From “one of the genre’s most exciting voices” (E! News) comes one of the year’s most-anticipated thrillers.
IF SOMETHING HAPPENS TO ME
by Alex Finlay
Minotaur, May 2024
(via Aaron M. Priest Literary Agency)
For the past five years, Ryan Richardson has relived that terrible night. The car door ripping open. The crushing blow to the head. The hands yanking him from the vehicle. His girlfriend Ali’s piercing scream as she is taken. With no trace of Ali or the car, a cloud of suspicion hangs over Ryan. But with no proof and a good lawyer, he’s never charged, though that doesn’t matter to the podcasters and internet trolls. Now, Ryan has changed his last name, and entered law school. He’s put his past behind him. Until, on a summer trip abroad to Italy with his law-school classmates, Ryan gets a call from his father: Ali’s car has finally been found, submerged in a lake in his hometown. Inside are two dead men and a cryptic note with five words written on the envelope in Ali’s handwriting: If something happens to me… Then, halfway around the world, the unthinkable happens: Ryan sees the man who has haunted his dreams since that night. As Ryan races from the rolling hills of Tuscany, to a rural village in the UK, to the glittering streets of Paris in search of the truth, he has no idea that his salvation may lie with a young sheriff’s deputy in Kansas working her first case, and a mobster in Philadelphia who’s experienced tragedy of his own.
Alex Finlay lives in Washington, D.C. and is the author of several critically-acclaimed novels, including the 2021 breakout, Every Last Fear. His work has appeared on numerous best-of-the-year lists, been published in twenty-two languages around the world, and Every Last Fear is currently in development for a major television limited series.
Charles Bliss, raised by a single mother in a hardscrabble Maine fishing town, is a highly respected and much appreciated English teacher at Carrington Academy, an elite Connecticut prep school, from which he graduated some years ago as a scholarship student. Recently, Charles’s highly touted debut novel debut unexpectedly bombed, so he is grateful for his job at Carrington, while working feverishly on a new manuscript by night to capture the literary glory that was almost his. 
When Detective Adam McAnnis first shows up at club West Heart in upstate New York, his motivations for being there are unclear. But when a dead body is found shortly after his arrival, everyone at the club is suspect. The complication? The folk of West Heart have their own language—the language of high society—and Detective McAnnis is an outsider. In order to solve the murder, McAnnis must not only sleuth for clues but infiltrate a tight-knit community that has no intention of ratting out one of their own.
For sisters Lovely and Beauty, home is a prison under the toxic watch of their controlling, abusive mother, Farida Khanam. The girls are each locked in their own rooms, their own gilded cages, and have never been allowed to leave the house by themselves. GOOD GIRLS opens and it’s Lovely’s 40th birthday, the day Farida will give Lovely the freedom to go to the Gausia Market alone. “Today was the day for everyone to be what they weren’t, or perhaps be what they were.” With a tragic foreboding, we know today is the day that will change everything.
Claire “Mac” Woods—a professor enjoying her newfound hotshot status at an academic conference—finally has the acceptance and admiration she has long craved. But at the conference’s hotel bar, Mac is surprised to run into a face from a past she’d rather forget: the moneyed, effortlessly perfect Gwendolyn Whitney, Mac’s foil, rival, and former best friend. When Gwen moved to town in high school, Claire—then known as Mac, a poor kid from a troubled family who had too much on her plate—saw what it meant to have. Money, sophistication, culture, the very blueprints to success. Mac had almost nothing, except the will to change. Change she did, habitually grinding herself to work as hard as straight-A Gwen, even eventually getting admitted into the same elite graduate program as Gwen. But then Mac and Gwen become entangled with the department’s power-couple professors and compete head-to-head for a life changing fellowship. The more twisted the track toward success becomes, the more Mac has to contort herself to stay one step ahead—which deception signals the point of no return? Jack-knifing between Mac’s world-expanding graduate days and the crucible of the hotel and its unexpected guests, Bad Habits follows Mac’s reckoning between her hardscrabble past and tenuous present. What, exactly, did Mac do to get what she has today? And what will she do to keep it? With taut, powerful prose, Amy Gentry asks how far we’ll go to get what we want—and whether we can ever truly leave the past behind.