Archives de catégorie : Nos incontournables

KENNEDY JONES HAS A PROBLEM de Liz Kay

KENNEDY JONES HAS A PROBLEM
by Liz Kay
(via Writers House)

Kennedy Jones has a problem. She has a lot of problems actually. One, she has aphids in her garden again this year. Two, she has buried a lot of bodies under her garden, and after the last one, there is the distinct possibility that police are closing in. Three, the secluded property she lives on is being developed into an artists’ colony and the (admittedly hot) general contractor seems a little too interested in whether Kennedy had anything to do with his dead cousin.

Kennedy tries lying low and keeping tabs on the case by dating a sweet but dumb deputy, but when the police throw out the words “serial killer” and start connecting victims that aren’t even hers, Kennedy realizes she’s not the only murderer in town. Recruiting the help of one of the artists at the colony—a failing novelist turned true-crime writer, Kennedy races to uncover her competition before they can pin their crimes on her—or do something much worse.

The novel combines Liz’s trademark wit with a highly propulsive mystery and a darkly charismatic protagonist. It marries the hijinks of Finlay Donovan is Killing It and You’d Look Better As a Ghost with the darkly comic horror of Final Girl Support Group, This Girl’s a Killer, and My Sister, the Serial Killer.

Liz Kay holds an MFA from the University of Nebraska, where she was the recipient of both an Academy of American Poets Prize and the Wendy Fort Foundation Prize for exemplary work in poetry. Her poems have appeared in such journals as Beloit Poetry Journal, RHINO, Nimrod, Willow Springs, The New York Quarterly, Iron Horse Literary Review, Redactions, and Sugar House Review. She is the author of the Something to Help Me Sleep {dancing girl press}, The Witch Tells The Story And Makes It True (Quarter Press), Monsters: A Love Story (G. P. Putnam’s Sons), and Fallout (Red Hen Press, forthcoming). Liz teaches and directs the Creative Writing Program at Metropolitan Community College in Omaha, Nebraska.

DAISY de Katie Cotugno

A modern-day twist on The Great Gatsby that invites readers into Daisy Buchanan’s gilded but morally bankrupt world, in a psychological suspense perfect for fans of The Wife Upstairs and The Last Mrs. Parrish.

DAISY
by Katie Cotugno
St. Martin’s, Winter 2027
(via Sterling Lord Literistic)

Daisy Buchanan is the top society hostess on East Egg, Long Island, with a successful husband, two beautiful children, and a jaw-dropping house. No one knows that she needs a few Klonopin to get through the day, to forget the unforgettable—that the love of her life, Jay Gatsby, was killed two summers ago. But when Daisy’s best friend, Jordan Baker, is found dead in her pool the morning after Tom Buchanan’s opulent 40th birthday party, Daisy’s fragile peace is shattered. When people get close to her, they have the awful habit of dying, and she needs to find out why.

As the police investigate Jordan’s murder, Daisy spirals into her own toxic cocktail of revelations and confusion. Is someone watching her, or is that the gin talking? What was it that Jordan wanted to tell her right before she died, and did that secret lead to her demise? Is whoever killed Jordan coming for Daisy next…and has that person been here all along?

With its razor-sharp social commentary and zippy pace, Daisy is an unputdownable read that shines a (bright green) light on one of American literature’s most iconic romantic heroines. Lovers of the original will appreciate the many callbacks to The Great Gatsby—as well as the novel’s shocking reveal—but ultimately, much like Daisy herself, it stands on its own two feet.

Katie Cotugno is the New York Times bestselling author of Birds of California and Meet the Benedettos as well as eight novels for young adults. She is also the coauthor (with Candace Bushnell) of Rules for Being a Girl. She lives in Boston with her family.

THE LINEUP de Nicholas Timms

Set against the backdrop of the iconic Byron Bay, this debut thriller dives into the hostile and sometimes violent world of competitive surfing.

THE LINEUP
by Nicholas Timms
PRH Australia, July 2026
(via The Pilkington Agency)

A killer on the loose. A surfer out of his depth…

Bo Curren was once a champion surfer. Now, at twenty-eight, he’s all washed up – unable even to set foot near the ocean.

Instead, he spends his days alone in his apartment, drowning his sorrows in whiskey and watching surfers on his laptop via the 24-hour surf webcam.

Then one day he sees something he shouldn’t. A camera trained on a deserted Byron Bay beach picks up a murder right there on the sand.

The police dismiss his report, and no bodies are found. Yet Bo knows what he saw.

And he has a clue: the murderer’s distinctive surfboard. If he can track that down, he’ll catch the killer.

But is he ready to dive back into a world where the rules are unspoken, outsiders aren’t welcome, and where secrets can be as dangerous as the waves?

A word from the editor, Bev Cousins: « I’m thrilled to be publishing Nicholas Timms’ sensational debut thriller, THE LINEUP. As a publisher of crime fiction for over thirty years both in the UK and Australia, it takes a very special book now to catch my eye – but I fell for this one hook, line and sinker. With heart-stopping ocean set-pieces amid tense detective scenes, Nicholas Timms masterfully balances the thrills of surfing with the twists and turns of the best crime fiction.’

