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BIRD BRAIN d’Andreas Nieder

A future classic about the science of the natural world that illuminates the brilliance of crows and their kin, by one of the world’s foremost experts on corvid intelligence, and Professor of Animal Physiology at the University of Tübingen in Germany.

BIRD BRAIN:
The Incredible Intelligence of Crows, and What it Means to Have a Mind
by Prof. Andreas Nieder
Transworld, publication date TBD
(via Randle Editorial & Literary Consultancy)

Crows, magpies, jays and ravens are among the planet’s most intelligent creatures, rivalling even our closest primate relatives. Yet, they couldn’t be more different from us. Cloaked in sleek dark feathers, wielding sharp beaks instead of hands, and soaring effortlessly on the wind, they seem like emissaries from another world—alien minds hidden in plain sight. But we don’t need to search the cosmos to find extraordinary intelligence. It’s right here, perched on power lines, gliding through our city parks, and watching us silently from the heights of ancient trees. These extraordinary birds are masterful toolmakers and astute problem-solvers. They communicate through complex vocalizations, exchanging detailed information and warnings. Their intricate social structures rival the dynamics of a bustling human town. Crows have been seen solving multi-step puzzles, grasping abstract concepts, and even planning for the future—cognitive abilities we don’t typically associate with creatures whose brains are no larger than a walnut.

The more scientists study them, the more crows upend our understanding of cognition, memory, and what it means to have a “mind.” Each discovery shatters preconceived limits of intelligence, proving that evolution has shaped brilliance in astonishingly varied forms—sometimes cloaked in feathers, observing us from the treetops. When we call crows and their corvid kin intelligent, we do so as one thinking mind reflecting on another. But our perception of them is never purely observational—it’s steeped in projection. As humans, we can’t help but filter their behaviours through the prism of our own emotions, assigning them motives, feelings, even inner lives that may not exist. Like the narrator in Poe’s ‘The Raven’, we see in corvids not just what they are, but what we imagine them to be—creatures imbued with meanings that align with our own thoughts and biases, as shown in corvid strewn folklore all around the world, from European myths to Asian symbolism to omens in Ancient Greece.

This impulse to assign meaning—to ascribe to other beings, or even inanimate objects, purpose and emotion—is fundamental to how we relate to the world. When we observe crows, we aren’t just studying them—we’re also revealing how our minds build narratives to make sense of the unknown. In exploring their intelligence, we uncover not only the brilliance of these birds but also the human tendency to see reflections of ourselves in the natural world—and how that
shapes the stories that we tell about life itself.

BIRD BRAIN invites readers on a captivating journey into the fascinating world of the corvid mind. Drawing on Nieder’s personal experiences in hand-raising crows, alongside his unparalleled academic expertise, it promises to not only showcase the astonishing cognitive abilities of crows and their kin, but also to reflect upon the nature of intelligence itself, sitting naturally alongside international bestsellers and classics explorations of animal (and human) intelligence, such as Other Minds by Peter Godfrey-Smith, Jennifer Ackerman’s The Genius of Birds, or The Soul of an Octopus by Sy Montogomery. In challenging the reader to see the natural world in a new light, it also brings to mind The Hidden Life of Trees by Peter Wohlleben or Ed Yong’s An Immense World.  Furthermore, as the book is cleverly scaffolded and animated by following the journey of Edgar, a single representative crow raised and nurtured to adulthood, BIRD BRAIN provides a narrative that will also resonate with a secondary audience, readers who appreciated the intimate human-animal bond in Raising Hare by Chloe Dalton or Featherhood by Charlie Gilmour.  

Professor Andreas Nieder is a biologist and Professor of Animal Physiology and Director of the Institute of Neurobiology at the University of Tübingen, one of Germany’s renowned “Elite Universities.” With more than 15 years of dedicated work studying crows he has become a preeminent authority in the field of corvid cognition, and animal cognition more widely. A member of the German Academy of Sciences Leopoldina – one of the highest honours for a researcher in Germany – his groundbreaking research has redefined our understanding of animal intelligence. He has published nearly 50 peer-reviewed studies on crows in some of the world’s most prestigious scientific journals, including a Science cover feature. Nieder is also widely recognized in the media for his groundbreaking research in crow cognition. He has appeared on NPR and BBC Radio 4, and his research has been highlighted in leading science outlets including New Scientist and Quanta. In 2019, his academic book A Brain for Numbers – The Biology of the Number Instinct was published by MIT Press (with no other translation editions). He lives in Tübingen, Germany, with his wife and their three children.

