Archives de l’auteur : WebmasterBenisti

THE LINEUP de Nicholas Timms

Set against the backdrop of the iconic Byron Bay, this debut thriller dives into the hostile and sometimes violent world of competitive surfing.

THE LINEUP
by Nicholas Timms
PRH Australia, July 2026
(via The Pilkington Agency)

A killer on the loose. A surfer out of his depth…

Bo Curren was once a champion surfer. Now, at twenty-eight, he’s all washed up – unable even to set foot near the ocean.

Instead, he spends his days alone in his apartment, drowning his sorrows in whiskey and watching surfers on his laptop via the 24-hour surf webcam.

Then one day he sees something he shouldn’t. A camera trained on a deserted Byron Bay beach picks up a murder right there on the sand.

The police dismiss his report, and no bodies are found. Yet Bo knows what he saw.

And he has a clue: the murderer’s distinctive surfboard. If he can track that down, he’ll catch the killer.

But is he ready to dive back into a world where the rules are unspoken, outsiders aren’t welcome, and where secrets can be as dangerous as the waves?

A word from the editor, Bev Cousins: « I’m thrilled to be publishing Nicholas Timms’ sensational debut thriller, THE LINEUP. As a publisher of crime fiction for over thirty years both in the UK and Australia, it takes a very special book now to catch my eye – but I fell for this one hook, line and sinker. With heart-stopping ocean set-pieces amid tense detective scenes, Nicholas Timms masterfully balances the thrills of surfing with the twists and turns of the best crime fiction.’

The Lineup reads like a riptide.  Once you’re in it it won’t let you go.’ — Michael Brissenden, bestselling author of Dust

The Lineup crashes into the Australian crime scene with the force of a perfect wave — a tense debut that drags you under and doesn’t let you surface until it’s done. Highly recommend.’ — R.W.R. McDonald, author of The Nancys

‘The kind of book that grabs you and doesn’t let go, The Lineup will sweep you away in an adrenaline rush of action and intrigue, all the while exploring a poignant thread about trauma and grief.’ — Jess Kitching, author of The Life Experiment

Nicholas Timms is a writer and former competitive surfer based in Sydney. Now working as a copywriter for a globally recognised advertising agency, he has been the creative mind behind several award-winning campaigns.

WHITEOUT de Carola Lovering

Carola Lovering has become known for her keen psychological suspense and portrayal of obsession and complicated relationships. In this new novel, she explores the complexities of marriage, sisterhood, and the capricious relationship between what is true and how the truth is remembered.

WHITEOUT
by Carola Lovering
St. Martin’s Press, March 2027

June Lyons has built a beautiful life in Aspen, Colorado, where she lives with her husband Shep and their young daughter Ivy. Shep is a bestselling author whose skyrocketing career has put June’s own ambitions on the backburner, but it’s a small price to pay. She has a gorgeous, mountainside home, and her sister Penny—her closest friend and confidante—lives just across town. But when June loses her second pregnancy in a tragic ski accident just weeks before her due date, the family’s world is immediately shattered, and everything that she thought she knew about her life is thrown into question.

In the months that follow June’s devastating loss, what exacerbates her despair is the fact that she can’t remember anything about the crash. Why was she on skis, so late in her pregnancy? Why wasn’t Shep with her? And what if it wasn’t actually an accident? Determined to find the answers that no one can seem to provide, June begins to piece together what happened that day, intent on unveiling the truth at any cost—even if it reveals something about herself, or her marriage, that she’d rather not face.

Brimming with secrets and twists and including a past timeline that follows June and Penny through their early years in Aspen, Whiteout excavates the thin line between fact and fiction, memory and reality, as it explores the complexities of marriage, sisterhood, motherhood, and grief.

Carola Lovering is the bestselling author of the novels Tell Me Lies, Too Good to Be True, Can’t Look Away, and Bye, Baby. She is a graduate of Colorado College, and her work has appeared in Vogue, New York Magazine, W Magazine, National Geographic, Marie Claire, and Yoga Journal, among other publications. Her novel Tell Me Lies is now a television series for Hulu. She lives in Connecticut with her husband and two young children.

PEOPLE SKILLS de Lily Scherlis

A razor-sharp nonfiction book that dissects the failures of the bloated self-help industrial complex to improve our lives, while also unearthing what real change could look like.

PEOPLE SKILLS:
The Impossible Task of Personal Growth–and Why Change is the Answer
by Lily Scherlis
Liveright / Norton (US) / Hutchinson Heinemann (UK), publication date TBC
(via The Gernert Company)

Psychology is rife with metaphors, and today’s self-help movement is no different: you can “optimize” your routine, as if you are designing an app; you can set better boundaries, as if you are a lawn; you can say when you’re “at capacity,” as if you are a battery; or you can “invest” in self-care, as if you are a stockbroker on the trading floor of the soul. From a pragmatist’s perspective, borrowing the language of the times to instill psychological insights makes perfect sense, and when self-help advice sounds so intuitive, it’s easy to buy in. But problems arise when we mistake metaphors forged in the crucible of our hyper-individualized neoliberal culture for a true metaphysics of the mind. You may indeed have a 401k, but you are neither a lawn nor a battery. 

In PEOPLE SKILLS, Lily Scherlis places the concepts so many of us cling to for sanity as we navigate an increasingly uncertain world–think attachment styles, emotional intelligence, and even the idea of people skills itself–in sociopolitical context, from cold war ideological panic to anxieties unleashed by globalization. Many of these ideas have their origins in legitimate psychological insights and research, and some of them can be helpful, some of the time. But when they are warped, watered down, and overapplied, they give rise to a curious paradox: As inadequate institutions crumble and we are forced deeper into financial and emotional dependence upon one another, our primary yardstick for measuring our own well-being is the ability to perform independence. In a society that values economic growth at all costs, the only way to avoid being left behind is to keep growing yourself; in a world getting worse, the only solution is to be better. 

