In his exhilarating debut, TJ Benson conjures up a kaleidoscope of Nigeria. This is the extraordinary tale of five people bound by blood, each searching for a way through.
THE MADHOUSE
by TJ Benson
PRH South Africa/Masobe Books Nigeria, March 2021
The house at the end of Freetown Street in Nigeria’s Sabon Gari was once a sanatorium for colonists deranged from the heat and insanity of the place. Now it is home to a family whose unorthodox lives unfold into legend: Sweet Mother, an artist, her husband Shariff, a writer and soldier, and their children André and Max.
From the moment his baby brother André is born, Max attaches himself to him, even dreaming the boy’s homicidal dreams. When the wayward André later pulls free from the family to join a death cult, Max must decide how far he will be drawn into his brother’s web.
Serene and beautiful, Ladidi joins the family as a foster child, promising to marry the boy at school who can bring her a strawberry, a fruit she has never tasted.
Sensuality blooms, along with loss of innocence amid the death of music legend Fela Kuti, massacres, disappearances, abductions and broken promises.
While Sweet Mother and Shariff battle their personal demons, Max realises you cannot save your family. But can you ever escape them?
TJ Benson is a Nigerian author and portrait photographer. He was a finalist in the 2016 Short Story Day Africa Prize and a two-time writer-in-residence at the Ebedi Writers Residency, Nigeria. His collection of short stories, We Won’t Fade Into Darkness was shortlisted for the Saraba Manuscript Prize in 2016 before being published by Parresia House in 2018 and has appeared on many best debut lists. THE MADHOUSE is his first novel.
When introverted Ethan Fawcett marries Barb, he has every reason to believe he will be delivered from a lifetime of solitude. One day Barb brings home two young brothers, Tommy and Sam, for them to foster, and when the pandemic hits, Ethan becomes obsessed with providing a perfect life for the boys. Instead of bringing Barb and Ethan closer together, though, the boys become a wedge in their relationship, as Ethan is unable to share with Barb a secret that has been haunting him since childhood. Then Ethan takes Tommy and Sam on a biking trip in Italy, and it becomes clear just how unusual Ethan and his children are—and what it will take for Ethan to repair his marriage. This hauntingly beautiful debut novel—a bold and original high-wire feat—is filled with humor and surprise. 
Silas is dead. Or he’s almost dead, felled by the trees he was felling and now brought home, comatose, to die in his unfinished, off-the-grid house at the edge of the forest he loved. His wife, Elsa, doesn’t know much about living in the country, about running the generator or chopping enough wood to survive the winter. Raising their children here, in this dwelling carved into the side of a hill, had been Silas’s dream, not hers. She doesn’t know how she’ll ease his final days with no heat and no running water. But she knows that he would want to stay here, in his bed, on his land, as his breath shudders to a whisper.
Shade and Jadis are everything to each other. They share clothes, toothbrushes, and even matching stick-and-poke tattoos. So when Shade unexpectedly joins the cheerleading team, Jadis can hardly recognize who her best friend is becoming. Shade loves the idea of falling into a group of girls; she loves the discipline it takes to push her body to the limits alongside these athletes. Most of all, Shade finds herself drawn to The Three Chloes—the insufferable trio that rules the squad—including the enigmatic cheer captain whose dark side is as compelling as it is alarming. Jadis won’t give Shade up so easily, though, and the pull between her old best friend and her new teammates takes a toll on Shade as she tries to forge her own path. So when one of the cheerleaders dies under mysterious circumstances, Shade is determined to get to the bottom of her death. Because she knows Jadis—and if her friend is responsible, doesn’t that mean she is, too?
THE PARTY YEAR is a an ekphrastic, illuminating tour de force, inspired in part by Cunningham’s own time working on the 2008 presidential campaign of Barack Obama. In these pages, fundraising staffer David Hammond travels around the country for donor events, landing everywhere from a trailer in New Hampshire to a Beverly Hills mansion. Hammond is a keen and thoughtful observer, whose reflections on memory and history are interwoven throughout in a flowing counterpoint between past and present, the personal and the larger-than-life. Through intimate, candescent prose, THE PARTY YEAR contemplates the stories and arts that define and bring beauty to our lives.