LESSER RUINS de Mark Haber

From the author of Reinhardt’s Garden and Saint Sebastian’s Abyss comes a breathless new novel of delirious obsession.

LESSER RUINS
by Mark Haber
Publisher, October 2024
(via Sterling Lord Literistic)

Bereft after the death of his ailing wife, a retired professor has resumed his life’s work—a book that will stand as a towering cathedral to Michel de Montaigne, reframing the inventor of the essay for the modern age. The challenge is the litany of intrusions that bar his way—from memories of his past to the nattering of smartphones to his son’s relentless desire to make an electronic dance album.

As he sifts through the contents of his desk, his thoughts pulsing and receding in a haze of caffeine, ghosts and grievances spill out across the page. From the community college where he toiled in vain to an artists’ colony in the Berkshires, from the endless pleasures of coffee to the finer points of Holocaust art, the professor’s memories churn with sculptors, poets, painters, and inventors, all obsessed with escaping both mediocrity and themselves.

Laced with humor as acrid as it is absurd, LESSER RUINS is a spiraling meditation on ambition, grief, and humanity’s ecstatic, agonizing search for meaning through art.

Longlisted for the 2024 Republic of Consciousness Prize
Washington Post Notable Book of 2024
A New York Public Library Best Book of 2024
Literary Hub Favorite Book of 2024
An Electric Literature Best Book of Fall 2024, According to Indie Booksellers
Literary Hub Most Anticipated Book of 2024

« LESSER RUINS mounts decisive proof that Haber is one of the most rigorous and serious—and anachronistic—novelists working today. » —Becca Rothfeld, The Washington Post

« Haber’s novel is fluent and compelling, often rhapsodic, with a cumulative power to its repetitions. » —Hal Jensen, Times Literary Supplement

Mark Haber was born in Washington, D.C. and grew up in Florida. His debut novel, Reinhardt’s Garden (2019, Coffee House Press), was longlisted for the PEN/Hemingway Award. His second novel, Saint Sebastian’s Abyss (2022, Coffee House Press), was named a best book of 2022 by the New York Public Library, Literary Hub, and Publishers Weekly. Mark’s fiction has appeared in Guernica, Southwest Review, and Air/Light, among others. He lives in Minneapolis.

FABLE FOR THE END OF THE WORLD d’Ava Reid

The Last of Us meets The Ballad of Songbirds and Snakes in this dystopian romance about survival, sacrifice, and love that risks everything.

FABLE FOR THE END OF THE WORLD
by Ava Reid
HarperTeen, March 2025
(via Sterling Lord Literistic)

By encouraging massive accumulations of debt from its underclass, a single corporation, Caerus, controls all aspects of society.

Inesa lives with her brother in a half-sunken town where they scrape by running a taxidermy shop. Unbeknownst to Inesa, their cruel and indolent mother has accrued an enormous debt—enough to qualify one of her children for Caerus’s livestreamed assassination spectacle: the Lamb’s Gauntlet.

Melinoë is a Caerus assassin, trained to track and kill the sacrificial Lambs. The product of neural reconditioning and physiological alteration, she is a living weapon, known for her cold brutality and deadly beauty. She has never failed to assassinate one of her marks.

When Inesa learns that her mother has offered her as a sacrifice, at first she despairs—the Gauntlet is always a bloodbath for the impoverished debtors. But she’s had years of practice surviving in the apocalyptic wastes, and with the help of her hunter brother, she might stand a chance of staying alive.

For Melinoë, this is a game she can’t afford to lose. Despite her reputation for mercilessness, she is haunted by painful flashbacks. After her last Gauntlet, where she broke down on livestream, she desperately needs redemption.

As Mel pursues Inesa across the wasteland, both girls begin to question everything: Inesa wonders if there’s more to life than survival, while Mel wonders if she’s capable of more than killing.

And both wonder if, against all odds, they might be falling in love.

