Archives de l’auteur : WebmasterBenisti

WISH OF THE WICKED de Danielle Paige

Set in a lush, dangerous world woven with fairy tale mythology, New York Times bestselling author Danielle Paige launches a brand new Fairy Godmother origin story full of intrigue, magic, and romance.

WISH OF THE WICKED:
The Fairy Godmother Series
by Danielle Paige
Bloomsbury, November 2023
(via Writers House)

Bibbidi-bobbidi-blood. Everyone knows that a fairy godmother helped Cinderella get to the ball where she met the prince. No one knows that the fairy godmother’s motives for helping Cinderella might not have been as charming as they seem. Until now.
For centuries, the enchanted members of the Entente used their magic to keep the Thirteen Queendoms in harmony. Until the day that Queen Magrit outlawed magic, executed the Entente, and plunged the queendoms into war.
Only one Entente survives. Alone and magicless, Farrow dreams of nothing but revenge. And the best way to reach the queen is through her son, Prince Mather, who is nearing the age when he will need a bride. But the closer Farrow gets to the prince, the more she finds herself drawn to him. To reclaim her magic and destroy the queen, Farrow will have to question what-and more importantly, who-she’s willing to sacrifice.

Danielle Paige is the author of Stealing Snow and its prequel novellas Before the Snow and Queen Rising, as well as the New York Times bestselling Dorothy Must Die series. Before turning to young adult literature, she worked in the television industry, where she received a Writers Guild of America Award and was nominated for several Daytime Emmys.

RULES FOR GHOSTING de Shelly Jay Shore

RULES FOR GHOSTING combines the humor, fraught-but-loving family dynamics, and obsession with death seen in books like Mostly Dead Things, One Last Stop, and Fun Home. It is the gay, Jewish, Six Feet Under we’ve all been waiting for.

RULES FOR GHOSTING
by Shelly Jay Shore
Ballantine, Summer 2024
(via Frances Goldin Literary)

Twenty-eight-year-old Ezra Friedman is only a little bit clairvoyant, but enough to make growing up in a funeral home miserable. Maybe it wouldn’t have been so bad if his Zayde’s ghost didn’t keep giving him this look of betrayal and disapproval as he went through an HRT-induced second puberty, or if the dead’s hands weren’t so cold. But, it’s no wonder that Ezra would want to get as far away as possible from the family business.
With his parents’ marriage imploding, Ezra finds himself pulled back into the effort to help save the Friedman Family Memorial Chapel from financial ruin. That means long days of puzzling out his mom’s cryptic filing systems while surrounded by the ghosts no one else can see, while balancing his role as referee between the warring factions of his family. Add in his unfortunate crush on the cute funeral home volunteer who just happens to live downstairs from where Ezra and his ex are now living together as friends, and the new ghost who keeps breaking every spectral rule Ezra’s managed to figure out about the dead, and Ezra’s more than ready to make another run for the hills.
The more Ezra learns about the tangled web of secrets that haunt the Chapel’s halls, the harder it is to maintain the distance that (he thought) kept him sane. As the pressure mounts to figure out how to keep the funeral home from being snapped up by a corporate “body farm”, Ezra is forced to do something he never thought possible.

Shelly Jay Shore (she/they) is a writer, digital strategist, and nonprofit fundraiser. Their writing on queer Jewish identity has been published by Autostraddle, Alma, and the Bi Resource Center. RULES FOR GHOSTING is her debut novel.

RAPE GIRL de Jamie Hood

A necessarily illuminating text, imagining stranger, more radical models of storytelling. Combining the hybridity of Camen Maria Machado’s In the Dream House with the intensity of Maggie Nelson’s The Art of Cruelty, RAPE GIRL promises to do for sexual violence what Citizen did for conversations around race, and become part of a new wave of cultural resistance.

RAPE GIRL:
A Study in Nine Parts
by Jamie Hood
Pantheon/Random House, Spring 2024
(via Frances Goldin Literary)

In many ways, RAPE GIRL: A STUDY IN NINE PARTS is the book that essayist, critic, and poet Jamie Hood has been writing her entire life. In the thirty years since her first sexual assault (age six, by the neighbor), it has taken many forms: a chronological, straight memoir of violence; a book-length poem; a manifesto; a novel. In the wake of each subsequent attack (twice as a teenager, several times in graduate school, most recently at a Brooklyn bar), and resultant attempt to narrativize the violence, what became clear was that no single genre was able to capture the entirety of what she was trying to say.
Trauma disorients the very possibility of straightforward narrative, so then why do we expect our tellings of it to be linear and easily digestible? RAPE GIRL asks: what is rape at its core? And beyond: how would an account of rape that acknowledges and incorporates the truth of trauma as an experience shift the conversation?
Told in nine parts—media historical, political, poetic, autofictional, literary critical, and memoiristic—RAPE GIRL reckons with the confessional imperative of survivors and the role of rape narratives in our collective consciousness. Weaving between genres and throughout history, Hood consults Artemesia Gentileschi and other foremothers in revenge and witness, documents a month of walking the exact route that she took to escape an assailant, tangles with the specter of Dick Wolf and Law & Order, reflects on her own coping mechanisms and childhood in Virginia, probes the specific silence around trans women’s experience of rape, and interrogates what it means to enter a post-#MeToo era of backlash in 2022.

