Archives de catégorie : Fiction

LOCALS de Jared Jackson

In the vein of Jonathan Escoffery’s If I Survive You, Bryan Washington’s Lot, and Morgan Talty’s Night of the Living Rez, this debut, in the form of a strongly linked story collection, brings to brash and tender life a cast of young, working-class characters navigating love, grief, survival, and the pursuit of something more in Hartford, Connecticut in the aughts.

LOCALS
by Jared Jackson
Viking, Spring 2027
(via The Gernert Company)

Mikey becomes a man too early when he begs for emotional scraps from his uncle’s girlfriend. Collin reveals his cowardice when he fails to show up for Bebo, an outsider far braver than Collin will ever be. Enis, a refugee on the local baseball team along with Collin, Bebo, and Mikey, wants more than he can ever get from his neighborhood or his girlfriend. Minnie wants redemption. Suit Man wants a warm place to sleep. Ms. Ana wants a daughter. And Andrews wants his white fraternity brothers to accept him despite being a “local,” while all his cousin Ant wants is for Andrews to remember he already has a family—that Hartford has always been his family.

Vibrating with vivid imagery and characters whose voices alternate between aching frankness and exhilarating swagger, the interlocking pieces of this book tumble one into another like so many expertly laid dominoes. The result is a striking vision for reclamation—of faith in city, and faith in self. Jackson is a generational talent descended from a distinct literary tradition (encompassing everything from Joyce’s Dubliners to Bambara’s Gorilla, My Love; Cisneros’s The House on Mango Street to Barrett’s Young Skins) but blazing a thrilling path all his own.

Jared Jackson is a proud Hartford native and writer, editor, educator, and arts administrator currently living in New York. He has been awarded residencies, fellowships, and grants from MacDowell, Yaddo, Baldwin for the Arts, Tin House, and several others. His writing has been published or is forthcoming in The Yale Review, Guernica, Kenyon Review, n+1, and VQR, and was anthologized in The Best American Short Stories 2023 (guest edited by Min Jin Lee). He received an MFA in fiction from Columbia University, where he was a chair’s fellow, creative writing teaching fellow, and an adjunct assistant professor. Jackson is the director of programs and partnerships at Poets & Writers, Inc. He was previously the program director of literary programs at PEN America.

WILD ASTER d’Anna Hogeland

A powerful portrait of an unforgettable woman with a talent for survival, whose life spans the early twentieth century, from a writer acclaimed for her “unwavering passion and insight” (Jess Walter, NYT bestselling author of The Cold Millions)

WILD ASTER
by Anna Hogeland
Bloomsbury, Fall 2026
(DeFiore and Co.)

Mae Smith starts her life as a stolen good: her biological mother, Ida, kidnaps her from her adoptive parents, and Mae grows up on the run, constantly changing towns and names, never able to find a home. After her mother’s death, Mae is determined to live a different kind of life. But over the next half century, as she reinvents herself against the backdrop of the Depression and Second World War and pursues stability amid the personal upheavals of marriage and motherhood, she must reckon with the choices she’s made and life’s inexorable turns.

For readers of Zorrie by Laird Hunt, The Ninth Hour by Alice McDermott, and The Boston Girl by Anita Diamant, Wild Aster explores the price of security, the drive to be a different mother than your own, and the daily gains and losses that define who we become. Ultimately, Mae’s story challenges us to confront the choices we make for personal fulfillment and family obligation and the perseverance that even a seemingly ordinary life demands.

Anna Hogeland is the author of the novel The Long Answer (Riverhead, 2022). She is a psychotherapist in private practice, with an MSW from Smith College School for Social Work and an MFA from UC Irvine. Her essays have appeared in Literary Hub, Big Issue, Gloss Magazine, Romper, and elsewhere. She lives in Massachusetts.

CITY LIKE WATER de Dorothy Tse

Lucid, nightmarish, and indelible, a wondrous and pointed message in a bottle from a city not so different from your own.

CITY LIKE WATER
by Dorothy Tse
translated from Chinese by Natascha Bruce
Graywolf Press, March 2026
(via Sterling Lord Literistic)

The city you grew up in is gone, as if sunk to the bottom of the ocean. So much has vanished with it—classmates, teachers, counterfeit watches, the erotic toe cleavage that used to lead the way down secret passages. Yet you still catch snatches of conversation lingering in the air and glimpse sun-dazzled residents retreating into dark crevices.