Ava Reid was born in Manhattan and raised right across the Hudson River in Hoboken but currently lives in Palo Alto. She has a degree in political science from Barnard College, focusing on religion and ethnonationalism.

Manon Steffan Ros lauréate de la première édition des prix de l’Entente Littéraire

Organisé par la Royal Society of Literature et l’Institut français du Royaume-Uni à Londres, en collaboration avec le ministère de la Culture en France et le Department for Culture, Media and Sport au Royaume-Uni, l’Ambassade de France au Royaume-Uni et l’Ambassade du Royaume-Uni en France, le prix de l’Entente Littéraire a été remis à Londres mercredi 4 décembre lors d’une cérémonie à la Résidence de France à laquelle ont assisté la reine Camilla et Brigitte Macron.

Ce prix a pour but de « célébrer les plaisirs de la lecture et le partage d’expériences littéraires entre la France et le Royaume-Uni. Créé lors du sommet franco-britannique en mars 2023 par le Président Emmanuel Macron et le Premier Ministre britannique Rishi Sunak, il est organisé par l’Institut français du Royaume-Uni et la Royal Society of Literature dans le cadre du 120e anniversaire de l’Entente Cordiale. »

Parmi les six titres en lice, deux récompenses de 8 000 € ont été décernées pour distinguer la meilleure publication traduite d’un ouvrage de littérature jeunesse dans chacun des deux pays. Manon Steffan Ros et la traductrice Lise Garond ont été récompensées pour LE LIVRE BLEU DE NEBO, aux côtés de Lucie Bryon pour Thieves.

Pour cette première édition, le jury se composait de Marie-Aude Murail, Thimothée de Fombelle, Patrice Lawrence et Joseph Coelho.

LE LIVRE BLEU DE NEBO (Actes Sud Jeunesse) de Manon Steffan Ros, traduit par Lise Garond, est un « journal intime bouleversant où se mêlent les voix d’une mère et de son fils ayant fait l’expérience d’une étrange fin du monde. » L’adolescent cherche dans les livres des traces du passé. Manon Steffan Ros a travaillé en tant qu’actrice avant de devenir écrivaine jeunesse et adulte. Elle a remporté le prix du livre du Pays de Galles de l’année pour ses romans de fiction pour adultes en plus d’être quatre fois lauréate du prix gallois de littérature jeunesse Tir na N’Og. Avec LE LIVRE BLEU DE NEBO, Manon a remporté la médaille Yoto Carnegie de l’écriture.

UN CLOWN DANS UN CHAMP DE MAÏS bientôt adapté pour le grand écran

RLJE Films/Shudder

Eli Craig, le réalisateur du film culte Tucker & Dale vs. Evil, portera le livre d’Adam Cesare à l’écran, en partenariat avec la société de production Temple Hill. Le film d’horreur sortira au cinéma en mai 2025 aux États-Unis et c’est l’actrice Katie Douglas (Ginny & Georgia) qui jouera le rôle principal de Quinn. 

Basé sur le roman d’Adam Cesare, publié chez HarperCollins en 2020 et récompensé par un Bram Stoker Award, UN CLOWN DANS UN CHAMP DE MAÏS suit Quinn et son père venus emménager dans une ville tranquille en quête d’un nouveau départ. Au lieu de cela, Quinn découvre une communauté fracturée qui traverse une période difficile suite à l’incendie de la précieuse usine de sirop de maïs Baypen. Alors que les habitants se chamaillent entre eux et que les tensions s’exacerbent, une silhouette sinistre (Frendo le clown) émerge des champs de maïs pour nettoyer la ville de ses fardeaux, un meurtre sanglant à la fois.

« Comme toujours dans mes films, il y a un thème plus profond sur la collision entre différentes perspectives et idéaux, qui mène au chaos le plus total. Il était cependant amusant dans ce film de laisser les frissons de l’horreur prendre le dessus, tandis que l’absurdité comique que je ne peux pas m’empêcher de voir dans la vie apporte un peu de légèreté, » a déclaré Eli Craig.

(Lire l’article de Deadline)

UN CLOWN DANS UN CHAMP DE MAÏS a été publié en mai 2023 aux éditions Sonatine.