Archives par étiquette : Frances Goldin Literary Agency

HOW TO BE A GOOD GIRL de Jamie Hood

The ambitious and experimental debut by Jamie Hood, author of Trauma Plot, interrogating the “good girl” archetype and the price one pays to embody it.

HOW TO BE A GOOD GIRL
by Jamie Hood
Vintage, March 2025
(via Frances Goldin Literary)

In the thick of winter 2020, when so many books were buried beneath the catastrophe of the COVID-19 news cycle, one unlikely debut seemed to cut through the noise. Jamie Hood’s How to Be a Good Girl was an inventive and hybrid work of self-making, mingling diary entries, poetry, literary criticism, and love letters to interrogate the archetype of the “good girl,” and the ideas of femininity, passivity, desire, and trauma that come with it. Journeying from the ice age to our modern-day climate crisis, it devoured texts as expansive as Levinas and Plath to the Ronettes and after-school specials, all the while asking: what pound of flesh must a woman pay to be seen as “good.”

How to Be a Good Girl was a critical darling when it was first published by Grieveland. The Rumpus praised its “bold vulnerability,” and Vogue named it a Best Book of 2020. Now, Vintage is proud to reissue this provocative and genre-bending debut and find new readers for an exciting, new literary voice.

Jamie Hood is a critic, memoirist, and poet. Her work has appeared in Bookforum, The Baffler, The Nation, Los Angeles Review of Books, The New Inquiry, Observer, The Drift, SSENSE, Bookforum, Vogue, and elsewhere. She lives in Brooklyn.

THE LAST ICEBERG TASTING MENU d’Erin Jones

THE LAST ICEBERG TASTING MENU explores themes of climate change, wealth inequality, queer lives, and immortality, combining the ensemble storytelling of Colum McCann’s Let the Great World Spin, the speculative nature of Sequoia Nagamatsu’s How High We Go in the Dark and C. Pam Zhang’s Land Of Milk and Honey, with the humor and heart of Glass Onion.

THE LAST ICEBERG TASTING MENU
by Erin Jones
Roxane Gay Books/Grove Atlantic, publication 2026-2027
(via Frances Goldin Literary Agency)

In a not-too-distant future, the world’s last glacier has been downgraded to the world’s last iceberg. While society mourns another natural wonder lost to climate change, the billionaire—a former tech mogul turned restaurateur—becomes obsessed with obtaining a piece of the ice to serve at his restaurant. The iceberg has been deemed a protected entity by the United Nations, but that doesn’t worry the billionaire. He needs the ice.

THE LAST ICEBERG TASTING MENU is a speculative, propulsive literary novel-in-stories following the waning days of the world as we know it, and the nine people who find their fates intertwined with the iceberg and one another across space, time, and class. There’s the helicopter pilot who aids and abets the billionaire’s heist despite physical and emotional scars from what she saw while working in search and rescue amid environmental catastrophes wrought by global warming; the billionaire’s wife, who reserved her place in a future Mars colony by allowing her consciousness to be contained in a box as the world burned; a pair of twins who have only ever lived at sea and now lead scuba tours of communities drowned by rising waters; and finally, the security guard who will do whatever it takes to provide protection (and air conditioning) for his young family, and becomes embroiled in a plot to reclaim the little of the iceberg that remains in containment before it’s gone forever.

Erin Jones is the author of the YA novel Tinfoil Crowns (Flux Books, 2019), a 2020 Moonbeam Awards Silver Medalist, and one of Barnes & Noble’s most anticipated YA books of the year. Jones graduated with her MFA in fiction from Emerson College where she is now affiliated faculty and a writing consultant for ELL students. She lives in Boston, Massachusetts.

LETTERS TO ANOTHER HOME de Bora Lee Reed

Told in alternating points of view, LETTERS TO ANOTHER HOME highlights the tension between personal dreams and duty to family, the power of resilience, and how choices made in a brief moment have consequences that reverberate for lifetimes. A powerful story about what it means to build a life for yourself and your family against all odds.

LETTERS TO ANOTHER HOME
by Bora Lee Reed
37 Ink, Spring 2026
(via Frances Goldin Literary Agency)

North Korea, 1950: Oksoon believes that the war is finally over in Pyeongyang. The Americans are here to stay, she’s told, but her father and eldest brother have gone south and she anxiously waits for their return. When the Chinese army unexpectedly attacks, Oksoon must flee with her mother and second brother in search of safety and to reunite their family. Journeying from freezing winter in the rural north to the seedy back alleys of Seoul during the summer, Oksoon and her family fall in with an unlikely group of miscreants – a prostitute, a baduk gambler, an opportunistic ferryman – and question how far they’ll go, and what moral boundaries they’ll cross, to find their missing relatives.

Meanwhile, far to the south near Jinju, Oksoon’s close cousin Junho flees the war to find refuge at the Lord’s Beloved Home for Children. As the orphanage struggles to keep its doors open, Junho is put in charge of drafting letters to rich American benefactors, convincing them to send money to Korea. But when the enigmatic orphanage director brings her aristocratic niece to stay at the Home – a beautiful young woman harboring a secret – Junho finds himself caught between his impulse for survival and his growing affections, which put him at risk of being expelled from the only safe place he knows.

As Oksoon and Junho make their way towards each other and eventually unite, they fight to save themselves and hold their family together, even as the war threatens to tear everything apart.

