to screen at a major international film festival when it premiered at SXSW in 2017, where it won both the Audience and Jury Awards. Jared also publishes “Tolstoyan,” a Substack newsletter about culture, literature, and philosophy. His essay Youth, about the regrets of middle-age, recently went viral, generating thousands of new subscribers and becoming a Substack Editors’ Pick. He lives in Chelsea, Quebec, with his wife and two children.