Archives par étiquette : St. Martin’s Press

VERISSIMUS de Donald Robertson

In the tradition of Logicomix, Donald Robertson’s VERISSIMUS is a riveting graphic novel on the life and stoic philosophy of Marcus Aurelius.

VERISSIMUS
by Donald Robertson
illustrated by Zé Nuno Fraga
St. Martin’s Press, June 2022

Marcus Aurelius was the last famous Stoic of antiquity but he was also to become the most powerful man in the known world – the Roman emperor. After losing his father at an early age, he threw himself into the study of philosophy. The closest thing history knew to a philosopher-king, yet constant warfare and an accursed plague almost brought his empire to its knees. “Life is warfare”, he wrote, “and a sojourn in foreign land!” One thing alone could save him: philosophy, the love of wisdom!
The remarkable story of Marcus Aurelius’ life and philosophical journey is brought to life by philosopher and psychotherapist Donald Robertson, in a sweeping historical epic of a graphic novel, based on a close study of the historical evidence, with the stunning full-color artwork of award-winning illustrator Zé Nuno Fraga.

Donald Robertson is the author of six books including How to Think Like a Roman Emperor: The Stoic Philosophy of Marcus Aurelius. He is a cognitive-behavioural psychotherapist, writer, and trainer, specializing in the relationship between philosophy, psychology, and self-improvement. He’s particularly known for his work on Stoicism and cognitive-behavioural therapy. Donald was born in Ayr, Scotland, but now lives in Canada.

THE LAST DAYS OF THE DINOSAURS de Riley Black

Riley Black walks readers through what happened in the days, the years, the centuries, and the million years after the impact, tracking the sweeping disruptions that overtook this one spot, and imagining what might have been happening elsewhere on the globe. Life’s losses were sharp and deeply-felt, but the hope carried by the beings that survived sets the stage for the world as we know it now.

THE LAST DAYS OF THE DINOSAURS:
An Asteroid, Extinction, and the Beginning of Our World
by Riley Black
St. Martin’s Press, April 2022

Picture yourself in the Cretaceous period. It’s a sunny afternoon in the Hell Creek of ancient Montana 66 million years ago. A Triceratops horridus ambles along the edge of the forest. In a matter of hours, everything here will be wiped away. Lush verdure will be replaced with fire. Tyrannosaurus rex will be toppled from their throne, along with every other species of non-avian dinosaur no matter their size, diet, or disposition. They just don’t know it yet.
The cause of this disaster was identified decades ago. An asteroid some seven miles across slammed into the Earth, leaving a geologic wound over 50 miles in diameter. In the terrible mass extinction that followed, more than half of known species vanished seemingly overnight. But this worst single day in the history of life on Earth was as critical for us as it was for the dinosaurs, as it allowed for evolutionary opportunities that were closed for the previous 100 million years.

Riley Black has been heralded as “one of our premier gifted young science writers” and is the critically-acclaimed author of Skeleton Keys, My Beloved Brontosaurus, Written in Stone, and When Dinosaurs Ruled. An online columnist for Scientific American, Riley has become a widely-recognized expert on paleontology and has appeared on programs such as Science Friday, HuffingtonPost Live, and All Things Considered. Riley has also written on nerdy pop culture.

YOU SOUND LIKE A WHITE GIRL de Julissa Arce

Bestselling author Julissa Arce brings readers a powerful polemic against the myth that assimilation leads to happiness and belonging for immigrants in America. Instead, she calls for a celebration of our uniqueness, our origins, our heritage, and the beauty of the differences that make us Americans.

YOU SOUND LIKE A WHITE GIRL:
The Case for Rejecting Assimilation
by Julissa Arce
‎ Flatiron Books/St. Martin’s Press, March 2022

“You sound like a white girl.” These were the words spoken to Julissa by a high school crush as she struggled to find her place in America. As a brown immigrant from Mexico, assimilation had been demanded of her since the moment she set foot in San Antonio, Texas, in 1994. She’d spent so much time getting rid of her accent so no one could tell English was her second language that in that moment she felt those words―you sound like a white girl?―were a compliment. As a child, she didn’t yet understand that assimilating to “American” culture really meant imitating “white” America―that sounding like a white girl was a racist idea meant to tame her, change her, and make her small. She ran the race, completing each stage, but never quite fit in, until she stopped running altogether.
In this dual polemic and manifesto, Julissa dives into and tears apart the lie that assimilation leads to belonging. She combs through history and her own story to break down this myth, arguing that assimilation is a moving finish line designed to keep Black and brown Americans and immigrants chasing racist American ideals. She talks about the Lie of Success, the Lie of Legality, the Lie of Whiteness, and the Lie of English―each promising that if you obtain these things, you will reach acceptance and won’t be an outsider anymore. Julissa deftly argues that these demands leave her and those like her in a purgatory―neither able to secure the power and belonging within whiteness nor find it in the community and cultures whiteness demands immigrants and people of color leave behind.
In YOU SOUND LIKE A WHITE GIRL, Julissa offers a bold new promise: Belonging only comes through celebrating yourself, your history, your culture, and everything that makes you uniquely you. Only in turning away from the white gaze can we truly make America beautiful. An America where difference is celebrated, heritage is shared and embraced, and belonging is for everyone. Through unearthing veiled history and reclaiming her own identity, Julissa shows us how to do this.

