Le long-métrage, à mi-chemin entre La Firme et le film d’horreur Get Out, sera produit par Jay-Z, James Lassiter et Aaron Kaplan de la société de production Kapital Entertainment. Le scénario sera écrit par Cheo Hodari Coker, créateur de la série Marvel Luke Cage sur Netflix. (Lire l’article de Deadline)
Dans le thriller politique FORTY ACRES de Dwayne Alexander Smith publié chez Atria aux États-Unis en juillet 2014, Martin Grey, un jeune avocat noir intelligent et talentueux, est pris sous l’aile d’une société secrète composée des hommes noirs les plus puissants et les plus riches des États-Unis. Il est ébloui par ce qu’ils ont accompli, et eux semblent penser qu’il a le potentiel pour devenir l’un des leurs. Ils l’invitent à passer un week-end loin de tout, sans épouses ni téléphones portables. Mais ce que Martin découvre est une réalité alternative troublante qui remet en cause ses convictions les plus profondes…
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At a truck stop near Las Vegas, fourteen-year-old Riley Jarrett vanishes from her family’s RV, turning their cross-country dream of starting over into a nightmare. Investigators have their work cut out for them. The massive, bustling truck plaza in the desert is the perfect place for someone to disappear—or be taken. Detectives pursue every chilling lead as all eyes fall to the newly blended family with a tragic past. With the clock ticking down on the likelihood that Riley’s alive, suspicions run deep. Everyone—from Riley’s mom to her stepdad to her stepbrother and her ex-boyfriend—has something to hide. And their secrets could prove deadly.
Three months ago, Lena Nguyen’s estranged twin sister, Cambry, drove to a remote bridge sixty miles outside of Missoula, Montana, and jumped two hundred feet to her death. At least, that is the official police version. But Lena isn’t buying it. Now she’s come to that very bridge, driving her dead twin’s car and armed with a cassette recorder, determined to find out what really happened by interviewing the highway patrolman who allegedly discovered her sister’s body. Corporal Raymond Raycevic has agreed to meet Lena at the scene. He is sympathetic, forthright, and professional. But his story doesn’t seem to add up. For one thing, he stopped Cambry for speeding a full hour before she supposedly leapt to her death. Then there are the sixteen attempted 911 calls from her cell phone, made in what was unfortunately a dead zone. But perhaps most troubling of all, the state trooper is referred to by name in Cambry’s final enigmatic text to her sister: Please Forgive Me. I couldn’t live with it. Hopefully you can, Officer Raycevic. Lena will do anything to uncover the truth. But as her twin’s final hours come into focus, Lena’s search turns into a harrowing, tooth-and-nail fight for her own survival—one that will test everything she thought she knew about her sister and herself…
Addison should be preparing for one of the happiest moments of her life—she’s about to marry a wonderful man—but something is holding her back: she doesn’t know who she really is. A couple of years earlier, a kind driver found her bleeding on the side of a Pennsylvania highway and took her in, but she’s unable to remember how she got there in the first place. Or her own name. Or if she’s already married to someone else. Or why she senses that she may have committed a crime . . . Meanwhile, Julian paces his home in the Boston suburbs, caring for his seven-year-old daughter Valentina and trying to figure out what happened to his loving, caring wife, who disappeared without a trace. She never would have left him and her beloved daughter of her own free will—or would she? As the two storylines hurtle toward a dramatic conclusion, Liv Constantine delivers her trademark blend of tense psychological thrills, glitz and glamour, and jaw-dropping twists.