Archives de catégorie : Speculative Fiction

THE LAST ICEBERG TASTING MENU d’Erin Jones

THE LAST ICEBERG TASTING MENU explores themes of climate change, wealth inequality, queer lives, and immortality, combining the ensemble storytelling of Colum McCann’s Let the Great World Spin, the speculative nature of Sequoia Nagamatsu’s How High We Go in the Dark and C. Pam Zhang’s Land Of Milk and Honey, with the humor and heart of Glass Onion.

THE LAST ICEBERG TASTING MENU
by Erin Jones
Roxane Gay Books/Grove Atlantic, publication 2026-2027
(via Frances Goldin Literary Agency)

In a not-too-distant future, the world’s last glacier has been downgraded to the world’s last iceberg. While society mourns another natural wonder lost to climate change, the billionaire—a former tech mogul turned restaurateur—becomes obsessed with obtaining a piece of the ice to serve at his restaurant. The iceberg has been deemed a protected entity by the United Nations, but that doesn’t worry the billionaire. He needs the ice.  

THE LAST ICEBERG TASTING MENU is a speculative, propulsive literary novel-in-stories following the waning days of the world as we know it, and the nine people who find their fates intertwined with the iceberg and one another across space, time, and class. There’s the helicopter pilot who aids and abets the billionaire’s heist despite physical and emotional scars from what she saw while working in search and rescue amid environmental catastrophes wrought by global warming; the billionaire’s wife, who reserved her place in a future Mars colony by allowing her consciousness to be contained in a box as the world burned; a pair of twins who have only ever lived at sea and now lead scuba tours of communities drowned by rising waters; and finally, the security guard who will do whatever it takes to provide protection (and air conditioning) for his young family, and becomes embroiled in a plot to reclaim the little of the iceberg that remains in containment before it’s gone forever.

Erin Jones is the author of the YA novel Tinfoil Crowns (Flux Books, 2019), a 2020 Moonbeam Awards Silver Medalist, and one of Barnes & Noble’s most anticipated YA books of the year. Jones graduated with her MFA in fiction from Emerson College where she is now affiliated faculty and a writing consultant for ELL students. She lives in Boston, Massachusetts.

DON’T LET ME GO de Kevin Christopher Snipes

They Both Die at the End meets See You Yesterday in this speculative YA romance about two star-crossed boys trapped in a millennium-spanning cycle of reincarnation whose only hope of escape may be a price that neither is willing to pay.

DON’T LET ME GO
by Kevin Christopher Snipes
HarperCollins Children’s Books, May 2025

Out and proud, Riley Iverson knows there’s nothing more cringe than crushing on a straight boy. But from the moment that the handsome, sporty, and painfully heterosexual Jackson Haines walks into his life, Riley can’t help but feel an instant and undeniable connection. Mainly because, as impossible as it seems, Jackson is the spitting image of the boy who’s recently appeared in Riley’s dreams—dreams set in another time and another place where he and Jackson were desperately in love.

At first Riley tries to dismiss the coincidence as a product of his hormone-fueled, overactive imagination, but as his friendship with Jackson deepens into something more, the dreams prove harder to ignore. Especially when Jackson begins having them too. Plunged into increasingly vivid visions of the past, the boys find themselves in various eras scattered throughout history. No matter where or when their dreams take them, though, two things remain constant: Riley and Jackson are always together, and they always die at the end.

As it becomes increasingly difficult to view their dreams as anything but warnings, the boys are forced to consider the possibility that their burgeoning relationship might be propelling them headfirst into their own tragic ending. But is it worth staying apart to save their lives if the price is forsaking a love that has defied not only time and space but even death itself?

Kevin Christopher Snipes is a New York–based writer who was born and raised in Florida. He spent his early career in the theater writing plays, including A Bitter Taste and The Chimes. Later, for Gimlet Media/Spotify, he created the queer fantasy podcast The Two Princes. His children’s poetry and short fiction have been published internationally, and his debut novel, Milo and Marcos at the End of the World, was an official selection of the NEA’s Read Across America program. 

THE REPEAT ROOM de Jesse Ball

Franz Kafka meets Yorgos Lanthimos in this provocative new novel from one of America’s most brilliant and distinctive writers.

THE REPEAT ROOM
by Jesse Ball
Catapult, September 2024
(via Sterling Lord Literistic)

In a speculative future, Abel, a menial worker, is called to serve in a secretive and fabled jury system. At the heart of this system is the repeat room, where a single juror, selected from hundreds of candidates, is able to inhabit the defendant’s lived experience, to see as if through their eyes.

