Archives par étiquette : Levine Greenberg Rostan

HEATHER de Caitlin Mullen

For readers of Liz Moore’s The God of the Woods, a small-town detective reopens an unsolved case, sending shock waves across generations of women in this gripping new mystery from the Edgar Award–winning author of Please See Us.

HEATHER
by Caitlin Mullen
Celadon Books, June 2026
(via Levine Greenberg Rostan)

Photograph by Sylvie Rosokoff

1994. In the myth-riddled woods of the New Jersey Pine Barrens, sixteen-year-old Annabelle Riley’s twin sister, Sabrina, has been having an affair with a mysterious older man, and Annabelle is determined to uncover what’s going on. Then, inexplicably, both sisters disappear.

In this same town years later, newly instated Police Chief Callie Hauser makes an arrest that unexpectedly resurrects details from a heartbreaking cold case. As she digs deeper, the past and the present collide, challenging everything Callie believes about right and wrong, about who she is, and about the town she’s always called home.

A propulsive mystery as incisive as it is forgiving, Heather bears a visceral reminder that the truth of a woman’s life is often complicated and unknowable―to those on the outside, and sometimes even to herself.

Caitlin Mullen is the author of Please See Us, which won the 2021 Edgar Award for Best First Novel and was named a New York Times best crime novel in 2020. She lives in New Jersey with her husband and children.

HOME FOR THE HOMICIDES d’Elle Cosimano & Hannah Morrissey

Co-authored by New York Times Bestseller Elle Cosimano (Finlay Donovan series) and USA Today Bestseller Hannah Morrissey (Black Harbor series), a light-hearted murder mystery with a dash of lust and merriment, for fans of Ally Carter’s The Most Wonderful Crime of the Year.

What if the perfect romcom heroine didn’t get her happy ending…because she got murdered instead? In this will-they-or-won’t-they holiday mystery, Special Agents Holly and Mark are on the case, on each other’s nerves, and on fire for each other.

HOME FOR THE HOMICIDES:
A Holly and Mark Mystery
by Elle Cosimano & Hannah Morrissey
Minotaur, Fall 2026
(via Levine Greenberg Rostan)

When big-city Special Agents Holly Frost and Mark Shepherd report to the idyllic small town of Christmas to investigate a very less than idyllic murder, they’re in for more than the average whodunnit.

This podunk assignment three hundred miles north is their punishment, and it has nothing to do with them getting naughty in the janitor’s closet at last year’s holiday party. Rather, Holly and Mark are both on thin ice after messing up on the job—Mark licked a frozen pole on a dare and Holly accidentally scarfed down a tray of pot brownies. Their lapses in judgment were caught on camera, embarrassing their department, and a rural, remote location like Christmas is the perfect place to lay low.

As much as this assignment is a punishment, it’s also their shot at redemption. Whoever outperforms the other will either get to stay in Major Crimes, or kick the other one out.

Regrets of last year’s holiday hookup riding shotgun between them, each agent has their reasons for wanting to wrap up this romcom gone wrong as soon as possible. Mark left Christmas for a reason—one that looks an awful lot like a quiet, cookiecutter life with an ex-fiancée who’s way too friendly with his mom, the mayor. And Holly, a Scrooge when it comes to all things Christmas, would prefer to avoid any reminders of the holiday that stole her parents in a tragic car accident when she was young. This kitschy town and her new partner are getting on her last nerve.

With just twelve days until the festival, the countdown is on.

Elle Cosimano is a New York Times and USA Today bestselling author, an International Thriller Writers Award winner, and an Edgar Award nominee. Elle’s debut novel for adults, Finlay Donovan Is Killing It, kicked off a witty, fast-paced contemporary mystery series, which was a People magazine pick and was named one of New York Public Library’s Best Books of 2021. The third book in the series, Finlay Donovan Jumps the Gun, was an instant New York Times bestseller.

Hannah Morrissey studied English and Creative Writing at the University of Wisconsin – Madison. Her first novel, Hello, Transcriber, was inspired by her experience as a police transcriber. She lives in Wisconsin with her husband and two pugs.

THE ALGORITHM de Jon McNeill

From a former President of Tesla comes The Algorithm—the first book written by any of Elon Musk’s direct reports—a transformative guide for leaders, entrepreneurs, and innovators who want to emulate the paradigm-shattering approach Musk used to launch Tesla and SpaceX to meteoric success.

THE ALGORITHM:
The Hypergrowth Formula that will Revolutionize Any Business
by Jon McNeill
Portfolio/PRH, March 2026
(via Levine Greenberg Rostan)

Jonathan McNeill had already founded and sold six startups when Sheryl Sandberg introduced him to Elon Musk, who was looking for help at Tesla. McNeill was steeped in the lean principles that had made Toyota a global powerhouse—principles focused on achieving efficiency and optimization by incrementally improving existing systems and processes. What he learned from Elon at Tesla was its antithesis, an approach that required radical rethinking to explode the status quo, attack complexity, and set seemingly unrealistic goals. Elon called this five-step framework “The Algorithm.”

1. Question every requirement.
2. Delete every possible step in the process.
3. Simplify and optimize.
4. Accelerate cycle time.
5. Automate.

