In this moving, emotional narrative of love and resilience, a young couple confronts the start of
Argentina’s Dirty War in the 1970s, and a daughter searches for truth twenty years later.
ON A NIGHT OF A THOUSAND STARS
by Andrea Y. Clark
Grand Central, Spring 2022
(via Writers House)
New York, 1998. Santiago Larrea, a wealthy Argentine diplomat, is holding court alongside his wife, Lila, and their daughter, Paloma, a college student and budding jewelry designer, at their annual summer polo match and soiree. All seems perfect in the Larreas’ world—until an unexpected party guest from Santiago’s university days shakes his usually unflappable demeanor. The woman’s cryptic comments spark Paloma’s curiosity about her father’s past, of which she knows little.
When the family travels to Buenos Aires for Santiago’s UN ambassadorial appointment, Paloma is determined to learn more about his life in the years leading up to the military dictatorship of 1976. With the help of a local university student, Franco Bonetti, an activist member of H.I.J.O.S—a group whose members are the children of the Desaparecidos, or the “Disappeared,” men and women who were forcibly disappeared by the state during Argentina’s “Dirty War”—Paloma unleashes a chain of events that not only leads her to question her family and her identity, but also puts her life in danger.
In compelling fashion, ON A NIGHT OF A THOUSAND STARS speaks to relationships, morality, and identity during a brutal period in Argentinian history, and the understanding—and redemption—people crave in the face of tragedy.
Andrea Y. Clark grew up in Argentina amid the political violence of the 1970s until her family moved to North America. After completing her university studies, she returned to Buenos Aires to reconnect with her roots. She followed with interest the stories then emerging about the children of the “Disappeared”—the youngest victims of Argentina’s military dictatorship in the 1970s—who were coming of age and grappling with the fates of their families. She conducted numerous interviews documenting their stories, which inspired her debut novel of historical fiction.
Nora Spangler is a successful attorney but when it comes to domestic life, she packs the lunches, schedules the doctor appointments, knows where the extra paper towel rolls are, and designs and orders the holiday cards. Her husband works hard, too… but why does it seem like she is always working so much harder? When the Spanglers go house hunting in Dynasty Ranch, an exclusive suburban neighborhood, Nora meets a group of high-powered women—a tech CEO, a neurosurgeon, an award-winning therapist, a bestselling author—with enviably supportive husbands. When she agrees to help with a resident’s wrongful death case, she is pulled into the lives of the women there. She finds the air is different in Dynasty Ranch. The women aren’t hanging on by a thread. But as the case unravels, Nora uncovers a plot that may explain the secret to having-it-all. One that’s worth killing for. Calling to mind a Stepford Wives gender-swap, THE HUSBANDS imagines a world where the burden of the “second shift” is equally shared—and what it may take to get there.
Ballet flows through their veins. Dara and Marie Durant were dancers since birth, with their long necks and matching buns and pink tights, homeschooled and trained by their mother. Decades later the Durant School of Dance is theirs. The two sisters, together with Charlie, Dara’s husband and once their mother’s prize student, inherited the school after their parents died in a tragic accident nearly a dozen years ago. Marie, warm and soft, teaches the younger students; Dara, with her precision, trains the older ones; and Charlie, back broken after years of injuries, rules over the back office. Circling around each other, the three have perfected a dance, six days a week, that keeps the studio thriving. But when a suspicious accident occurs, just at the onset of the school’s annual performance of The Nutcracker, a season of competition, anxiety, and exhilaration, an interloper arrives and threatens the delicate balance of everything they’ve worked for.
Monday, Kierk wakes up. Once a rising star in neuroscience, Kierk Suren is now homeless, broken by his all-consuming quest to find a scientific theory of consciousness. But when he’s offered a spot in a prestigious postdoctoral program, he decides to rejoin society and vows not to self-destruct again. Instead of focusing on his work, however, Kierk becomes obsessed with another project—investigating the sudden and suspicious death of a colleague. As his search for truth brings him closer to Carmen Green, another postdoc, their list of suspects grows, along with the sense that something sinister may be happening all around them. THE REVELATIONS, not unlike its main character, is ambitious and abrasive, challenging and disarming. Bursting with ideas, ranging from Greek mythology to the dark realities of animal testing, to some of the biggest unanswered questions facing scientists today, THE REVELATIONS is written in muscular, hypnotic prose, and its cyclically dreamlike structure pushes the boundaries of literary fiction. Erik Hoel has crafted a stunning debut of rare power—an intense look at cutting-edge science, consciousness, and human connection.
Wes and Diana are the kind of privileged, well-educated, self-involved New Yorkers you may not want to like but can’t help wanting to like you. With his boyish good looks, blue-blood pedigree, and the recent tidy valuation of his tech startup, Wes would have made any woman weak in the knees—any woman, that is, except perhaps his wife. Brilliant to the point of cunning, Diana possesses her own arsenal of charms, handily deployed against Wes in their constant wars of will and rhetorical sparring.