The case to which Abel is assigned is revealed in the novel’s shocking second act. We receive a record of a boy’s broken and constrained life, a tale that reveals an illicit and passionate psycho-sexual relationship, its end as tragic as the circumstances of its conception.

Artful in its suspense, and sharp in its evocation of a byzantine and cruel bureaucracy, THE REPEAT ROOM is an exciting and pointed critique of the nature of knowledge and judgment, and a vivid framing of Ball’s absurd and nihilistic philosophy of love.

Jesse Ball is the author of fifteen books, most recently the novel Autoportrait. His works have been published to acclaim in many parts of the world and translated into more than a dozen languages. He is on the faculty at the School of the Art Institute of Chicago, won the 2008 Paris Review Plimpton Prize, was longlisted for the National Book Award, and has been a fellow of the NEA, Creative Capital, and the Guggenheim Foundation.

LONELINESS & COMPANY de Charlee Dyroff

Set in a near-future tech-ruled world, LONELINESS & COMPANY is about a loveable weirdo tasked with teaching an AI to be human who becomes more open to the world in the process.

LONELINESS & COMPANY
by Charlee Dyroff
Bloomsbury, May 2024
(via Sterling Lord Literistic)

Lee graduated from the top of her class at the Program and expected a placement at a top company. Instead she’s sent to collect data for a company nobody’s ever heard of that’s trying to teach an AI to act as “a true friend.” Lee begins voyeuristically: gathering information online and observing her outgoing roommate Veronika. But then the team learns that their company is secretly trying to cure loneliness, an emotion erased from society decades ago but somehow returned and spreading rapidly; the “true friend” AI is one of the few tech ventures that hasn’t yet failed. The company becomes desperate. Lee’s pressured into not just inputting data she finds online, but giving the AI the data of her own real-world experiences. She’s pushed into a zany mindset of chasing experiences to feed the AI.

LONELINESS & COMPANY will appeal to fans of Hilary Leichter’s Temporary and the bizarre humor of living in a tech-ruled world of Patricia Lockwood’s No One Is Talking About This. It’s thematically kin to Kazuo Ishiguro’s Klara and the Sun and the work of Alexandra Kleeman.

Naturally intelligent. An inventive, timely, and perceptive story about human connection and being alive.” —Emily Austin, author of Everyone in this Room will Someday be Dead

Tender and hopeful, Dyroff’s story glimmers with humor, empathy, and profound insights into the inner workings of the human heart and psyche.” —Gina Chung, author of Sea Change and Green Frog

This is a tender, visionary, wide-hearted book that offers itself as a course corrective to our hyper-quantified, algorithm-craven age.” —Hermione Hoby, author of Virtue

Charlee Dyroff is a writer from Boulder, Colorado. She received an MFA from Columbia University and some of her work has appeared in Gulf Coast, Lapham’s Quarterly, Guernica, The Best American Food Writing of 2019, and elsewhere.

THE REDEMPTION OF MORGAN BRIGHT de Chris Panatier

A woman checks herself into an insane asylum to solve the mystery of her sister’s murder, only to lose her memory and maybe her mind.

THE REDEMPTION OF MORGAN BRIGHT
by Chris Panatier
Angry Robot, February 2024
(via KT Literary)

From the subversive voice behind The Phlebotomist comes a story that combines the uncanny atmosphere of Don’t Worry Darling with the narrative twists of The Last House on Needless Street.

What would guilt make you do?

Hadleigh Keene died on the road leading away from Hollyhock Asylum. The reasons are unknown. Her sister Morgan blames herself. A year later with the case still unsolved, Morgan creates a false identity, that of a troubled housewife named Charlotte Turner, and goes inside.

Morgan quickly discovers that Hollyhock is… not right. She is shaken by the hospital’s peculiar routines and is soon beset by strange episodes. All the while, the persona of Charlotte takes on a life of its own, becoming stronger with each passing day. As her identity begins unraveling, Morgan finds herself tracing Hadleigh’s footsteps and peering into the places they lead.

The terrifying reality of THE REDEMPTION OF MORGAN BRIGHT unfolds over the course of chapters told from the points of view of both Charlotte and Morgan, police interviews, and text messages.

Chris Panatier is an artist and writer living in Dallas, Texas, with his wife, daughter and a fluctuating herd of dogs. He writes short stories and novels. Chris has also been a trial attorney for almost two decades. He represents people who have been injured, poisoned, or killed due to the conduct of others.