The Lineup reads like a riptide.  Once you’re in it it won’t let you go.’ — Michael Brissenden, bestselling author of Dust

The Lineup crashes into the Australian crime scene with the force of a perfect wave — a tense debut that drags you under and doesn’t let you surface until it’s done. Highly recommend.’ — R.W.R. McDonald, author of The Nancys

‘The kind of book that grabs you and doesn’t let go, The Lineup will sweep you away in an adrenaline rush of action and intrigue, all the while exploring a poignant thread about trauma and grief.’ — Jess Kitching, author of The Life Experiment

Nicholas Timms is a writer and former competitive surfer based in Sydney. Now working as a copywriter for a globally recognised advertising agency, he has been the creative mind behind several award-winning campaigns.

WHITEOUT de Carola Lovering

Carola Lovering has become known for her keen psychological suspense and portrayal of obsession and complicated relationships. In this new novel, she explores the complexities of marriage, sisterhood, and the capricious relationship between what is true and how the truth is remembered.

WHITEOUT
by Carola Lovering
St. Martin’s Press, March 2027

June Lyons has built a beautiful life in Aspen, Colorado, where she lives with her husband Shep and their young daughter Ivy. Shep is a bestselling author whose skyrocketing career has put June’s own ambitions on the backburner, but it’s a small price to pay. She has a gorgeous, mountainside home, and her sister Penny—her closest friend and confidante—lives just across town. But when June loses her second pregnancy in a tragic ski accident just weeks before her due date, the family’s world is immediately shattered, and everything that she thought she knew about her life is thrown into question.

In the months that follow June’s devastating loss, what exacerbates her despair is the fact that she can’t remember anything about the crash. Why was she on skis, so late in her pregnancy? Why wasn’t Shep with her? And what if it wasn’t actually an accident? Determined to find the answers that no one can seem to provide, June begins to piece together what happened that day, intent on unveiling the truth at any cost—even if it reveals something about herself, or her marriage, that she’d rather not face.

Brimming with secrets and twists and including a past timeline that follows June and Penny through their early years in Aspen, Whiteout excavates the thin line between fact and fiction, memory and reality, as it explores the complexities of marriage, sisterhood, motherhood, and grief.

Carola Lovering is the bestselling author of the novels Tell Me Lies, Too Good to Be True, Can’t Look Away, and Bye, Baby. She is a graduate of Colorado College, and her work has appeared in Vogue, New York Magazine, W Magazine, National Geographic, Marie Claire, and Yoga Journal, among other publications. Her novel Tell Me Lies is now a television series for Hulu. She lives in Connecticut with her husband and two young children.

PEOPLE SKILLS de Lily Scherlis

A razor-sharp nonfiction book that dissects the failures of the bloated self-help industrial complex to improve our lives, while also unearthing what real change could look like.

PEOPLE SKILLS:
The Impossible Task of Personal Growth–and Why Change is the Answer
by Lily Scherlis
Liveright / Norton (US) / Hutchinson Heinemann (UK), publication date TBC
(via The Gernert Company)

Psychology is rife with metaphors, and today’s self-help movement is no different: you can “optimize” your routine, as if you are designing an app; you can set better boundaries, as if you are a lawn; you can say when you’re “at capacity,” as if you are a battery; or you can “invest” in self-care, as if you are a stockbroker on the trading floor of the soul. From a pragmatist’s perspective, borrowing the language of the times to instill psychological insights makes perfect sense, and when self-help advice sounds so intuitive, it’s easy to buy in. But problems arise when we mistake metaphors forged in the crucible of our hyper-individualized neoliberal culture for a true metaphysics of the mind. You may indeed have a 401k, but you are neither a lawn nor a battery. 

In PEOPLE SKILLS, Lily Scherlis places the concepts so many of us cling to for sanity as we navigate an increasingly uncertain world–think attachment styles, emotional intelligence, and even the idea of people skills itself–in sociopolitical context, from cold war ideological panic to anxieties unleashed by globalization. Many of these ideas have their origins in legitimate psychological insights and research, and some of them can be helpful, some of the time. But when they are warped, watered down, and overapplied, they give rise to a curious paradox: As inadequate institutions crumble and we are forced deeper into financial and emotional dependence upon one another, our primary yardstick for measuring our own well-being is the ability to perform independence. In a society that values economic growth at all costs, the only way to avoid being left behind is to keep growing yourself; in a world getting worse, the only solution is to be better. 

But this is an impossible task: In the never-ending quest for self-improvement, the goal is always just out of reach–which is exactly how the $1.5 billion self-help industry wants it. Lily gives us permission to step off the hamster wheel of personal growth and think about other ways of addressing our problems—and to question whether they’re really problems at all. We are intrinsically interdependent beings, she reminds us, whose obligations to ourselves are never really divorced from our obligations to one another, and when we retreat to our own private spheres in order to self-actualize, we merely atomize our troubles, disappoint ourselves, and reinforce the status quo. In encouraging us to flex new psychic muscles instead of reaching for the same canned jargon, PEOPLE SKILLS ends up being its own kind of self-help, ironically. For Lily, the goal is not growth but change–for ourselves, and for our world. Neither can happen without the other.

Lily Scherlis is a writer and artist, and a PhD candidate in English and Theater and Performance Studies at the University of Chicago. Her writing has appeared in n+1Harper’sThe GuardianParapraxisThe BafflerThe Drift, and Cabinet, among other venues. She lives in Brooklyn.