In this book, McNeill details this tremendously powerful set of tools, which brought Tesla from a production crisis that threatened to derail it to a period of hypergrowth. During his tenure, revenue boomed from $2B to $20B in just 30 months. Since his departure from Tesla, McNeill has used The Algorithm in every enterprise he has worked with to supercharge speed, efficiency, innovation, and growth. Featuring case studies from Tesla and SpaceX, as well as from Lululemon, GM, and companies of various sizes across industries, he reveals how any business can do the same and achieve the unimaginable.

Jonathan McNeill is the cofounder and CEO of venture capital firm DVx Ventures. A serial entrepreneur and business leader with a proven track record of boosting revenue and scaling companies, he served as the president of Tesla, Inc., and the COO of Lyft. McNeill currently holds positions on the board of directors of General Motors, CrossFit, and Lululemon, among others. A sought-after speaker, he is a frequent contributor to CNBC and is regularly quoted in business publications such as Fortune, Semafor, and TechCrunch.

ECONOMICS WITHOUT NUMBERS de Peter Coy

Economics rules our lives, but we don’t fully understand how. People can’t easily grasp the big ideas of economics because they’re put off by the graphs, equations, and specialized terminology. This book explains economics through a powerful and underused teaching tool – the metaphor.

ECONOMICS WITHOUT NUMBERS:
A Guide for the Perplexed
by Peter Coy
W.W. Norton, Winter 2027
(via Levine Greenberg Rostan)

Economics and metaphors go together like pasta and clam sauce. The free market is an invisible hand. A rising tide lifts all boats (supposedly). There’s pushing on a string, which describes the difficulty of fighting deflation by lowering interest rates. Trickle down, the benighted notion that the best way to help the poor is to help the rich first. Real estate bubbles, stock market liquidity, price inflation, the random walk of stock prices.

If you understand the metaphors of economics, you’ll be able to make more sense of the latest report on the CPI or the GDP, and you’ll carry your weight in conversations about inflation or the national debt. “Metaphors are markers that orient the discovering wanderer,” two economists once wrote.

Each metaphor is illustrated. Skipping around is highly encouraged. There’s also a detailed index for people who want to look up a puzzling term. (What’s all this about the “velocity” of money?) For casual readers there’s a quick overview in large type. People who want to read more deeply can continue to the main text.

Peter Coy is a writer for the Opinion section of The New York Times, where he has a newsletter on econonmics and adjacent topics. He writes about big macro topics of economic growth, unemployment, and inflation, and also delves into business, markets, trade, government policy, and personal finance.

BLOODFIRE, BABY d’Eirinie Carson

Nightbitch meets Motherthing meets the multigenerational aspect of Homegoing and the wild unhinged-ness of My Year of Rest and Relaxation.

BLOODFIRE, BABY
by Eirinie Carson
Dutton/PRH, Spring 2026
(via Levine Greenberg Rostan)

When her husband leaves for a work trip he cannot postpone, Sofia, a three-week post-partum new mother, suddenly finds herself alone with her as-yet unnamed daughter in a large house in a wealthy suburb in the Bay Area. She never expected to end up here, to live like this, and she thought it would all be, well, different. She thought mothering would come naturally to her, as it appeared to for every other mother she glimpsed out in the wild. Nobody seems willing or able to help her: not Emil, her absent husband; not Dominique, her childless best friend; not Buffy, Emil’s judgmental, waspy mother; not Edwina, Sofia’s mother whom she cut off long ago; and not Devon, her brother who moved across the country to get away from their messy, traumatic family life. Not even Amina, a friendly, put-together mom from her local park.

Sofia becomes a woman tormented by ghosts. As she slowly descends into loneliness, paranoia, anxiety, and, ultimately, sleep-deprived madness, she learns of an insidious ancestral haunting that has plagued the eldest daughter of the eldest daughter in her family. Before it becomes all too consuming, she must confront the history of the matriarchs in her bloodline dating back to 1700s colonized Jamaica.

What will Sofia do to protect her new baby, beleaguered by threats from all around? Who is this shadow that stalks her in the night? And what is she capable of? There isn’t anything she wouldn’t do, Sofia realizes—she’d even resort to bloody violence, if needed. And it seems to her that she just might need to.

Told in an irresistible, razor-sharp, charming voice and with a cutting wit, this is a maternal gothic story of the fourth trimester, of heritage and class, of the things our mothers pass along to us, good and bad, and of the types of mothers people set out to be versus the ones they actually become.

Eirinie Carson is a Black British writer living in California. She is a mother of two children. A member of the Writers Grotto in San Francisco, Eirinie is a frequent contributor to Mother magazine, and her work has also appeared in Lithub, Mortal Mag, The Sonora Review, and others. She was the NEA Distinguished Fellow at the Hambidge Center and is a 2024 alum at the Virginia Center for the Creative Arts. Eirinie contributes to her local paper, The Argus Courier, via a column, Eirinie Asks. She mostly writes about motherhood, grief, and relationships, and her first book, The Dead Are Gods (Melville House, 2023) was critically acclaimed by Oprah Daily, Nylon Magazine, Shondaland, and The Washington Post as well as winning a Zibby Award. It was also named one of Kirkus Reviews Best Books of 2023.