Archives par étiquette : The Gernert Company

THE NIGHT SWIM de Megan Goldin

In this new thriller from the author of The Escape Room, a true crime podcast host covering a controversial rape trial in a small town becomes obsessed with solving a brutal murder that took place there a quarter of a century before.

THE NIGHT SWIM
by Megan Goldin
St. Martin’s Press (North America) | Penguin Random House Australia, August 2020
(chez The Gernert Company – voir catalogue)

After the first season of her true crime podcast became an overnight sensation and set an innocent man free, Rachel Krall is now a household name—and the last hope for thousands of people seeking justice. But she’s used to being recognized for her voice, not her face. Which makes it all the more unsettling when she finds a note on her car windshield, addressed to her, begging for help. The small seaside town of Neapolis is being torn apart by a devastating rape trial. The town’s golden boy, a swimmer destined for Olympic greatness, has been accused of raping a high school student, the beloved granddaughter of the town’s legendary police chief. Under huge pressure to make Season Three of her podcast a success, Rachel throws herself into covering the rape trial —but the mysterious letters keep showing up in unexpected places. Someone is following her, and she won’t stop until Rachel finds out what happened to her sister twenty-five years ago. Officially, Jenny Stills tragically drowned while swimming at night at a local beach, but the writer insists her sister was murdered—and when Rachel starts asking questions, nobody seems to want to answer. The past and present start to collide as Rachel uncovers startling connections between the two cases, connections that will change the course of the trial and the lives of everyone involved. Electrifying and propulsive, THE NIGHT SWIM asks: Can a small town ever right the wrongs of its past? And what really happened to Jenny Stills?

“Goldin’s prose is inviting, at times electrifying, and always sensitive in dealing with hot-button issues…well done.” ―Booklist (starred)
“Outstanding…[Goldin’s thriller] casts a searing light on small-town politics.” ―Publishers Weekly (starred)
“Remarkably strong.” ―Kirkus Reviews
“A blistering plot and crisp writing make The Night Swim an unputdownable read.” ―Sarah Pekkanen, bestselling author of The Wife Between Us

Megan Goldin worked as a correspondent for Reuters and other media outlets where she covered war, peace, International terrorism and financial meltdowns in the Middle East and Asia. She is now based in Melbourne, Australia where she raises three sons and is a foster mum to Labrador puppies learning to be guide dogs.

THE RED ARROW de William Brewer

A first novel at once reminiscent of W.G. Sebald, Rachel Cusk, Ben Lerner and Lisa Halliday, and yet entirely unlike anything you’ve read before.

THE RED ARROW
by William Brewer
Knopf, Spring 2022
(chez The Gernert Company – voir catalogue)

THE RED ARROW follows an unnamed narrator, a failed novelist deeply in debt to his publisher, on a high-speed train from Rome to Modena, where he is desperate to find the famous Italian physicist whose memoir he’s been ghostwriting, and an whose disappearance in the middle of the project has threatened the narrator and his newly formed family with financial ruin. Moving swiftly and seamlessly through his past—including a chemical spill in West Virginia, a failed New York art career, psychedelic therapy in California, and a luxury beach resort in Sicily—THE RED ARROW contains multitudes: it is at once one of the most authentic descriptions of the experience of depression I’ve ever read, and a joyously earnest celebration of freedom from the toxic power of the ego; a spiraling meditation on time, memory, and the nature of the self; and a novel with the ineffable mystery of a poem, one whose originality lies in admitting that it’s not original at all. For we are each just a cloud of quotations with no fixed center—or, as the Physicist might put it, we are nothing more than interactions, like subatomic particles—and when we’re finally able to let go of the fiction of our discrete selves, all that is left is love.

William Brewer is the author of I Know Your Kind (Milkweed Editions, 2017), a winner of the National Poetry Series, and Oxyana, selected for the Poetry Society of America’s 30 and Under Chapbook Fellowship. His work has appeared in American Poetry Review, The Nation, New England Review, The New Yorker, A Public Space, The Sewanee Review, and other journals. Born and raised in West Virginia, he received his MFA in poetry from Columbia, and was a Stegner Fellow at Stanford University, where he is currently a Jones Lecturer. Born in 1989, he lives with his wife in Oakland.

HIDDEN VALLEY ROAD de Robert Kolker sélectionné par Oprah Winfrey pour son Book Club !

La nouvelle vient d’être annoncée dans l’émission  “CBS This Morning” : la célèbre Oprah Winfrey a sélectionné comme prochain titre pour son Book Club le livre de Robert Kolker sur la schizophrénie, HIDDEN VALLEY ROAD :

HIDDEN VALLEY ROAD paraît aujourd’hui chez Doubleday aux Etats-Unis et figure déjà dans les sélections du mois d’avril de Goodreads (« April’s Most Anticipated New Books« ) et d’Apple (« Apple Best Book of April »).

