Archives de catégorie : Fiction

THE SECRET GARDEN: A Graphic Novel de Mariah Marsden et Hanna Luechtefeld

Green-growing secrets and powerful magic await you at Misselthwaite Manor, now reimagined in this bewitching graphic novel adaptation of Frances Hodgson Burnett’s beloved tale. From Mariah Marsden, author of the critically acclaimed Anne of Green Gables: A Graphic Novel, comes the second installment in this series of retold children’s classics.

THE SECRET GARDEN: A Graphic Novel
adapted by Mariah Marsden
illustrated by Hanna Luechtefeld
Andrews McMeel, June 2021

Ten-year-old Mary Lennox arrives at a secluded estate on the Yorkshire moors with a scowl and a chip on her shoulder. First, there’s Martha Sowerby: the too-cheery maid with bothersome questions who seems out of place in the dreary manor. Then there’s the elusive Uncle Craven, Mary’s only remaining family—whom she’s not permitted to see. And finally, there are the mysteries that seem to haunt the run-down place: rumors of a lost garden with a tragic past, and a midnight wail that echoes across the moors at night. As Mary begins to explore this new world alongside her ragtag companions—a cocky robin redbreast, a sour-faced gardener, and a boy who can talk to animals—she learns that even the loneliest of hearts can grow roots in rocky soil. Given new life as a graphic novel in illustrator Hanna Luechtefeld’s whimsical style, THE SECRET GARDEN is more enchanting and relevant than ever before. At the back of the book, readers can learn about the life of Frances Hodgson Burnett and the history of British colonialism that contextualizes the original novel.

Mariah Marsden grew up hunting for faeries amidst the old hills of the Missouri Ozarks. A former children’s librarian and co-author of Anne of Green Gables: A Graphic Novel, she earned her MFA in Creative Writing & Media Arts from the University of Missouri-Kansas City and is now a PhD candidate in English at The Ohio State University. She writes about the dreams and difficulties of girlhood, the folklore of her region, and the complexities of rural life. She’s still on the lookout for faeries.

Hanna Luechtefeld spent the early part of their childhood in New Hampshire, the later part in Missouri, and all of it in the woods. Long afternoons filled with outdoor adventure gave them a flair for the creative and a love of storytelling. They graduated from the University of Central Missouri in 2019 with degrees in graphic design and illustration and a passion for zines and DIY comics. Today, Hanna lives in Kansas City, where they help run a local art gallery and music venue. When not preparing for a zine fest, you can find them outside: mountain biking, roller blading, or hiking. Someday, they hope to have a backyard “secret garden” of their own.

La série YA « Fear Street » de R. L. Stine adaptée par Netflix

La plateforme de streaming diffusera prochainement (été 2021, à confirmer) trois films d’horreur inspirés par la série YA de R. L. Stine, auteur de « Chair de Poule ». Produits par Chernin Entertainment et Disney, ils mettront en scène la ville fictive de Shadytown et nous transporteront chacun dans une période différente : en 1994, 1978 et 1666 respectivement. Les actrices Gillian Jacobs (Community, Love), Sadie Sink (Stranger Things) et Maya Thurman-Hawke (Stranger Things) feront partie de la distribution. (Lire l’article de Cinema Blend)

Publiée à l’origine entre 1989 et 1999, la série de romans à suspense « Fear Street » suit une bande d’adolescents de l’Ohio qui enquêtent sur des événements étranges et terrifiants, parfois même paranormaux. Entre 2014 et 2017, six nouveaux titres sont publiés chez St. Martin’s Press, à commencer par PARTY GAMES.

Les droits de langue française de PARTY GAMES et des cinq autres romans sont toujours disponibles.

ANY PLACE BUT HERE de Sarah Van Name

Fans of Morgan Matson and Sarah Dessen will fall in love with this contemporary coming of age story set at a picturesque Virginia boarding school.

