So many ways to torpedo your career and your love life… So little time. A woman accidentally reveals all her secrets in this witty and charming novel from the author of Eight Perfect Hours.
BETTER LEFT UNSENT
by Lia Louis
Bonnier, January 2024
(via Mushens Entertainment)
Two years ago, thirty-year-old receptionist Millie Chandler had her heart spectacularly broken in public. Ever since, she has been a closed book, vowing to keep everything to herself – her feelings, her truths, even her dreams – in an effort to protect herself from getting hurt again.
But Millie does write emails – sarcastic replies to her rude boss, hard truths to her friends, and of course, that one-thousand-word love declaration to her ex who is now engaged to someone else. The emails live safely in her drafts, but after a server outage at work, Millie wakes up to discover that all her draft emails have been sent. Every. Single. One.
As every truth, lie, and secret she’s worked so hard to keep only to herself are catapulted out into the open, Millie must fix the chaos her words have caused, and face everything she’s ever swept under the carpet. With her signature « tender and heartwarming » (Anstey Harris, author of When I First Held You) prose, Lia Louis presents another unforgettable and moving novel that is perfect for fans of Rebecca Serle and Emily Henry.
Lia Louis lives in the United Kingdom with her partner and three young children. Before raising a family, she worked as a freelance copywriter and proofreader. She was the 2015 winner of Elle magazine’s annual writing competition and has been a contributor for Bloomsbury’s Writers and Artists blog for aspiring writers.
June, 1878. The body of a boy is pulled from the depths of the River Thames, suspected to be the beloved missing child of the widely admired Liberal MP Ralph Gethin.
Meirionydd, 1783. Henry Talbot has been dismissed from his post at a prestigious London hospital. The only job he can find is as a physician in the backwaters of Wales where he can’t speak the language, belief in myth and magic is rife, and the villagers treat him with bewildering suspicion. When Henry discovers his predecessor died under mysterious circumstances, he is determined to find answers.
Sadie Grace is wanted for witchcraft, dead (or alive). And every hired gun in Kansas is out to collect the bounty on her head, including bona fide witch hunter Old Tom and his mysterious, mute ward, Rabbit. On the road to Burden County, they’re joined by two vagabond cowboys with a strong sense of adventure – but no sense of purpose – and a recently widowed schoolteacher with nothing left to lose. As their posse grows, so too does the danger. Racing along the drought-stricken plains in a stolen red stagecoach, they encounter monsters more wicked than witches lurking along the dusty trail. But the crew is determined to get that bounty, or die trying. Written with the devilish cadence of Stephen Graham Jones and the pulse-pounding brutality of Nick Cutter, Red Rabbit is a supernatural adventure of luck and misfortune.
Vivian Parry likes the dark. A former actress, she now works as the junior theater critic at a major Manhattan magazine. Her nights are spent beyond the lights, in a reserved seat, giving herself over to the shows she loves. By day, she savages them, with words sharper than a knife. Angling for a promotion, Vivian reluctantly agrees to give an interview in which the conversation, with a stranger who seems to know her work, reveals secrets she thought she had long since buried. When her interviewer disappears soon thereafter, she learns from his devastated fiancé that Vivian was the last person to have seen him alive. When the police refuse to investigate, Vivian assumes the role of amateur detective. . As she nears the final act of this investigative ruse, she finds that the boundaries between theater and the real world are more tenuous and more dangerous than even she could have believed. Gripping, propulsive, and shot through with menace and dark glamour, HERE IN THE DARK takes us behind the scenes of New York theater, lifting the curtain on the lies we tell ourselves and each other.