People seem to keep disappearing. Your mother joins in a housewives’ protest, each woman waving the fake, bloody lotus roots they were sold until police helicopters unleash a glittery spray that turns them into statues. Then it’s just you and your father at home, until he is quietly absorbed into the enormous new TV gifted by the government, and you spot him doing tai chi or picking through leftovers in the background of soap operas. And didn’t you once have a little sister, before she flew away in her school uniform? As the police go undercover and transform your neighborhood into a violent labyrinth you can no longer navigate, where does this leave you?

Lucid, nightmarish and indelible, City Like Water is a wondrous and pointed message in a bottle from a city not so different from your own.

Dorothy Tse is a Hong Kong writer and the author of Owlish, which was a finalist for the National Book Critics Circle Gregg Barrios Book in Translation Prize, and Snow and Shadow, which was long-listed for the Best Translated Book Award. She has received the Hong Kong Book Prize, the Hong Kong Biennial Award for Chinese Literature, and Taiwan’s Unitas New Fiction Writers’ Award. She is the cofounder of the literary journal Fleurs des Lettres. 

THE FIRST GIRL IN HELL de Henry Hoke

A feral western set in 1940, narrated by an ostracized actress on an infernal journey of romance and revenge.

THE FIRST GIRL IN HELL
by Henry Hoke
Farrar, Straus & Giroux, Winter/Spring 2027
(via Sterling Lord Literistic)

This novel is loosely inspired by one summer in the life of the author’s cousin Tallulah Bankhead. Her fictional stand-in Lucinda’s Hollywood career has ended, and she thinks she knows why. A combination of her queerness, the debauchery of her social life, and a personal vendetta has landed her in the infamous Doom Book, a burn list created in secret by the prudish ghouls behind the Hays Code restrictions on film of the 1930s. Fragmented into prose-poetic pages that mirror the notecards on which her politician father wrote speeches, Lucinda bitingly narrates her whirlwind road trip from a divorce ranch in Reno to a jailhouse in a crumbling ghost town, all the while pining for a woman who she thinks could turn her life around. She might not get sober, but she’ll settle for payback.

Henry Hoke is the author of several books, most recently Open Throat, which was a finalist for the PEN/Faulkner Award, the Barnes & Noble Discover Prize, and the James Tait Black Prize for Fiction, and longlisted for the Mark Twain American Voice in Literature Award. He has taught at CalArts and the UVA Young Writers Workshop, and lives in Virginia. 

DUST de Michael Brissenden

One of Australia’s most respected journalists, during his long career Michael Brissenden has covered politics, national security issues and spent many years working as a foreign correspondent. He now writes gritty crime novels that tackle social issues while maintaining a gripping pace.

DUST
by Michael Brissenden
Affirm Press/ Simon & Schuster, September 2025
(via The Pilkington Agency)

Lake Herrod, a once-thriving community, now lies in the shadow of a nearly dry lake. The town, like the water, is evaporating and its residents are left clinging to what little remains.

When Aaron Love discovers a fresh corpse near the cracked lakebed – along with evidence his missing father is alive and linked to a web of organised crime – he is thrust into a world of deception, injustice and betrayal. With the town on the brink of collapse, Aaron and a haunted detective, Martyn Kravets, uncover a web of conspiracy that reaches far beyond the small community.

Dust is a dark, gripping thriller that explores the complexities of identity, a search for truth, and the unyielding forces of corruption in a world where lives are lived on the fringe, and nothing is as it seems.

‘A deeply human, timely and utterly compelling crime novel, one of the very best to come out of Australia in recent years’. – The NZ Herald

‘Heartbreakingly good.’ – The Age/The Sydney Morning Herald

Michael Brissenden was a journalist with the Australian Broadcasting Corporation for 35 years. He was posted to Moscow, Brussels and Washington and worked in Canberra for many years in various roles – including as the Political Editor for the daily television current affairs program – The 7.30 Report, as the ABC’s defence and security correspondent and as the presenter of the ‘AM’ Current Affairs program on ABC radio. From 2017 to 2021 he was a reporter with the ABC’s investigative television documentary program – Four Corners. Michael has contributed to a number of essay collections over the years and written for The Bulletin, The Canberra Times and New Matilda. He now writes fiction and has published four novels: The List, Dead Letters, Smoke and Dust.