But this is an impossible task: In the never-ending quest for self-improvement, the goal is always just out of reach–which is exactly how the $1.5 billion self-help industry wants it. Lily gives us permission to step off the hamster wheel of personal growth and think about other ways of addressing our problems—and to question whether they’re really problems at all. We are intrinsically interdependent beings, she reminds us, whose obligations to ourselves are never really divorced from our obligations to one another, and when we retreat to our own private spheres in order to self-actualize, we merely atomize our troubles, disappoint ourselves, and reinforce the status quo. In encouraging us to flex new psychic muscles instead of reaching for the same canned jargon, PEOPLE SKILLS ends up being its own kind of self-help, ironically. For Lily, the goal is not growth but change–for ourselves, and for our world. Neither can happen without the other.

Lily Scherlis is a writer and artist, and a PhD candidate in English and Theater and Performance Studies at the University of Chicago. Her writing has appeared in n+1Harper’sThe GuardianParapraxisThe BafflerThe Drift, and Cabinet, among other venues. She lives in Brooklyn.

PLAYING COLTRANE d’Andre Hardy

Former NFL player Andre Hardy’s debut, featuring a young man who has risen from the rarely seen dark side of San Diego to the upper echelons of the city’s elite, serving as the fixer to a corrupt kingmaker who now wants to get out and focus on his family, but first he’s got to survive one last job. A potent and atmospheric new vision of the hard-boiled detective and noir genres.

PLAYING COLTRANE
by Andre Hardy
Grand Central, September 2026
(via Writers House)

Like the complex, morally ambiguous protagonists written by Hammett, Chandler, Macdonald, Cain and their many descendants, Coltrane Davis is at once a knight and a hustler. He has risen to wealth and success, graduating from San Diego’s back alleys to the halls of power through his partnership with Saul Sollman, a crooked kingmak­er among the city’s elite. Running multimillion dollar scams with Saul, he has been Saul’s fixer, but now he wants out of the hustle so that he can focus on his teenage daughter’s burgeoning tennis career and finally be the dad he has always wanted to be. But when the San Diego Chargers’ star running back disappears one evening before a big game, Coltrane is drawn into an investigation of what happened by Saul and his protégé, the player’s agent; at the same time, Coltrane’s daughter’s closest friend disappears into San Diego’s underworld of drugs and pros­titution, and Coltrane is haunted by his failure to save her from San Diego’s sex industry. Torn by the unreconcil­able demands of the life he can’t seem to quit, Coltrane brings himself and his loved ones to the brink of destruc­tion in his quest to free himself once and for all of Saul’s control.

PLAYING COLTRANE is brimming with gorgeous writing about place, music, and the hard-fought struggle for personal growth against legacies of violence and neglect.

Andre Hardy is a former NFL running back and Antioch University MFA graduate whose essays and short fiction have appeared in journals and anthologies. His extraordinary journey from professional athlete to Big Five-published novelist infuses his storytelling with grit, rhythm, and authenticity. With this novel, he estab­lishes himself as a breakout voice in contemporary crime fiction, speaking to identity, resilience, and justice with global resonance.



THE LOST MASTERPIECE de Lou Morgan

The Time Traveller’s Wife meets I Capture the Castle in this sweeping love story with a time travel (and bookish!) edge.

THE LOST MASTERPIECE
by Lou Morgan
Penguin Michael Joseph, January 2027
(via Mushens Entertainment)

When Jess – grieving the loss of her brother – returns to her family home she is alarmed to find a man living in the tower room. Solomon Nash has been stuck there for 150 years, unable to finish his novel. Determined to help set him free – and to unravel the mystery of what her brother intended to tell her before his accident – she doesn’t expect Solomon to unlock a part of her no one else has. But how can she fall in love with someone who doesn’t belong to this time?

The Grant family have been caretakers of Merrith, the house of famed Victorian poet Hercules Nash, for 150 years. Everyone assumed that her brother Toby would be the one to inherit the house, which is full of old books, memories, and family history. But then Toby died, and the Nash Foundation decide to sell it, meaning that Jess is forced back to confront her complex emotions around the property and her family. Jess is lonely, very aware that Toby was the family favourite, and haunted by a mysterious message from her brother before he died.

One day, convinced that she sees someone through a tower window, she visits a room she has never entered before. Defying all reason, she discovers it’s a pocket of time: it’s always 1853 in that room, and Hercules Nash’s younger brother, Solomon, is stuck there, unable to finish his novel. It’s impossible, he’s impossible, but the more time she spends with him, the more he starts to bring her back to life. She wants to help him return to his own time, and to find out exactly why he has been erased from Hercules Nash’s history. But she’s also falling in love. Torn between helping to save him, and wanting to find a way to be with him – and with the ticking clock of the house sale on the horizon – Jess finds herself torn between her heart and her head, and utterly changed by the experience of loving him.

Since 2018 Lou Morgan he has been a regular writer for Big Finish Productions across some of their most popular Doctor Who full cast audio ranges, writing for actors including Sir Derek Jacobi, Michelle Gomez and Richard Armitage. After publishing two urban fantasy novels with Solaris in 2012, she then turned her hand to YA, where she published six novels, with four contemporary romances under the pseudonym Maggie Harcourt. Born in Wales and a graduate of University College London, she now lives in Bath with her family.