In the tradition of Unnatural Causes, When the Dogs Don’t Bark and All That Remains, this is a true crime book full of the wisdom that can be found in the darkness.
THE DARKROOM
Case Files of a Scotland Yard Forensic Photographer
by A.J. Hewitt
Orion, February 2024
(via Dystel, Goderich & Bourret)
For years, A.J. Hewitt was the first person into a crime scene. Before the detectives and the forensics team it was her alone with the body, the only sound her flashes firing as they lit up scenes of unimaginable horror. It was her job to shoot the photographs that revealed the circumstances of someone’s final moments.
Now in her debut book, THE DARKROOM, Hewitt takes us into the shadowy world of the crime scene photographer, and recounts remarkable tales, from murders to suicides, accidents to assassinations.
“An incredible insight into the work of a crime scene photographer told with sensitivity and compassion, but also with the forensic acuity of an experienced professional. The autobiographical style used to tell stories of crime scenes and crimes is compelling and incredibly readable. It becomes clear the crucial role that crime scene photography plays in not only documenting the evidence, but in aiding the solving of crimes. A must read for anyone interested in the darker side of human criminality and the work of forensic investigators.” — Professor Jane Monckton- Smith, author of In Control: Dangerous Relationships and How They End in Murder
“THE DARKROOM is an absolutely riveting read. It is a compelling book that works on so many levels. An authentic and sensitive account of the impact and aftermath of crime that will appeal to true crime readers and crime fiction authors, it also has wide appeal as a human story that charts A.J. Hewitt’s touching journey as the outsider turned insider and her struggle to prevent herself being changed by her experiences as a Police Forensic Photographer for New Scotland Yard. A unique book that offers a unique perspective. Highly recommended.” — Adam Hamdy, screenwriter and bestselling author of The Other Side of Night
“Passionate and empathetic, Hewitt speeds across London from one site of murder and mayhem to the next, always another crime scene coming, always more brutalized dead to bring to light and into focus. The great city grinds on, never seeing or knowing of these, her haunted stories selected from decades of skilled photographic investigative work for Scotland Yard.” — Judy Melinek & T.J. Mitchell, authors of Working Stiff: Two Years, 262 Bodies, and the Making of a Medical Examiner, a New York Times bestseller
A.J. Hewitt is a professionally trained photographer who spent almost a decade as a forensic photographer with New Scotland Yard. Hewitt studied photography and design at art college and subsequently graduated (with distinction) with a Bachelor of Arts (double major) degree. Insatiably curious and a lifelong learner, she is in the final stage of completing a psychology degree. She is a voracious reader, an open water scuba diver and has travelled widely, with her cameras, on four continents. She’s a storyteller at heart, whether through her camera lens or with a pencil and paper.
Ryan and Lillian Bright are deeply in love, recently married, and now parents to a baby girl, Georgette. But Lillian has a son she hasn’t told Ryan about, and Ryan has an alcohol addiction he hasn’t told Lillian about, so Georgette comes of age watching their marriage rise and fall.
Claire “Mac” Woods—a professor enjoying her newfound hotshot status at an academic conference—finally has the acceptance and admiration she has long craved. But at the conference’s hotel bar, Mac is surprised to run into a face from a past she’d rather forget: the moneyed, effortlessly perfect Gwendolyn Whitney, Mac’s foil, rival, and former best friend. When Gwen moved to town in high school, Claire—then known as Mac, a poor kid from a troubled family who had too much on her plate—saw what it meant to have. Money, sophistication, culture, the very blueprints to success. Mac had almost nothing, except the will to change. Change she did, habitually grinding herself to work as hard as straight-A Gwen, even eventually getting admitted into the same elite graduate program as Gwen. But then Mac and Gwen become entangled with the department’s power-couple professors and compete head-to-head for a life changing fellowship. The more twisted the track toward success becomes, the more Mac has to contort herself to stay one step ahead—which deception signals the point of no return? Jack-knifing between Mac’s world-expanding graduate days and the crucible of the hotel and its unexpected guests, Bad Habits follows Mac’s reckoning between her hardscrabble past and tenuous present. What, exactly, did Mac do to get what she has today? And what will she do to keep it? With taut, powerful prose, Amy Gentry asks how far we’ll go to get what we want—and whether we can ever truly leave the past behind.