“HIDDEN VALLEY ROAD vividly conveys not only the inner experience of schizophrenia but its effects on the families whose members are afflicted . . . With the skill of a great novelist, Mr. Kolker brings every member of the family to life.” —Richard J. McNally, Wall Street Journal 

Les droits de langue française sont toujours disponibles.

THE LIFE OF THE MIND de Christine Smallwood

A debut novel following an adjunct professor whose days are disrupted by a miscarriage, forcing her to reckon with shame, relationships, the passage of time, the meaning of endings, and the illusion that our minds may free us from our bodies. A witty, intelligent story of an American woman on the edge, by a brilliant new voice in fiction.

THE LIFE OF THE MIND: A Novel
by Christine Smallwood
Hogarth Press, March 2021

As an adjunct professor of English with a 4-3 course load, Dorothy feels “like a janitor in the temple who continued to sweep because she had no idea what else to do but who had lost her belief in the essential sanctity of the enterprise.” No one but her partner knows that she’s just had a miscarriage, not even her therapists—Dorothy being the kind of person who begins seeing a second because she’s too conflict-averse to break things off with the first. It’s not so much that Dorothy is ashamed of the miscarriage itself as she is of the sense of purpose the prospect of motherhood had provided, of how much she’d wanted it. The freedom not to be a mother is one of the victories of feminism. So why does she feel like a failure? (That’s another thing she’s ashamed of.)
In the tradition of Sheila Heti, Ottessa Moshfegh, and Rachel Cusk, THE LIFE OF THE MIND is a novel about endings: of youth, of aspirations, of possibility, of the illusion that our minds can ever free us from the tyranny of our bodies. And yet our minds are all we have to make sense of a world largely out of our control—which is to say a world without us at the center as protagonists; a world where things happen, but there is no plot. And so Dorothy must make do with what she has, as the weeks pass and the bleeding subsides. If that sounds depressing, it isn’t; in fact, it’s often hilarious. Most of all, it’s real. In literature—as Dorothy well knows—stories end. But life, as they say, goes on.

Christine Smallwood’s fiction has appeared in The Paris Review, n+1, and Vice. Her reviews, essays, and cultural reporting have been published in many magazines, including The New Yorker, Bookforum, T, and The New York Times Magazine, where she is a contributing writer. From 2014-2017 she wrote the “New Books” column for Harper’s, and has been an editor at The Nation. She has a PhD in English from Columbia University, is a co-founder of the Brooklyn Institute for Social Research, and is a Fellow at The New York Institute for the Humanities.

LIFE AND WORK, David Lynch prépare son autobiographie !

Mise à jour du 12 octobre 2015 : droits cédés aux éditions JC Lattès

Après avoir annoncé la troisième saison de sa série culte Twin Peaks, 25 ans après la diffusion de la deuxième saison, David Lynch prépare actuellement son autobiographie avec la journaliste et conservatrice d’art Kristine McKenna.

A l’image de ses créations artistiques polymorphes (cinéma, mais aussi photographie, musique et peinture), le réalisateur de « Elephant Man » et « Mullholland Drive » présentera ses mémoires sous une forme hybride et originale : un collage d’interviews de ses proches, de notes biographiques et de textes inédits.

Un proposal de LIFE AND WORK est désormais disponible :

An unusual memoir/biography by and about iconic filmmaker David Lynch

LIFE AND WORK
by David Lynch and Kristine McKenna
Agent: The Gernert Company

LIFE AND WORK will be an unusual hybrid of biography and memoir based on interviews with approximately ninety of Lynch’s friends, family and associates.  He opens up about a lifetime of extraordinary creativity, the friendships he’s made along the way, and the struggles he’s faced to bring his projects to fruition.

The book will be a combination of biographical sections, written by journalist, critic and art curator Kristine McKenna, that are based on research and interviews with candid ex-wives, family members, actors, agents, musicians and collaborators in various fields.  These sections will be followed by pieces written by Lynch himself in which he will respond to the material that came before.  People who have known and worked with Lynch will provide their own understanding of the parts of his life and work they were part of, while Lynch will have the chance to reflect on his own memories of these experiences, as well as theirs.  This is Lynch riffing on his own life, unfiltered and unedited – a fascinating combination of primary source material and analysis.

Twenty-five years after the original series became an international hit, a new 9-episode series of Twin Peaks is scheduled to air in late 2016.