Archives de catégorie : Presse

Julia Roberts jouera le rôle de Maya dans l’adaptation de FOOL ME ONCE!

FOOL ME ONCE, le nouveau roman d’Harlan Coben, a été publié le 22 mars 2016 et se trouve déjà en tête de tous les classements de vente du New York Times : grand format, ebook et combined.

Et on parle déjà de son adaptation au cinéma, car Julia Roberts tiendra le rôle principal de FOOL ME ONCE et fera également partie de la production via sa maison Red Om Films !

Julia Roberts
Getty Images

La nouvelle a été annoncée par les plus importants sites américains : Deadline, Variety, Hollywood Reporter et Entertainment Weekly.

 

La mini-série UNE CHANCE DE TROP bientôt en Italie !

Le succès d’UNE CHANCE DE TROP, la mini-série de six épisodes tirée du bestseller d’Harlan Coben, s’étendra-t-il au-delà de la France ? Après avoir été la meilleure audience pour une série française depuis 2011, elle sera diffusée en Italie grâce au groupe Mediaset, qui en a acheté les droits.

bannière chance

THE FIVE, première série originale écrite par Harlan, sera quant à elle distribuée en France par Studiocanal (groupe Canal +). Une synergie qui a poussé l’auteur américain à monter sa propre société de production, Final Twist, associée à la société britannique Red production company, filiale de Studiocanal. Les nouvelles séries produites verront le jour internationalement et, d’après le site de Variety, l’adaptation en série du bestseller SIX YEARS (Six ans déjà) est déjà plus qu’une idée !

Studiocanal distribuera THE FIVE d’Harlan Coben en France!

La première série télé tirée d’un scénario original d’Harlan Coben sera diffusée au Royaume-Uni à partir du 15 avril 2016 sur la chaîne Sky, annonce faite via la page facebook de l’auteur. Si la date de diffusion en France n’a pas encore été précisée, la série fait désormais partie du catalogue de Studiocanal !

Les premières images ainsi qu’une interview d’Harlan Coben disponibles dans cette vidéo de Sky 1.

Le prochain roman de David Baldacci publié en avril aux USA

THE LAST MILE est le deuxième volet de la nouvelle série de David Baldacci, où l’on retrouve l’agent FBI Amos Decker de MEMORY MAN, publié il y a un an par Grand Central Publishing.

Decker returns in a spectacular new thriller…

THE LAST MILE
(Amos Decker series #2)
by David Baldacci
Grand Central Publishing, April 2016

Convicted murderer Melvin Mars is counting down the last hours before his execution—for the violent killing of his parents twenty years earlier—when he’s granted an unexpected reprieve. Another man has confessed to the crime.
Amos Decker, newly hired on an FBI special task force, takes an interest in Mars’ case after discovering the striking similarities to his own life: Both men were talented football players with promising careers cut short by tragedy.  Both men’s families were brutally murdered.  And in both cases, another suspect came forward, years after the killing, to confess to the crime.  A suspect who may or may not have been telling the truth.
The confession has the potential to make Melvin Mars—guilty or not—a free man. Who wants Mars out of prison? And why now?
But when a member of Decker’s team disappears, it becomes clear that something much larger—and more sinister—than just one convicted criminal’s life hangs in the balance.  Decker will need all of his extraordinary brainpower to stop an innocent man from being executed.

David Baldacci made a big splash on the literary scene with the publication of his first novel, ABSOLUTE POWER, in 1996. A major motion picture adaptation followed, with Clint Eastwood as its director and star. In total, David has published 27 novels, all of which have been national and international bestsellers; several have been adapted for film and television. His novels have been translated into more than 45 languages and sold in more than 80 countries; over 110 million copies are in print worldwide. David has also published four novels for children. He has received numerous accolades for his writing; most recently, he was inducted into the International Crime Writing Hall of Fame and received the Barnes & Noble Writers for Writers Award.

THE BEAUTIFUL BUREAUCRAT dans la shortlist du LA Times Book Award

Le roman d’Helen Philips est sélectionné pour le prochain prix littéraire du Los Angeles Times, catégorie fiction. Publié en août 2015, THE BEAUTIFUL BUREAUCRAT a attiré l’attention de la presse américaine et notamment du New York Times. Safarà Editore le publiera en Italie et les droits télé ont été acquis par The CW.

Josephine must race to find her way through the labyrinthine bureaucracy, in order to save herself and to salvage the life she’s built

THE BEAUTIFUL BUREAUCRAT
by Helen Phillips
Henry Holt, August 2015

Josephine has been out of work a long time, so when she is hired to work in a vast, windowless building, doing what at first appears to be a monotonous filing and cross-checking task, she’s mostly just relieved that her long period of unemployment has come to an end. Never mind that the person who hired her seems not to have a face and becomes known only as The Person With Bad Breath, or that Josephine works in a pale, airless room where the walls are completely bare, save some scratches Josephine fears may have come from those who held the job before her. She can endure any job in order to be able to build a future with her husband, Joseph. Under the watchful eyes of her sinister boss and an aggressively friendly coworker, she matches names to numbers and enters both into a seemingly infinite database, though she knows nothing about the true nature of her job nor the identity of the institution that employs her.

In the evenings, Josephine returns home to one of a series of strange sublets, and to Joseph, who often greets her with candles and dinner, until one day he doesn’t come home at all. Joseph also has a bureaucratic job, and the two have agreed never to discuss their work, but as Joseph grows mysteriously distant and begins to disappear more frequently without explanation, and as Josephine slowly comes to understand the meaning of the codes she’s entering into the system, the rituals of their daily lives shift from the mundane to something more sinister.

Is Josephine really being followed by The Man in the Grey Sweatshirt? How do her co-workers seem to know things about her before she knows them herself? Increasingly unmoored in her home life and uneasy in her work life, Josephine attempts to keep her paranoia in check and hold on to her sanity. But as her suspicions escalate and the terrifying truth about her work is revealed, she realizes that those she holds most dear are in fatal danger.