A darkly funny and much gayer imagining of the classic prep school novel, IDLEWILD will appeal to readers of Curtis Sittenfeld’s Prep and Donna Tartt’s The Secret History.
IDLEWILD
by James Frankie Thomas
Overlook/Abrams, Fall 2023
(via Frances Goldin Literary)
Idlewild is a tiny, artsy Quaker high school in lower Manhattan. Students call their teachers by their first names, there are no grades or awards, and every day begins with 20 minutes of contemplative silence. It is during one of those moments of worship that two airplanes hit the World Trade Center.
For two Idlewild outcasts, 9/11 serves as the first day of an intense, 18-month friendship. Fay is a prickly, aloof rich kid who is obsessed with gay men; Nell is a shy, sensitive scholarship student who is obsessed with Fay. The two of them bond fiercely over being the only two openly queer kids at Idlewild. But, as they rehearse for the school’s production of Othello, they notice two sexually ambiguous boys, Theo and Christopher, who are potential candidates for their exclusive Invert Society (née Gay-Straight Alliance). The pairs become mirrors of one another’s desires, anxieties, and loneliness. Their devotion to one another becomes an obsession, driving them to do things that they’ll regret for the rest of their lives.
Looking back on these events as adults, Fay and Nell, who haven’t spoken to each other in fifteen years, are haunted by shame over their Idlewild days. From alternating perspectives, they wonder if they could have done anything to save their friendship, or if it was meant to remain an artifact that couldn’t have existed outside of Idlewild’s walls.
James Frankie Thomas holds an MFA in fiction from the Iowa Writers’ Workshop. Their fiction has been published in the Paris Review online, Vol. 1 Brooklyn, and The Toast, among other publications. One of these essays is included in the anthology We Are the Baby-Sitters Club, and another was adapted into a PBS NewsHour segment.

Sam Sylvester has long collected stories of half-lived lives—of kids who died before they turned nineteen. Sam was almost one of those kids. Now, as Sam’s own nineteenth birthday approaches, their recent near-death experience haunts them. They’re certain they don’t have much time left. . . .
In this queer graphic novel that’s equal parts romance, softball, and magical girl drama, Mickey Monsoon and Astra Maxima are best friends . . . and maybe more. That is, until Astra unceremoniously dumps Mickey to become a softball wunderkind at a private girl’s school in Switzerland. Years later, Mickey is the hotshot pitcher for the Belle City Broads, and their team is poised to sweep the league this season. But Micky is thrown off their game when Astra shows up to catch for the Gaiety Gals, the Broads’ fiercest rival. Astra is flirty, arrogant, and reckless on the field—everything the rule-abiding Mickey hates.
In the summer of 1984, teenage Mel becomes entranced with the trans woman who appears in her blue-collar American town. Through the world-expanding time she spends with the woman, Sylvia, and the changes of adolescence, Mel soon discovers she is not the girl she thought she was—in fact, she might not be a girl at all. In the wake of this revelation, Mel navigates gender, sexuality, and an intense friendship with her childhood best friend in a hostile time and place for both girls and queers.
For Glory, inheriting her Aunt Lucille’s Harlem brownstone feels like more of a curse than a blessing. She’s a restless West Coast artist struggling to find gallery representation, who doesn’t have the money or time to look after the house of an aunt she hardly knew. She reluctantly moves East, thinking of it as a free residency, but when she decides to see if any of the house’s contents have value, the inheritance leads her to Parkie de Groot, a savvy, ambitious appraiser at a luxury auction house who is on the verge of a coveted promotion if she plays her cards right. Though they are complete opposites, Glory and Parkie form an unlikely alliance and work to unearth the origins of a rare manuscript hidden in the brownstone’s trove. In doing so, they learn more than they could ever have imagined about not only Lucille’s life but the history of Harlem and how it shaped so many artists and thinkers whose footsteps Glory and Parkie hope to walk in.