Jamie Hood is a critic, memoirist, and poet, and the author of how to be a good girl (Grieveland 2020). Her work has appeared or is forthcoming in The Baffler, The Nation, Los Angeles Review of Books, The New Inquiry, Observer, The Drift, SSENSE, Bookforum, Vogue, and elsewhere. She lives in Brooklyn.

POETS SQUARE de Courtney Gustafson

Beautifully written literary nonfiction about animals with a profound core like H Is for Hawk and Fox and I. Structured in smart, snappy personal essays that probe at the problems of personhood in the internet age, it will appeal to fans of Melissa Broder or Jia Tolentino, and its introspective, generous thinking on self and society evokes Wintering.

POETS SQUARE:
Essays on Cats & Community
by Courtney Gustafson
Crown, 2024
(via Frances Goldin Literary Agency)

When Courtney Gustafson moved into a new rental in the Poets Square neighborhood in Tuscon, Arizona, she would never have guessed that a colony of feral cats living in her driveway would change her life forever. Settling into a secure romantic relationship while it felt like the world around her was burning down, she couldn’t know how reluctantly, then profoundly, she would come to care about the health and safety of those thirty-some-odd neglected cats: Beebs, Lola, Sadboy, Goldie, Dr. Big Butt, Reverse Monkey, Rihanna, and so many more.
She had no idea about the grief and hardship of animal rescue, the staggering size of the problem. And she couldn’t have imagined how that struggle—towards an ethics of care, of individuals trying their best amidst spectacularly failing systems—would help pierce a personal darkness she’d wrestled with much of her life. She also didn’t expect that the TikTok and Instagram accounts she created about the cats would end up with a just shy of a combined million followers.
POETS SQUARE is a memoir-in-essays about becoming an accidental cat rescuer, going viral, creating community, and surviving capitalism. These essays tell the brutal and tender stories of cats Courtney has saved (or failed to save) as a lens to explore everything from poverty and mental health to morality and misogyny. We see how cat rescue—despite its often-enormous sadness—paradoxically helped in a struggle with depression, showing the way towards an interrelated community of cats and care. The book explores caretaking and kindness in the face of a broken system: what it means for an individual to refuse to throw their hands up, to insist on showing up regardless of insurmountable problems, to search for ways to be a good person in the face of crushing overwhelm.

Courtney Gustafson is the creator of @PoetsSquareCats on TikTok (918k) and Instagram (61k). Her cats and rescue work have been featured on The Dodo, Newsweek, Best Friends Animal Society Magazine, and elsewhere. Before she had thirty cats, she completed a masters degree and PhD coursework in rhetoric and composition at the University of Massachusetts Amherst, where her interests included community literacies and literacy within incarcerated populations. She taught first-year writing at UMass before leaving academia to work in nonprofit communications. Most recently she’s worked for a large regional food bank, managing social media strategy, storytelling, fundraising, and crisis communications. She has continued to teach creative writing and adult basic literacy as a volunteer in prisons and in refugee communities in Tucson, Arizona, and volunteers as a mentor to incarcerated writers with PEN America’s Prison and Justice Writing Program. Her poetry, fiction, and nonfiction have appeared in Lady Science, Word Riot, Up the Staircase Quarterly, Necessary Fiction, and elsewhere.

BLOOD OF THE FORSAKEN de Maxym M. Martineau

An epic romantic fantasy for fans of Sarah J. Maas and Scarlett St. Clair.

BLOOD OF THE FORSAKEN
by Maxym M. Martineau
Sourcebooks Casablanca, August 2024

When Charmers begin falling beneath the thrall of a powerful spell, the Council devises a plan to find the two people in all the realm who might be able to save them: Kaori’s parents, long thought lost…but not, it seems, dead. As fate would have it, they’ve spent years trapped inside Galvanhold, a magical prison designed to incapacitate the worst of the worst—and once you enter Galvanhold, there’s no escape.

Time is running out; they need the knowledge Kaori’s parents hold, or all is lost. Willing to risk everything for the woman who showed him so much kindness, the assassin Calem volunteers to be sent away as a prisoner so he can get the information they need and break out again with the help of his unpredictable powers.

But once inside, Calem is unexpectedly faced with a familiar and terrifying figure: his mother, the prison’s cruel Warden. As Calem’s past threatens to consume him, Kaori and her friends must find a way to rescue him and complete their mission. But when their plan goes awry, the group unwittingly unleashes the Lost, a powerful magician who has been biding his time waiting for revenge. With chaos descending upon the realm, Kaori and her friends must confront their deepest fears and fight for their very survival. But even as Kaori and Calem find solace in each other’s arms, can their love survive the trials ahead?

Maxym M. Martineau is an article and social media writer by day and a fantasy romance author by night. She earned her bachelor’s degree in English Literature from Arizona State University, and lives with her husband and fur babies in Arizona.