Archives de catégorie : Nos incontournables

THE INFLUENCERS d’Anna-Marie McLemore

When May “Mother May I” Iverson’s mansion burns down with her newlywed husband inside, friends, neighbors, media, and the Iversons’ fans and enemies alike begin speculating and investigating faster than detectives.

THE INFLUENCERS
by Anna-Marie McLemore
Dial Press, March 2025
(via Dystel, Goderich & Bourret)

May is a social media sensation, glamorous-yet-relatable, but the key to her enduring fame is her daughters, who featured in videos from their births through adorable childhoods, difficult adolescences, and terrible teens. But the girls are all grown up now, and their lingering anger and resentment from childhoods stolen by the camera have started to spill over into public view. April is a businesswoman feuding with her mother over IP; June and July are influencers themselves, possibly threatening May’s dominance; January is a theater tech who steers clear of her mother and the limelight; and March…well, March has somehow completely disappeared.

Could it be one of the girls who murdered May’s less-than-charming new groom? Or could online sweetheart Mother May I have killed the man she’d just recently married and then burned down her dream home to cover it up? Or could it be one of us, the fawning yet fickle mob of media consumers?

THE INFLUENCERS is award-winning (including recently Printz-winning) YA author Anna-Marie McLemore’s first novel for adults, told in multiple points of view, reminiscent of The Virgin Suicides, and in the vein of other compulsively readable family dramas, like The Family Fang and Dava Shastri’s Last Day.

Anna-Marie McLemore (they/them) writes magical realism and fairy tales that are as queer, Latine, and nonbinary as they are. Their books include The Weight of Feathers, a 2016 William C. Morris YA Debut Award Finalist; 2017 Stonewall Honor Book When the Moon Was Ours, which was longlisted for the National Book Award in Young People’s Literature and was the winner of the James Tiptree Jr. Award; Wild Beauty, a Kirkus, School Library Journal, and Booklist best book of 2017; Blanca & Roja, a New York Times Book Review Editors’ Choice; Miss Meteor (co-authored with Tehlor Kay Mejia); Dark And Deepest Red, a Winter 2020 Indie Next List selection; The Mirror Season, which has recently received starred reviews from Kirkus Reviews, Publishers Weekly, Booklist and School Library Journal; Lakelore, which has received starred reviews from Kirkus Reviews, Booklist, Publishers Weekly, and Shelf Awareness; Self-Made Boys: A Great Gatsby Remix, which was longlisted for the National Book Award in Young People’s Literature; and Venom & Vow, co-authored with Elliott McLemore. Most recently, they contributed to the 2023 Printz-winning anthology The Collectors: Stories, edited by A.S. King.

RESTLESS DOLLY MAUNDER de Kate Grenville

The international bestselling author of The Secret River and A Room Made of Leaves returns with an exquisite portrait of her complex, conflicted grandmother—a woman Kate Grenville feared as a child, and only came to understand in adulthood.

RESTLESS DOLLY MAUNDER
by Kate Grenville
Text Publishing (Australia), July 2023

Dolly Maunder is born at the end of the nineteenth century, when society’s long-locked doors are just starting to creak ajar for women. Growing up in a poor farming family in country New South Wales but clever, energetic and determined, Dolly spent her restless life pushing at those doors. A husband and two children do not deter her from searching for love and independence.

Most women like her have disappeared from view, remembered only in family photo albums as remote figures in impossible clothes, or maybe for a lemon-pudding recipe handed down through the generations. RESTLESS DOLLY MAUNDER brings one of these women to life as someone we can recognise and whose struggles we can empathise with.

In this compelling new novel, Kate Grenville uses family memories to imagine her way into the life of her grandmother. This is the story of a woman, working her way through a world of limits and obstacles, who was able-if at a cost-to make a life she could call her own. Her battles and triumphs helped to open doors for the women who came after. A subversive, triumphant tale of a pioneering woman determined to make a life to call her own.

Kate Grenville is one of Australia’s most celebrated writers. Her international bestseller The Secret River was awarded local and overseas prizes, has been adapted for the stage and as an acclaimed television miniseries, and is now a much-loved classic. Grenville’s other novels include Sarah Thornhill, The Lieutenant, Dark Places and the Orange Prize winner The Idea of Perfection. Her recent non-fiction includes One Life: My Mother’s Story, The Case Against Fragrance and Elizabeth Macarthur’s Letters. Her most recent novel is the bestselling A Room Made of Leaves. She has also written three books about the writing process. In 2017 Grenville was awarded the Australia Council Award for Lifetime Achievement in Literature.

