The gothic historical debut of 2024.
THE BEHOLDERS
by Hester Musson
4th Estate, January 2024
(via Mushens Entertainment)
June, 1878. The body of a boy is pulled from the depths of the River Thames, suspected to be the beloved missing child of the widely admired Liberal MP Ralph Gethin.
Four months earlier. Harriet is a young maid newly employed at Finton Hall. Fleeing the drudgery of an unwanted engagement in the small village where she grew up, Harriet is entranced by the grand country hall; she is entranced too by her glamorous mistress Clara Gethin, whose unearthly singing voice floats through the house. But Clara, though captivating, is erratic. The master of the house is a muchlauded politician, but he is strangely absent. And some of their beautiful belongings seem totell terrible stories.
Unable to ignore her growing unease, Harriet sets out to discover their secrets. When she uncovers a shocking truth, a chain of events is set in motion that could cost Harriet everything, even her freedom…
Hester Musson studied English Literature at Bristol University and has a Masters in drama from the Royal Conservatoire of Scotland. While pursuing an acting career, her day jobs included working in TV as a freelance autocue operator. She currently writes for Art Fund, the national charity for art, and its magazine Art Quarterly, and blogs for a nature conservation and rewilding organisation in Devon.

Meirionydd, 1783. Henry Talbot has been dismissed from his post at a prestigious London hospital. The only job he can find is as a physician in the backwaters of Wales where he can’t speak the language, belief in myth and magic is rife, and the villagers treat him with bewildering suspicion. When Henry discovers his predecessor died under mysterious circumstances, he is determined to find answers.
Sadie Grace is wanted for witchcraft, dead (or alive). And every hired gun in Kansas is out to collect the bounty on her head, including bona fide witch hunter Old Tom and his mysterious, mute ward, Rabbit. On the road to Burden County, they’re joined by two vagabond cowboys with a strong sense of adventure – but no sense of purpose – and a recently widowed schoolteacher with nothing left to lose. As their posse grows, so too does the danger. Racing along the drought-stricken plains in a stolen red stagecoach, they encounter monsters more wicked than witches lurking along the dusty trail. But the crew is determined to get that bounty, or die trying. Written with the devilish cadence of Stephen Graham Jones and the pulse-pounding brutality of Nick Cutter, Red Rabbit is a supernatural adventure of luck and misfortune.
Vivian Parry likes the dark. A former actress, she now works as the junior theater critic at a major Manhattan magazine. Her nights are spent beyond the lights, in a reserved seat, giving herself over to the shows she loves. By day, she savages them, with words sharper than a knife. Angling for a promotion, Vivian reluctantly agrees to give an interview in which the conversation, with a stranger who seems to know her work, reveals secrets she thought she had long since buried. When her interviewer disappears soon thereafter, she learns from his devastated fiancé that Vivian was the last person to have seen him alive. When the police refuse to investigate, Vivian assumes the role of amateur detective. . As she nears the final act of this investigative ruse, she finds that the boundaries between theater and the real world are more tenuous and more dangerous than even she could have believed. Gripping, propulsive, and shot through with menace and dark glamour, HERE IN THE DARK takes us behind the scenes of New York theater, lifting the curtain on the lies we tell ourselves and each other.
Jaffa is Sabiha and Ahmed’s home. It is where they’re raising their sons, and where they have opened their own cinema, so that they can sit in the back row and cry at Shirley Temple movies. But when Israel declares independence in 1948 and the Arab-Israeli war breaks out, the family is forced to flee. They embark on an Odyssey that takes them first to Lebanon and then to Turkey. As they search for a new home, all they find is derelict temporary housing and states that refuse to accept them. They grieve for the dead, but never lose their lust for life – not to mention their sense of humour.