ANY PLACE BUT HERE
by Sarah Van Name
Sourcebooks, May 2021
(via Sterling Lord Literistic)

That’s what Jess was to me. I was the ground; she was the rain. I wasn’t anything until she woke me up. Seventeen-year-old June is completely wrapped up in her best friend Jess. The two are inseparable and June feels so lucky that they found each other. Even if everyone else around her thinks Jess is a bad influence. Even if June is starting to question if she likes Jess as more than just a friend. But after June is expelled from school at the end of her first semester of junior year, she’s forced to move to Virginia, to live with her grandmother and attend an all-girls boarding school. She’ll be miles away from her home, from her family, and from Jess. June is miserable at first and counts down the days until she can come back home for the summer. But when she befriends two new girls and meets a boy named Sam, who she is instantly drawn to, life in Virginia starts to feel more real. Except Jess is always on her mind, and she can’t deny her feelings anymore, even as Jess starts to pull away from her. June can’t let Jess go―but she needs to figure out how to move forward, and how to find the place she really belongs.

Sarah Van Name grew up in North Carolina and attended Duke University twice, once for a teenage creative writing camp and once as an undergraduate. She lives and works in Durham with her husband, Ben, and her dog, Toast. She is the author of The Goodbye Summer.

THE SIGN FOR HOME de Blair Fell

A moving and fast-paced novel narrated by a DeafBlind young man and his new interpreter, an unlikely pair who together embark on a journey of liberation and heroism.

THE SIGN FOR HOME
by Blair Fell
Emily Bestler Books/Atria, Spring 2022

THE SIGN FOR HOME tells the story of Arlo Dilly, a DeafBlind 23-year-old man raised by conservative family members who limit his use of technology. While taking a basic English composition class, Arlo is assigned a new sign language interpreter named Cyril Brewster who is recovering from a romantic breakup and is looking for a new challenge in his career. When Cyril begins to interpret Arlo’s classes he soon realizes that Arlo’s understanding of language, love, and life have been limited, governed, and often censored by iron-fisted guardians. Showing Arlo more of the world and the independence he could have puts Cyril in conflict with Arlo’s family. Against this external conflict of language mediation, we travel inside Arlo’s mind and inside his perceptions of the most important moments of his life, including his own linguistic awakenings, and a heartbreaking memory of first love and first friendship derailed by unspeakable tragedy. When the buried memories are eventually unlocked by a class writing assignment, Arlo convinces Cyril to abandon his own professional ethics to facilitate a forbidden meeting with his old school friends and first love. The narration of The Sign For Home alternates between Arlo’s voice (with its distinctive Deaf syntax) and Cyril’s fast and funny point of view, with dialogue rendered in both standard English and an approximation of American Sign Language structure. The resulting novel is not only unique, but fast-paced, delectable, emotional, and powerful.

Blair Fell has worked as a certified ASL interpreter for 25 years. The first draft of this novel won the Lippman Prize for Creative Writing from the City College of New York. In addition to his work as an interpreter, Blair has written for television shows including Showtime’s wildly successful Queer As Folk, and for public television’s award-winning California Connected. His plays have been produced in multiple venues, and his personal essays have appeared in several prominent publications including Out Magazine, the Huffington Post, Next Magazine, and many others.

THE PARTY YEAR de Vinson Cunningham

A meditative book in the tradition of Teju Cole and Ben Lerner, weaving memory and history to interrogate some of our most human themes—race, religion, identity, politics, masculinity, and fatherhood.

THE PARTY YEAR
by Vinson Cunningham
Hogarth/PRH, Fall 2022

THE PARTY YEAR is a an ekphrastic, illuminating tour de force, inspired in part by Cunningham’s own time working on the 2008 presidential campaign of Barack Obama. In these pages, fundraising staffer David Hammond travels around the country for donor events, landing everywhere from a trailer in New Hampshire to a Beverly Hills mansion. Hammond is a keen and thoughtful observer, whose reflections on memory and history are interwoven throughout in a flowing counterpoint between past and present, the personal and the larger-than-life. Through intimate, candescent prose, THE PARTY YEAR contemplates the stories and arts that define and bring beauty to our lives.

Vinson Cunningham is a staff writer and a theatre critic at The New Yorker. His essays, reviews, and profiles have appeared in The New York Times Magazine, The New York Times Book Review, FADER, Vulture, The Awl, and McSweeney’s Internet Tendency. A former White House staffer, he now teaches an MFA Writing course at Sarah Lawrence College and lives in New York City.