BORA LEE REED was born in Seoul, South Korea, and immigrated to the U.S. as a young child. She grew up in Southern California, among a vibrant Korean immigrant community. She holds an MFA from Warren Wilson College and has been awarded residences from Hedgebrook, Ragdale, and UCross. Bora, a Reese’s Book Club LitUp Fellow, now lives in Berkeley, CA, where she works as the director of communications for UC Berkeley’s public policy school.

THE WIREGRASS de Matt Kessler

A vital and propulsive true crime narrative of corruption, injustice, and two young women’s murder in a little-known corner of the American Deep South.

THE WIREGRASS:
A Tale of Murder and Retribution
by Matt Kessler
Grand Central Press, Spring 2026
(via Frances Goldin Literary)

In 1999, in the rural Alabama town of Ozark, high schoolers Tracie Hawlett and J.B. Beasley were found shot in the trunk of their car, weeks before the start of their senior year. The night of their murder remains shrouded in mystery. They were driving between field parties. They were lost. But why were their jeans muddy, soaked to the bone? And what drove someone to kill them?

Twenty years passed, but locals could not forget the girls’ deaths. Suspicions of a police cover-up reached a fever pitch until, out of the blue, a softspoken Black man named Coley McCraney—a long-haul trucker and ordained deacon—was arrested for the crime. The dramatic trial and controversial conviction that followed would tear this small farming community in two.

THE WIREGRASS is an under-documented region of the American Deep South, known for its peanuts. Religiously conservative and historically poor, it stretches from Montgomery, Alabama to Macon, Georgia and south to the Florida Panhandle. Cut off from major highways, effectively run by local law enforcement, it’s a place where America’s fundamental prejudices present themselves without veneer; inequality, violence and racism run bone deep.

A native Alabamian, seasoned journalist, and student of Maggie Nelson and Percival Everett (who gave the book its title), Matt Kessler has spent seven years researching the tangled case of the Beasley-Hawlett murders, attending the trial of Coley McCraney, and gaining the trust of the local community—as well as the ire of local police enforcement.

THE WIREGRASS is an atmospheric and utterly compelling true crime narrative, as interested in the rippling effects of murder on a small, tight-knit community as it is on exposing truth in places that are otherwise forgotten and neglected. Calling to mind the work of Patrick Radden Keefe (Say Nothing, Empire of Pain) and David Grann (Killers of the Flower Moon, The Wager), as well as Michelle McNamara’s legendary I’ll Be Gone in the Dark, this is a thrilling yet profound story of race, class, and the corruption of power.

Matt Kessler is a journalist based in Birmingham, Alabama. His reporting appears in The Guardian and The Atlantic and has been commended by the Mississippi ACLU. His cultural criticism and award-winning short stories have appeared in Pitchfork, Vice, The Rumpus, and the Los Angeles Review of Books, among others. He holds an MFA from the University of Mississippi and is completing a PhD in creative writing and literature at the University of Southern California.

IT’S HARD TO BE AN ANIMAL de Robert Isaacs

A hilarious and clever upmarket love story and cozy mystery with a strong thread of magical realism, for readers of Carl Hiaasen’s Squeeze Me looking for a bit more tenderness, or of Shelby Van Pelt’s Remarkably Bright Creatures.

IT’S HARD TO BE AN ANIMAL
by Robert Isaacs
Grand Central, Spring 2026
(via Frances Goldin Literary Agency)

Henry Parsons is walking through Central Park on a date with Molly Bent, the quirky, sweet, and endlessly interesting woman that his colleague set him up with. After a long spell of loneliness, he is feeling hopeful for the first time in years when a sweet little warbler tells him to f*** off.

A gentle soul already troubled by the rancor and insensitivity of humans in the city, Henry tries to brush it off as a hallucination. But suddenly he can hear the voices everywhere: dogs mocking their owners, sparrows fat-shaming each other, snakes pontificating about misogyny and gender politics, police horses profiling attendees of a street fair: the man who never speaks up for himself is suddenly surrounded by animals who do.

It’s all fun and games until he overhears three rats discussing a corpse in the New York subway. Unsure what to do, he lets it slip to Molly. She’s keen to investigate, and Henry is desperate for another date. Together they descend into an abandoned tunnel under the West Fourth Street station where they find a body… and the murderers find them.

For the first time in Henry’s careful life there’s no way to duck confrontation: he’s being hunted, and must find the courage to face the Scottish gangsters stalking him across the city. Of course, that same assertiveness might transform his chances with Molly too. Inspiration arrives, unexpectedly, from his roommate’s pair of feuding beta fish on an enemies-to-lovers arc, and the neighbor’s yapping Pomeranian whose wisdom changes Henry forever.

Robert Isaacs’ writing has appeared in the New York Times, the Chicago Tribune, Salon.com, Hindsight and The First Line. He earned his MFA in Creative Writing at Columbia University with a dual thesis in fiction and nonfiction. In his checkered past he’s also worked as a musician (Grammy nominated singer, conducted at Carnegie Hall, Royal Albert Hall, etc.) and street-performer (juggling, unicycling, plate-spinning, and so on.)

Robert Isaacs’ writing has appeared in the New York Times, the Chicago Tribune, Salon.com, Hindsight and The First Line. He earned his MFA in Creative Writing at Columbia University with a dual thesis in fiction and nonfiction. In his checkered past he’s also worked as a musician (Grammy nominated singer, conducted at Carnegie Hall, Royal Albert Hall, etc.) and street-performer (juggling, unicycling, plate-spinning, and so on.).