SELFIE d’Allayne L. Webster

An exploration of the complexities of teen friendships and the difficulties of navigating social media in a captivating novel for younger YA readers.

SELFIE
by Allayne L. Webster
Text Publishing, April 2023

Dene Walker picked me to be her best friend. She had the whole of Tonsley High’s year eight to choose from—and she chose me. Me!

Tully can’t believe her luck. Dene is famous. Everyone loves her. She has thousands of followers online and hundreds of sponsorship deals. Being best friends with Dene Walker is a dream come true.

Before long, Tully is hardly aware of the existence of her long-time bestie, Kira, as she shapes herself into a person worthy of Dene’s attention. And she’s not prepared for the heartache and confusion when Dene’s friendship is not all she imagined it to be.

SELFIE is an engaging and very real exploration of social media and the trickiness of separating what’s real from the glossiness of the online world. It’s a tender story about friendship and staying true to yourself.

Allayne L. Webster grew up in rural South Australia and now lives in Adelaide. Her books include the CBCA notable novel Paper Planes, A Cardboard Palace, Our Little Secret, The Centre of My Everything, That Thing I Did and Sensitive, which has been selected for the 2023 IBBY catalogue.

THE WITCH’S ORCHARD d’Archer Sullivan

Wonderfully atmospheric, with vivid characters, and a dose of superstition and folklore, this novel stands out.

THE WITCH’S ORCHARD
by Archer Sullivan
Minotaur Books, Summer 2025

Former Air Force Special Investigator Annie Gore joined the military right after high school to escape the fraught homelife of her childhood. Now, she’s getting by as a private investigator and her latest case takes her to a small mountain town, not unlike the one where she grew up.

Ten years ago, three little girls went missing from their small town. One was returned, but the others were never seen again. After all this time without answers, the brother of one of the girls wants to hire Annie to see if she can find any new leads—anything that might help give him closure to the event that tore his family apart. Annie knows that a case this old might be a fool’s errand, but the bills are piling up and she can’t turn down a job—not even one that dredges up her own painful past.

In the shadow of the Blue Ridge Mountains, Annie begins to track the truth, navigating a decade’s worth of secrets, folklore of witches and crows, and a whole town that prefers to forget. But while the case may have been buried, echoes of the past linger. And Annie’s arrival stirs someone into action.

Archer Sullivan is a ninth generation Appalachian. She’s moved thirty-seven times and has lived everywhere from Monticello, Kentucky to Manhattan, New York and from Black Mountain, North Carolina to Beverly Hills, California. Her work has appeared in Ellery Queen Mystery Magazine, Tough, Shotgun Honey, Reckon Review, Rock and a Hard Place and The Best Mystery Stories of the Year 2024.

THE GOOD MOTHER MYTH de Nancy Reddy

Blending history of science, cultural criticism, and memoir, THE GOOD MOTHER MYTH pulls back the curtain on the flawed social science behind our contemporary understanding of what makes a good mom.

THE GOOD MOTHER MYTH
Unlearning Our Bad Ideas About How to Be a Good Mom
by Nancy Reddy
St. Martin’s Press, January 2025

When Nancy Reddy had her first child, she found herself suddenly confronted with the ideal of a perfect mother—a woman who was constantly available, endlessly patient, and immediately invested in her child to the exclusion of all else. Nancy had been raised by a single working mother, considered herself a feminist, and was well on her way to a PhD. Why did doing motherhood “right” feel so wrong?
For answers, Nancy turned to the mid-twentieth century social scientists and psychologists whose work still forms the basis of so much of what we believe about parenting. It seems ludicrous to imagine modern moms taking advice from mid-century researchers. Yet, their bad ideas about so-called “good” motherhood have seeped so pervasively into our cultural norms. In THE GOOD MOTHER MYTH, Nancy debunks the flawed lab studies, sloppy research, and straightforward misogyny of researchers from Harry Harlow, who claimed to have discovered love by observing monkeys in his lab, to the famous Dr. Spock, whose bestselling parenting guide included just one illustration of a father interacting with his child. This timely and thought-provoking book will make you laugh, cry, and want to scream (sometimes all at once).

Nancy Reddy‘s previous books include the poetry collections Pocket Universe and Double Jinx, a winner of the National Poetry Series. With Emily Pérez, she’s co-editor of The Long Devotion: Poets Writing Motherhood. Her essays have appeared in Slate, Poets & Writers, Romper, The Millions, and elsewhere. The recipient of grants from the New Jersey State Council on the Arts and the Sustainable Arts Foundation and a Walter E. Dakin Fellowship from the Sewanee Writers’ Conference, she teaches writing at Stockton University and writes the newsletter Write More, Be Less Careful.