Julissa Arce is a nationally recognized author, sought-after speaker, producer, and social changemaker. She is the best-selling author of My (Underground) American Dream and Someone Like Me. Arce is a Crooked media contributor and a frequent writer for TIME Magazine, and has provided political commentary across numerous TV networks including NBC News, Bloomberg TV, CNN, and MSNBC. She is the cofounder of the Ascend Educational Fund, a college scholarship and mentorship program for immigrant students regardless of their immigration status. She lives in Los Angeles with her family.

FACE de Joma West

Joma West’s FACE is a speculative novel about designer babies, social media fame, race, and the lies we allow ourselves to believe in order to make us feel whole. Margaret Atwood meets Kazuo Ishiguro in this sci-fi domestic drama that reimagines race and class in a genetically engineered society fed by performative fame.

FACE
by Joma West
Tor/St. Martin’s Press, August 2022
(via Mushens Entertainment)

How much is your Face worth? Schuyler and Madeline Burroughs have the perfect Face — rich and powerful enough to assure their dominance in society. But in SchAddie’s household, cracks are beginning to appear. Schuyler is bored and taking risks. Maddie is becoming brittle, her happiness ever more fleeting. And their menial is fighting the most bizarre compulsions.
In FACE, skin color is an aesthetic choice designed by professionals, consent is a pre-checked box on the path to social acceptance, and your online profile isn’t just the most important thing — it’s the only thing.

Joma West is a third culture writer whose work straddles both fantasy and science fiction. Growing up bouncing between countries has given her work a certain displaced flavour and you can see many African and Asian influences in her writing. Joma’s novella, Wild, won the 2016 MMU novella award. She has had short stories published in various anthologies. She lives in Glasgow.

THE DEATH OF JANE LAWRENCE de Caitlin Starling

From the Bram Stoker-nominated author of The Luminous Dead comes a new gothic fantasy horror in which Ninth House meets Mexican Gothic.

THE DEATH OF JANE LAWRENCE
by Caitlin Starling
St. Martin’s Press, December 2021

Practical, unassuming Jane Shoringfield has done the calculations, and decided that the most secure path forward is this: a husband, in a marriage of convenience, who will allow her to remain independent and occupied with meaningful work. Her first choice, the dashing but reclusive doctor Augustine Lawrence, agrees to her proposal with only one condition: that she must never visit Lindridge Hall, his crumbling family manor outside of town.
Yet on their wedding night, an accident strands her at his door in a pitch-black rainstorm, and she finds him changed. Gone is the bold, courageous surgeon, and in his place is a terrified, paranoid man―one who cannot tell reality from nightmare, and fears Jane is an apparition, come to haunt him. By morning, Augustine is himself again, but Jane knows something is deeply wrong at Lindridge Hall, and with the man she has so hastily bound her safety to.
Set in a dark-mirror version of post-war England, Caitlin Starling crafts a new kind of gothic horror from the bones of the beloved canon. This Crimson Peak-inspired story assembles, then upends, every expectation set in place by Shirley Jackson and Rebecca, and will leave readers shaken, desperate to begin again as soon as they are finished.

“A magnificent ode to gothic horror… I loved every moment… Brilliant!” –Erin Craig, author of House of Salt and Sorrows

“A delicious Gothic romance…. It has to walk the line between romance and horror and not flinch away from either. The Death of Jane Lawrence is up to this task…. By the time the book reached that point of no return, I was so invested that I would have followed Jane into the very depths of hell.” ―NPR.org

“Inspired by Crimson Peak, the horror in this gothic set in an alternate postwar England subtly increases as the novel progresses, unease seeping into the pages.” ―Buzzfeed

Caitlin Starling writes horror-tinged speculative fiction of all flavors. Her first novel, The Luminous Dead, won the LOHF Best Debut Award and was nominated for both the Bram Stoker and Locus Awards. She is also the author of the gothic horror tale Yellow Jessamine, as well as a novella in the Vampire: The Masquerade audio collection, Walk Among Us. Her nonfiction has appeared in Nightmare and Uncanny. Starling also works in narrative design, and has been paid to invent body parts. She’s always on the lookout for new ways to inflict insomnia.